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Jared Reynolds

Jared Reynolds

Jared Reynolds is a New Hampshire native now living in Connecticut. A graduate of the University of New Haven with a Bachelor's in Theater Arts, Jared explored as many facets of theater as he could. While primarily a playwright and actor, he also directs and has experience with lighting, dramaturgy, and set construction. As a writer, his short plays have received both virtual and staged productions, such as "Experiential Education" (Nelson Hall), and "E.Y.E." (Brookfield Theatre). Some of his acting credits include Favorite Son in "American Idiot" and Rosencrantz in "Hamlet" (Brookfield Theatre), Al Deluca in "A Chorus Line" (University of New Haven), and Robby in "Warmth of the Cold" (Nashua Theater Guild.)

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First Show

Aladdin

Favorite Show

Fun Home

Favorite Stories

  • Review: Urine Good Company with URINETOWN at Brookfield Theater For The Arts - "Urinetown" is such a clever play with such an off-putting premise. Nearly everyone that I talked to who have seen the show had the same reaction: They didn't want to see it at first because they figured it would just be urine jokes for the whole night- which it is- but once they leave, they beam about how amazing the music was, how clever the writing, and how intricate the themes.
  • Review: MR. BURNS: A POST-ELECTRIC PLAY shines a light at Brookfield Theater Of The Arts - "Mr. Burns" is such a difficult play to read. Nothing makes sense and you don't know where these characters came from or why they're now singing, but once you sit down with a cast and flesh out the post-apocalyptic world that this play inherits, the right cast and crew can make this show click into everybody's hearts as if they understood it all along.
  • Review: Bouncing Fun with FUN HOME at Brookfield Theater For The Arts - What isn't to love about "Fun Home"? From the music, to the writing, to the graphic novel that it's adapted from, this musical encapsulates growing up queer and the complicated emotions and behaviors that can have two people experiencing the same obstacles but have two completely different endings. All while singing and dancing and falling in love with the characters.
  • BWW Review: IN THE HEIGHTS soars high at Landmark Community Theatre - Heart and soul and rhythm are at the core of "In The Heights." These are stories that need to be told and told by the right people. Through the music, the language, and the characters, "In The Heights" surrounds you with culture, love, and community in ways that will blow you away.
  • BWW Review: HEATHERS rocks at TRINITY-ON-MAIN - Sure, it's a dark and twisted story that borders on absurd, but "Heathers" really nails the melodrama and intensity that high school feels like when you're growing up. It's a time where everything feels like life and death, even if your problems are trivial in the grand scheme of things.


Most Popular Articles

Review: GOD OF CARNAGE at Town Players Of Newtown

Review: GOD OF CARNAGE at Town Players Of Newtown

March 30, 2026

At the end of the day, the cast is what made God of Carnage so successful and funny, and praise should be given towards the whole cast for their performances and to Terry Sagedy, who brought it all together.

Review: THE GIN GAME at Community Theatre At Woodbury

Review: THE GIN GAME at Community Theatre At Woodbury

March 22, 2026

A typical pitfall of talking plays is that the modern audience may struggle to focus if there is no action to go along with the talking, but a smart production can find ways to keep an audience engaged.

Review: SORDID LIVES at Connecticut Theatre Company

Review: SORDID LIVES at Connecticut Theatre Company

March 23, 2026

The variety of conflicts and the hyper-stylized character tropes employed in Sordid Lives is why it works as a comedy and, under the direction of Duane Campbell, the Connecticut Theatre Company’s production of Sordid Lives honored that and delivered a raucous evening at the theater.

Review: ESCAPE TO MARGARITAVILLE at Connecticut Theatre Company

Review: ESCAPE TO MARGARITAVILLE at Connecticut Theatre Company

September 14, 2025

How do you know when an audience has bought into your performance? The answer depends greatly on the type of show you’re producing: In the case of the jukebox musical, Escape to Margaritaville, maybe you find the entire audience singing the call-and-response before you tell them to!




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