Mary Callahan recently performed in the Broadway workshop of Sugar Babies, in Riverside Theatre's Funny Girl, and as a backup dancer for pop singer, Lily Halpern. She is a graduate of Broadway Dance Center’s Professional Semester and is studying “Writing for the Arts” at New York University. In addition to broadwayworld.com, Mary writes for Broadway Dance Center and the Verdon Fosse Estate.
On Monday, November 11th the American Dance Machine for the 21st Century performed “Next Look,” an exclusive benefit showing in preparation for the company's full-length New York City debut at the Joyce Theater next year.
The American Tap Dance Foundation (ATDF) is an acclaimed non-profit organization “committed to establishing and legitimizing Tap Dance as a vital component of American Dance through creation, presentation, education, and preservation.
Esperanza's AVES explores the movement and personalities of birds while BARE Dance Company exemplifies the synergy and camaraderie of birds in a flock.
While this pseudo-revival of Cinderella teeters between contemporary dialogue and classic songs ('A Lovely Night,' 'In My Own Little Corner,' 'Ten Minutes Ago,' etc.
The New York Theatre Ballet (NYTB) focuses on restaging classic works and
commissioning up-and-coming choreographers to present performances that are both
inspiring and affordable for audiences.
Opening night of the Martha Graham Dance Company at the Joyce featured an interesting pairing: a revival of Graham's 1962 Phaedra with Richard Move's 2002 piece, The Show (Achilles Heels).
Broadway World [BWW] sat down with Broadway veterans, Lloyd Culbreath and Valarie Pettiford, to discuss their efforts to preserve Bob Fosse's legendary choreography for the next generation of dancers.