Noah Lee Jordan - Page 2

It's a very lively crowd for a Sunday matinee but Theatre in the Round Players have quite a loyal following, so I'm not surprised. Just before the lights fade to black, I hear it and it was that moment I should've immediately knocked on wood. 'You can't go wrong with this theatre,' says a man to my right---famous last words.

Tyler Michaels, the Emcee in the upcoming Theatre Latte Da and Hennepin Theatre Trust production of CABARET, is hoping his performance will be unique and one to remember--and after chatting with BroadwayWorld.com, we think he will definitely succeed.

In honor of the fast-approaching day of love, BroadwayWorld.com thought we'd take a little time out of our busy schedules to go back a few decades. We caught up with Jill Iverson, who is playing Olive Ostrovsky in the Bloomington Civic Theatre production of THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE. Even though they're only 12-years-old, these characters and certainly Olive, know quite a bit about the 'L' word.

Amber Bjork has been a part of Theatre Pro Rata for quite a while now and proven that not only is she a talented actress but also quite the director. BroadwayWorld.com took a minute to catch up with the talented creative to talk life, love, and her upcoming project ELEPHANT'S GRAVEYARD.

With Valentine's Day quickly approaching, we thought we would catch-up with CDT actor, Keith Rice, to talk FIDDLER, theatre and his big plans for that special day. Keep reading to find out how you can win two tickets to CDT's production of FIDDLER ON THE ROOF on Valentine's Day.

I'm not one to talk numbers. I never have been nor will I ever be willing to discuss the number of conquests and how it relates to overall sexual prowess. I only mention this because it's a typically cold, Minnesota evening when I see Walking Theatre Company's production of THE SEXUAL LIFE OF SAVAGES, and the two-hour production begins with the very question, 'what's your number?'

It's two minutes to curtain on a Wednesday's opening night performance of the Guthrie's annual production of A CHRISTMAS CAROL and I'm running through a parking garage. Who gets invited to see A CHRISTMAS CAROL and says, no? Nobody, that's who.

Agatha Christie's SPIDER'S WEB is a regular whodunit mystery. It's smart. It's humorous. And it always keeps you guessing. Instead of the expected holiday-focused production Theatre in the Round Players is offering up a little something different this season and I am more than happy to accept.

Everyone has a love story they can pull from their memory, which is why everyone can relate this show. But this is not about my love story or your own love story, this is about Cathy and Jamie and THE LAST FIVE YEARS. This is about their love story.

It's opening night of David Goldstein's SKIING ON BROKEN GLASS at the Guthrie and as the play forms around me, it feels all too familiar-a love that makes no sense, an escort, unsupportive peers, and a constant battle of conscience. The play is just a little expected but in the end it leaves you with something to chat about by the water cooler and captures a few very real moments that make it all worthwhile.

It's a particularly wearisome Monday evening when I manage to see Theatre Pro Rata's production of GOOD WOMAN OF SETZUAN, and let's be honest—I'm in a foul mood. The lights dim, and immediately I check my phone to countdown the minutes until I can leave. Fast-forward a few hours and by the end of the play I was glad I made the trip.

Paul Osborn's MORNING'S AT SEVEN is interesting. I wish there were a better word to describe it, but it's the only word that feels right. I could say it's lively, endearing, or funny (which it's all of those things) but for some reason 'interesting' is the only word I can produce.

How often do we take for granted our sense of hearing? Our human existence is so intricately connected with the world of sound--from music, to movies, to simply talking on the phone to a loved one--when left without sound, most people might feel lost, painfully alone, or even go insane. Imagine now, if you lived in a world of constant silence and sound never even existed--at least for you. This is Billy's world.