Jeffrey Ellis - Page 118

Caitlyn Porayko, a member of Belmont University Musical Theatre's class of 2016, has a busy holiday season ahead, to be certain - she's playing Judy Haynes in BUMT's production of White Christmas (running December 4-6) and she'll be a member of the choir backing up Broadway diva, "Nashville own" (we claimed her as one of our own in her last Nashville concert appearance at TPAC) Kristin Chenoweth, when she performs with the Nashville Symphony as Schermerhorn Symphony Center in December.

Directors and producers in the Nashville region are seeking actors for upcoming productions of A Very Merry Country Christmas Caper and Will Enos' The Flu Season. We've gathered the details together here to make your planning easier. So now you have no excuse: go follow your dream!

NFL legend, Heisman Trophy winner and Nashville actor Eddie George will make his Broadway debut in January, taking on the role of Billy Flynn in the long-running Tony Award-winning musical Chicago.

Next up for Daron Bruce's students involved in theater at Hume-Fogg Academic High Schools (one of the nation's highest rated secondary schools) is a much-anticipated production of Stephen Sondheim's Sweeney Todd, running November 5-7 at the iconic and historic high school, located on Broadway naturally - in downtown Nashville. Taking on the challenging role of Mrs. Lovett in the school edition of Sondheim's musical is Darby Kolwyck, a talented student with an already enviable resume: She's played Rusty in Act Too's Footloose and was part of HFA's acclaimed production of Cabaret.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Longtime theater collaborators Melissa Carrelli and Caroline Davis are back at work, preparing a revival of William Luce's The Belle of Amherst - the acclaimed theatrical exploration of the private life of American poet Emily Dickinson - that debuts November 6 for nine performances at Demetria Kalodimas' The Filming Station in downtown Nashville. Running through November 22, The Belle of Amherst is a joint production of Carelli's In Another Life and producer Scott Orr's Maverick Entertainment Group, in association with Kalodimas' Genuine Human.

Although it may be difficult to fathom, but Actors Bridge Ensemble - one of Nashville's edgier and most progressive theater companies from its inception - is in the midst of its 20th anniversary season with a continued focus on presenting provocative and challenging theater for local audiences under the watchful eye of producing artistic director Vali Forrister and her band of artisans. Actors Bridge was honored in 2012 with the First Night Award for Outstanding Theater Company.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Tracy Letts' acclaimed play about a dysfunctional family coming to terms with one another - August: Osage County - opens at Nashville's iconic Darkhorse Theater on November 6, directed by Bradley Moore and featuring a veritable who's who of Nashville actors. August: Osage County, running through November 21, is presented by ACT 1 as its second show of the 2015-16 season.

This will probably be an emotional weekend for Savannah Frazier as the curtain comes down on Amazing Grace, the Musical, the show in which the Nashville native made her Broadway debut. Closing after its final performance at the Nederlander Theatre on Sunday, Amazing Grace gave Frazier her biggest exposure to date in New York and with its closing she heads onward - and we daresay upward - in her pursuit of musical theater dreams.

Darkly sensual and broodingly sexy, Paul Vasterling's balletic interpretation of Bram Stoker's legendary anti-hero Dracula (first presented in 1999 and revived in 2007) remains as potent and as stirring as ever, richly conceived and beautifully performed by the dancers of Nashville Ballet, who offer  audiences a spine-tingling seasonal adventure.

There's the definite feeling of autumn in the air that makes you want to gut a pumpkin or at least have a pumpkin spice latte, chances are you are definitely going to need a sweater in the early morning hours, and it's past the perfect time for you to pick out a Halloween costume. Luckily, theater companies are well into their new seasons and there's plenty of shows to entertain you while you take time off from berating yourself for wearing that same tricked-out Star Wars costume you wore the past fwo-and-one-half years.

Ask people involved in theater around Nashville to list some of their favorites who have moved on to seek fame and fortune in other places, one name that's likely to come up is Calvin David Malone. A graduate of Belmont University's esteemed musical theater program, the Owensboro, Kentucky, native is now on the boards in Fredericksburg, Virginia, delighting audiences with his massive talent and considerable stage presence.

Take Cate Jo, for example: A native of Birmingham, Alabama, she originally arrived on the Vanderbilt campus with an eye toward a career in academia, ultimately changing course to pursue a career as an actress. Most recently, she played the challenging role of Bianca in Tennessee Women's Theater Project's production of Lauren Gunderson's The Taming, a fanciful contemporary comedy that fairly crackled with intensity as it examined popular and political culture in the United States, viewing the trajectory of American political thought from the earliest days of the republic to the present. Earlier this year, she played Lady Nijo and Nell in Vanderbilt University Theatre's production of Caryl Churchill's Top Girls.

Sumptuously designed, beautifully staged and wonderfully sung, Rodgers + Hammerstein's Cinderella isn't the same show you may recall from childhood hours spent in front of a television or from scores of regional theater productions since, but with a new and refreshingly timely book by Douglas Carter Beane, along with the interpolation of four 'new' songs from the R+H canon, the elaborate new production that's fresh off its first-ever Broadway run seems the ideal interpretation for the 21st century.

It is fitting, perhaps, and definitely a case of perfect timing, for actress Blair Ross: Preparing to go onstage as “Madame” – aka The Wicked Stepmother – in Rodgers + Hammerstein's Cinderella with most of her Tennessee family on hand to share in the excitement from their vantage point in the audience. Currently in Memphis, the national touring company of the recent Broadway revival of Cinderella welcomes Ross to the cast as they look ahead to next week's eight-performance run at Nashville's Tennessee Performing Arts Center.

We're back! After an extended absence due to The Last Five Years (we directed it to boffo notices from our critical colleagues), The 2015 First Night Honors (which played to SRO crowds at Chaffin's Barn in September) and a sense of overwhelming malaise and ennui (we are ever so dramatic at times), BWW Nashville's Critic's Choice is back on the interwebs, offering you our insights and advice on the shows that are coming up and what you should try to find time to see - or to avoid at all costs, depending on our perspective.

Take Collin Peterson, for example: a junior vocal performance and music education major at Middle Tennessee State University in Murfreesboro, has been acting in theatrical productions for a number of years, most recently starring as Tarzan in Arts Center of Cannon County's Tarzan, the Musical, directed by 2015 First Night Honoree Darryl Deason. A 2015 First Night Most Promising Actor, Collin starred opposite 2013 MPA Jenna Pryor, who played Jane.

If you were to ask me to list my five favorite musicals (or even my top ten), there is a very good chance I would not include Meredith Willson's The Music Man among my chosen favorites. But then I see another production of that particular Willson tribute to Americana that features a fast-talking salesman and a beautiful young librarian named Marian and I am suddenly reminded that I absolutely adore The Music Man and all 76 of its trombones - and I feel remiss in not listing it among the shows I love.

Led by a pair of stellar performances from Aaron Solomon and Darryl Deason, Arts Center of Cannon County's production of Reginald Rose's 12 Angry Men retains its crackling intensity some 61 years after it premiered on television and 58 years since the acclaimed film version starring Henry Fonda and Lee J. Cobb. Adapted for the stage by Sherman L. Sergel, the play's themes remain imminently relevant in the 21st century, brought to life under Terry Deason's direction.