While I have a sneaking suspicion that playwright Evan Smith meant for his new comedy, The Savannah Disputation, to bring out provocative issues of faith from underneath its many, many, many big laughs, I'm afraid director Walter Bobbie's production at Playwrights Horizon settles for being ninety of
Though The Paper Mill Playhouse has just opened Master Class and still has productions of 1776 and The Full Monty geared up for their current season, plans are zipping along for the four musicals and one straight play that will make up their 2009-10 campaign.
While The Mint Theater Company built its well-earned reputation as New York's leading archivists of plays they proudly proclaim as 'worthy but neglected,' their latest ventures suggest they may want to consider adopting the new slogan, 'I betcha didn't know (insert name of literary giant here) wrote
I don't know how far along set and lighting designer Maruti Evans was with his work for INTAR's double bill of Eduardo Machado's In Paradise and Nick Norman's She Plundered Him when the company lost its home due to the sudden closing of the Zipper Theatre and its season was rescued by the availabili
Whether the Prospect Theater Company is presenting a Dadaist piece about the birth of Dada or a kick-ass musical comedy about Tin Pan Alley tunesmiths putting on a show for the Soviet Union, the theatregoer's eye will inevitable be drawn to the elegantly simple dome that towers above their West End
As the denizens who frequent Manhattan's halls where two-drink minimums reign are well aware, the lass or laddie serving your cocktail is often an artist of greater experience and show-stopping talent than the perfectly fine entertainer who is on stage putting his or her own personal spin on 'This I
It was believed by many back in 1932, as it still is today, that the only reason Eugene O'Neill was not awarded that year's Pulitzer Prize for his Mourning Becomes Electra, an epic retelling of Aeschylus' Oresteia trilogy that declares Sigmund Freud as the true victor of the American Civil War, was
If the blocked sight lines caused by Santo Loquasto's dominating set - the wooden skeleton of a Russian two-story country home - seem at first a bit of an annoyance in Classic Stage Company's engrossing and well-acted production of Chekhov's Uncle Vanya, the wonderful moodiness his work helps create
Near the conclusion of Will Ferrell's You're Welcome America.
It's a somewhat tricky business describing what makes Donald Margulies' new play, Shipwrecked! An Entertainment - The Amazing Adventures of Louis de Rougemont (As Told by Himself), a worthwhile venture without revealing details best discovered during the performance.
'I'm a retired businessman,' the title character of Richard Krevolin and Joseph Bologna's new solo play, Lansky, keeps insisting.
Although operetta wasn't completely on its way out when Jerome Kern and Oscar Hammerstein II brought Music In The Air to Broadway in 1932, the popularity of the genre was indeed waning a bit as jazzy and witty scores by the likes of George and Ira Gershwin, Rodgers and Hart and Cole Porter dominated
While waiting for my guest to return from the ladies room after Monday night's performance of J.
If you can't tell the players without a scorecard at Charles Busch's charming new comedy, The Third Story, or if you need to visit the rest room in the middle of act one and, when you return to your seat, you get the strangest feeling you've entered the wrong auditorium, that's perhaps a little bit
I don't know if Carol Burnett ever spoofed Hedda Gabler on her celebrated television variety show, but if she did I'm sure her reaction to a major plot twist late in Ibsen's 1890 drama would have been somewhat similar to Mary-Louise Parker's bug-eyed, open-mouthed, head-shaking, hands on cheeks shti
While New York's cabaret scene is filled with great performers who work exclusively in clubs, a great deal on the genre's legendary names (Andrea Marcovicci, Julie Wilson & Karen Akers, just to name a few) first became known through musical theatre.
When the York Theatre first presented its mainstage mounting of Enter Laughing back in September I wrote that, while far too early to tell, it might well wind up being the funniest, most entertaining production of a musical we'll see this season.
Count me among the many who consider Wilde's 1895 manners masterpiece to be the funniest play ever penned in the English language.
Whether the title of Richard Greenberg's bitterly comic 1990 drama brings to mind a hotel package with all meals included or a corporate union-busting practice, it can be argued that both interpretations refer to methods of maximizing gain while minimizing responsibility.
For the past few weeks I've been enjoying Gotham's slight theatrical lull that began just before Christmas and seems to have ended with the inauguration.
