Review: Martha Clarke's CHERI Dances to Colette's Romance
Martha Clarke's entrancing dance/theatre piece is based on Colette's 1920 novella of passion and romance between a young man and an older woman.
Michael Dale - Page 131
Review: WHAT'S IT ALL ABOUT? Rocks Out On Bacharach
Who knew Burt Bacharach was so emo?
Review: NUTCRACKER ROUGE is an Elegantly Erotic Holiday Dance Spectacle
Austin McCormick's Company XIV riffs on a holiday favorite with a sumptuously sensual blend of erotic dance, jazzy vocals and stunning baroque fashions filtered through a neo-burlesque sensibility.
Review: Consider Yourself Charmed at Paper Mill's OLIVER!
While more Americans would be familiar with Bart's adaptation of Charles Dickens' Oliver Twist from its Oscar-winning film version, the stage show is a craftier invention.
Review: REGULAR SINGING Completes Nelson's Captivating Apple Quartet
What started as a disposable play has concluded as one of the great American theatre experiences of this young century.
Review: Santiago-Hudson Beautifully Recreates August Wilson in HOW I LEARNED WHAT I LEARNED
Ruben Santiago-Hudson fills in for the playwright in a captivating evening of remembrances August Wilson created for himself.
Review: Ambiguity Abounds in WAITING FOR GODOT & NO MAN'S LAND
Stewart, McKellen, Hensley and Crudup make an exemplary ensemble in contrasting plays that inspire queries of 'What does it mean?'
Review: LITTLE MISS SUNSHINE Lowers The Bar
William Finn and James Lapine's sluggish new musical only occasionally hints at the brilliance of its creators.
Review: Danner and Parker Lift THE COMMONS OF PENSACOLA Above Its Slight Dramatics
Blythe Danner and Sarah Jessica Parker might trick you into thinking Amanda Peet's slight drama has real depth.
Review: SMALL ENGINE REPAIR Smacks Hard and Funny
John Pollono's terrific new play starts as a genial comedy, but switches gears with a fast and hard entrance into the danger zone.
Review: Metcalf and Goldblum Caustically Clash In DOMESTICATED
Bruce Norris' darkly satirical play questions the nature of monogamy.
Review: A GENTLEMAN'S GUIDE TO LOVE AND MURDER Serves Dastardly Clever Edwardian Fun
Half British music hall and half Grand Guignol, the rollicking good musical is a smashing Broadway debut for composer/lyricist Steven Lutvak, bookwriter/lyricist Robert L.
Review: Marsalis and Doyle Brilliantly Jazz Up Sondheim in A BED AND A CHAIR
Winton Marsalis adds jazz arrangements and John Doyle whips up a narrative for an evening that vividly showcases the great dramatist's songs at fresh angles.
Review: 386 Sundays Later, 700 SUNDAYS Returns
Faster than a speeding Les Miserables revival, Billy Crystal's solo performance of family memories returns to Broadway a mere 386 Sundays after its Tony-winning original production gave its regards.
Review: TWELFTH NIGHT & RICHARD III Burn Bright By Candlelight
London's Shakespeare's Globe Company eschews modern theatrics and replicates period productions of The Bard's classics.
Review: THE JACKSONIAN Offers Southern Fried Purgatory
Beth Henley's Southern Gothic comedy/drama pulls you in with its attention-grabbing characters and atmosphere but then leaves you wondering if it's ever going to take you anywhere.
Review: LA SOIREE Is Sexy, Comical and Risqué Circus Fun
Fans of muscular, athletic male physiques in action and sexy comical women playing for risque laughs should have a blast.
Review: Nichols' BETRAYAL Doesn't Give One Pause
The new production of Pinter's power play follows the new millennium's trend of easily digestible, surface skimming, star vehicle commercial Broadway revivals of Twentieth Century dramas.
Review: AFTER MIDNIGHT Shimmers with Harlem Elegance
The new song and dance review features an all-star jazz orchestra and a dazzling company saluting the music and styles of Duke Ellington and The Harlem Renaissance.
Review: Taylor Mac's The Brecht Girl in THE GOOD PERSON OF SZECHWAN
Director Lear DeBessonet and star Taylor Mac turn Bertolt Brecht's morality parable into a rollicking good time.
