BWW Interviews: Ruth S. McCleskey Talks Boiling Point Players' Production of 5 LESBIANS EATING A QUICHE
It's 1956, at the height of the Red Scare, and the great US of A is as hysterical as a lady on her monthly.
Katricia Lang - Page 8
BWW Interviews: Bass-Baritone Jake Gardner Talks the Demons of SWEENEY TODD: THE DEMON BARBER OF FLEET STREET
Bass-Baritone Jake Gardner discusses the continued resonance of SWEENEY TODD, his approach to acting and performance, and being scared sh-tless by the infamously cut self-flagellation scene.
BWW Reviews: MAMMA MIA! Goes Again and Never Lets You Go
MAMMA MIA! is worth your time and money.
BWW Interviews: Dynamic Duo Scott Burkell and Paul Loesel Talk Creating LMNOP, A NEW MUZICAL
I talk to two-man creative team Scott Burkell (book and lyrics) and Paul Loesel (music).
BWW Previews: TUTS Underground Presents the Sweet SWEET POTATO QUEENS
In late March (I'm bringing you up to the minute news), TUTS Underground staged the first ever reading of SWEET POTATO QUEENS.
BWW Reviews: Oh!'s LA TRAGEDIE DE CARMEN Not Bizet But Far From A Tragedy
Peter Brook's pared down LA TRAGEDIE DE CARMEN is perfect for Opera in the Heights, but it lacks the magic and richness of Georges Bizet's CARMEN.
BWW Interviews: Banks Brothers Productions' Vincent Victoria Talks BLACQUE TCHERIE
I talk to Banks Brothers Productions' Vincent Victoria, the Houston playwright responsible for BLAQUE TCHERIE.
BWW Interviews: Houston Ballet Presents Adapted, Autism-Friendly MY FIRST BALLET: COPPELIA
For the first time at the Houston Ballet, children on the autism spectrum will be able to experience and enjoy a ballet in an environment crafted specifically for them.
BWW Reviews: Theatre Suburbia Thriller MURDER BY NATURAL CAUSES Good Enough To Eat
Theatre Suburbia does what it does best in this titillating production of Tim Kelly's light and fluffy piece of popcorn theatre MURDER BY NATURAL CAUSES.
BWW Interviews: Ballet Master Johnny Eliasen Talks Mastering Etudes in Houston Ballet's MODERN MASTERS
Houston Ballet's MODERN MASTERS is excellence personified.
Playwrights Discuss Landing Theatre's 2015 New American Voices Series
This weekend the presents their fourth annual New American Voices Play Reading Series featuring MY FRIEND DAHMER by Jake Arky, EBENEZER CREEK by James McLindon, directed by Cheramie Hopper, LILY'S BLUE by David Alan Brown, directed by Jacey Little, and finally, THE ME GENERATION by Catherine Rush, d
BWW Interview: Musical Director Andy Einhorn Talks New Works and Working with Audra McDonald
Audra Mcdonald is returning to Houston.
BWW Interviews: Joyce DiDonato Talks Houston & Houston Grand Opera's 60th Anniversary Gala
In honor of Houston Grand Opera's 60th anniversary season, the Houston Grand Opera is holding a special concert featuring Joyce DiDonato with Patrick Summers, the HGO Orchestra, and HGO Studio Artists.
BWW Reviews: Houston Ballet's Spectacular ROMEO AND JULIET Pleases
Three years and millions of dollars in the making, Stanton Welch's take on ROMEO AND JULIET is magnificent.
BWW Interviews: Internationally Acclaimed Designer Roberta Guidi di Bagno Talks Houston Ballet's ROMEO AND JULIET
Houston Ballet continues its Shakespeare series with Houston Ballet Artistic Director Stanton Welch's premiere of his interpretation of ROMEO AND JULIET, Shakespeare's ever relevant treatise on the perils of vengeance and love, on February 26.
BWW Profile: Colleen Atwood Oscar-Nominated Stage and Screen Costume Designer
The three-time Academy Award winner will be back at the Oscars this year after receiving her eleventh nomination for Best Costume Design.
BWW Reviews: KINKY BOOTS Kicks A** at The Hobby Center
When all 'round here was green fields, the men in the Price family were content to live in Northampton and care for the feet of strangers, but the current Price - Charlie Price - wants something more.
BWW Reviews: Alley Theatre's AS YOU LIKE IT Commands The Stage
No one weaves a tangled web of a plot into a $4,000 designer play like Shakespeare.
BWW Reviews: LOVE LIES BLEEDING Flies High as a Kite, Never Comes Down To Earth
At one point, I think someone threw underwear on the stage, but I can't verify this, because I'm lying.
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