Jay Irwin - Page 39

If you've seen it you know you love it. "August: Osage County" has got to be one of the most powerful stories to grace the stage in quite some time. And soon everyone will love it as it's about to be turned into a movie due out next November with a powerhouse cast. But until that time you can still visit with the Westons right here in Seattle with the regional premiere of this stunning work brilliantly put up by Balagan Theatre.

Remember those cheesy After School Specials that were on TV when we were young? No? Just me? (Man, I'm old!) Anyway, for those not old enough to remember, they were hour-long specials back in the 80's and 90's that dealt with teen issues such as pregnancy, abuse, and even homosexuality (Ah, "The Truth About Alex"). Well, the current production from Seattle Public Theater, "Edith Can Shoot Things and Hit Them", has a similar feel to it. And while not as cheesy as those specials of my youth I did find a few moments where I felt like I was 14 again being taught a lesson by the fine folks at ABC. But cheesy or not, the production manages to tell the story with heart and depth.

To say that the current production from Theater Schmeater, "The Gingerbread House" by Mark Schultz, is intense is somewhat of an understatement. In fact this modern day fable doesn't just tell its story so much as it beats you over the head with it. A little long winded at times, this gripping tale will leave you shaken to say the least. In fact I think as I was leaving I said to my theater companion, "I'm a little messed up after that", although I used a more colorful epithet.

You know when you go on vacation and come across that amazing restaurant that serves one of the most surprising dishes you've ever had that you pine over for years and then you find a restaurant back home that makes the same recipe? And maybe they don't have all the best ingredients or maybe the chef isn't quite as good but it just doesn't live up to the original? Well, unfortunately that's the equivalent of what I witnessed last night at "Grey Gardens" currently at ACT. It's still the same amazing show by Doug Wright, Scott Frankel, and Michael Korie and definitely had some outstanding moments but the whole just didn't quite compare to when I saw it on Broadway with the incredible Christine Ebersole.

A new musical about two old friends hiking the Appalachian Trail doesn't sound like a dead lock winner does it? I mean, how much can we sing about hiking? And while it does take a bit to really hook into you and at times isn't so sure of its footing, the new musical 'Trails' currently playing at Village Theatre manages to walk off with your heart through some very fine performances.

Sometimes Shakespeare is all about murder and revenge and history and import and sometimes it's just a goofy romp through the ins and outs of the heart. And "Love's Labour's Lost" from the Seattle Shakespeare Company currently playing at the Center Theatre is definitely part of the latter group. Probably the biggest example of Shakespeare at his most frivolous, the production definitely had its shining moments but tended to betray its own story near the end and whether that's the script or the direction, it left me a little wanting.

Playwright David Lindsay-Abaire has made a name for himself as an author who takes those uncomfortable situations and artfully puts them up on stage with heart and humor. Whether dealing with the loss of a child or the loss of memory his crisp dialogue always conveys sincere emotion and a discomfort that's riveting. His recent "Good People" currently playing at the Seattle Rep is no exception. And in addition to Lindsay-Abaire's fantastic script, Director David Saint and the Rep have assembled a superb cast and crafted a truly engaging power struggle between two old friends.

God has heard our prayers. He knew we were all longing for some hot guys to come and teach us all about his divine wisdom and make us laugh along the way. And so he has sent us the Seattle Musical Theatre production of 'Altar Boyz' to show us the path. Not only do they have some incredible voices, sexy gyrations and hilarious characters but these Boyz and director Troy Wageman managed to make the Boyz more personable and empathetic than I've seen in previous productions, making their story all the more meaningful.

Meredith Wilson's "The Music Man" may be about a con man but at its heart it's a love story. A love story about a man who's willing to give up his duplicitous ways so he can be with the one woman who sees through his lies. And it's because this is a love story that it's such a shame that the current production at the 5th Avenue Theatre is lacking in love. Luckily what the production lacks in some areas it makes up for in the energy, comedy and fun surrounding it.

Sometimes all the elements of a show come together to form something truly special. Every aspect combines to take the piece beyond just a piece of theater and into the realm of art. (Yes I know theater is an art form but you know what I mean.) Well, "War Horse" currently playing at the Paramount is one of those shows, an entrancing and truly remarkable experience that needs to be seen.

Frank Loesser's "How to Succeed in Business Without Really Trying" is one of those shows that's just plain fun. It's hard to make it not fun. But beyond the fun, in order to make it really shine it needs a consistent style and pace and that's where the current production at Second Story Rep could have tried harder.

The highly anticipated local production of the hit Tom Kitt and Brian Yorkey show "Next To Normal" has finally opened at Capitol Hill's Balagan Theatre. And while still an incredibly evocative and powerful show, the current production, while technically superb, didn't quite manage that same hard hitting spark.

When looking back on the history of the human race it always shocks me on how backwards a people we really can be. For example, why would a people restrict half of their fully functioning and intelligent members from trying to create advancements in their chosen fields? Yes, that's what we did and that's some of the central plotline of Anna Ziegler's "Photograph 51", currently playing at the Seattle Rep, focuses on. This engaging play shines a spotlight on an interesting moment in history where a brilliant scientist's work was hampered simply based on her gender.

I should really start off by apologizing, dear readers, as I'm about to share with you a production that you cannot see. Alas it only showed for one weekend but for those like myself who were fortunate enough to catch Showtunes' latest production, "Falsettos" then you realize that, even though it was simply a concert version, it is now the production to which all future productions of the show must be compared.

What would you do if you had a child who couldn't run or play or really even communicate? That's the central question of Peter Nichols' 1968 play “A Day in the Death of Joe Egg” currently playing at ACT from fledgling theater group Thalia's Umbrella. And while I definitely found some moments and performances in the show thoughtful and engaging, the show itself just seems a bit dated and droning.

Theresa Rebeck has made a name for herself with her rich and engaging characters on stage and most recently with her look into the underbelly of theater with her hit TV show, "Smash". And along those lines her play "The Understudy" currently playing at Seattle Public Theater manages a fun and illuminating look into show business as well. And while the play doesn't always have the most original concepts out there, this production manages some finely layered performances from its ensemble cast.

I love a good dark comedy. There's just nothing more fun than laughing at things you really shouldn't. This is probably why I like the plays (and films) of Martin McDonagh so much. Not just that they deal with people with nefarious pasts doing dark dealings but that he always puts a kind of ridiculous surreal twist on those dealings. And his latest play, "A Behanding in Spokane" currently playing at Theater Schmeater, is no exception. And thankfully the folks at the Schmea have taken it and infused their production with the perfect amounts of stirring intensity and vicious hilarity to amount to a killer evening of theater.

I'm all for complex interpersonal family dramas. "August: Osage Country" for example is one of the best. But the current production from Bash Theatre and Radial Theater Project, "Beating Up Bachman" playing at West of Lenin is not that play no matter how much it tries to be. With its competing and often unresolved plot lines, disjointed dialog and a cast who at times feels like they just got the script, "Beating Up Bachman" felt like a play in its early stages of life, thrust upon an audience too soon.

To think that a murder mystery that's been around for 60 years such as “The Mousetrap', currently playing at Village Theatre, could still be fresh. I mean, everyone knows who the killer is by now, right? Nope. I for one couldn't remember and from the gasps in the audience many others couldn't either. But then that's part of the enduring quality of this Agatha Christie classic, it still keeps you guessing. And the Village production is so full of fun, rich characters and, of course, red herrings that it amounts to a thoroughly enjoyable night out.

While on my way to catch Balagan's new production of "Hedwig and the Angry Inch" at the Moore Theatre, I couldn't help but think back to the Nick Garrison production a few years back that was such a huge hit and amounted to a kind of theatrical religious experience for those that saw it including myself. And while I didn't get so much of a Hedwig stigmata from this production (possibly due to the fact I was already born again once so to speak and to be born again, again is just greedy) but I can say that this production is near flawless and completely showcases the true star power of its Hedwig, Jerick Hoffer.