Paul W. Thompson, a contributor to BroadwayWorld.com since 2007, is a Chicago-based singer, actor, musical director, pianist, vocal coach, composer and commentator. His career as a performer, teacher and writer is centered at Paul W. Thompson Music, located in Chicago’s historic Fine Arts Building, where he teaches the great songs of Broadway to the next generation of musical theater performers. A native of Nashville, Tennessee, Paul was raised in a family of professional musicians and teachers, steeped in classical, gospel, country, pop, sacred and show music. Dubbed a “thin, winsome lad” at the age of 13 by a critic for the Nashville Banner, he earned two degrees in musical theater (a B.F.A. with Honors from Baylor University and an M.M. from the University of Miami, Florida), plus an M.B.A. with Distinction from DePaul University. Paul’s memberships include Actors’ Equity Association, the American Guild of Musical Artists, the National Academy of Recording Arts and Sciences (proud voter for the Grammy Awards!), the National Association of Teachers of Singing and New York’s Drama League.
Moving easily between the worlds of classical music, religious music, classic pop and musical theater, Paul has appeared onstage or in the orchestra pit in concerts, musicals, operettas and operas in 30 states and in Europe, in a career spanning more than 35 years. His Chicagoland stage credits include “Forever Plaid” at the Royal George Theater and twenty mainstage productions at Light Opera Works. Paul joined the Chicago Symphony Chorus in 1995 (he was Tenor I Section Leader for four years and sings on two Grammy-winning recordings), and is one of Chicago’s foremost liturgical singers, marking 20 years as a member of the choir at St. James Cathedral (Episcopal) in 2011.He has composed and arranged a number of anthems, hymns and songs for worship and concert use, and collaborates on the creation of new works of musical theater. Paul can be found on Monday nights watching showtune videos at the world-famous Sidetrack nightclub, the inspiration for his weekly column, “The Showtune Mosh Pit.” His proudest achievement is that he has seen the original Broadway production of every Tony Award-winning Best Musical since “Cats.” No, really. Since “Cats!”
Last Sunday night, Bailiwick Chicago celebrated the first anniversary of its reincarnation by presenting the American debut of the musical "Departure Lounge," a very English rumination from the pen of author, lyricist and composer Dougal Irvine on what it means to bridge the gap between youth and ad
There seem to be numerous works of fiction, particularly series of books or stories geared to the child in all of us, which emerged from late 19th and early 20th century England.
The lovely and nostalgic production of a new stage version of "Seven Brides for Seven Brothers" that opened this week at the Drury Lane Theatre in west suburban Oakbrook Terrace, Illinois, very nearly returns the audience to the Broadway of the 1940s and early '50s.
BroadwayWorld, the biggest theater site on the web, is announcing that it is launching a new set of theater awards for the Chicago theater community, to be presented in December 2010.
The Jedlicka Performing Arts Center proudly presents Ray Bradbury's charming and thoughtful comedy THE WONDERFUL ICE CREAM SUIT at their theatre in Cicero, just outside the Chicago city limits.