Guest Blog: Hannah Hauer-King

We knew we wanted to somehow make theatre during these times, but also to avoid the screen and prioritise communal audience experience.

On BroadwayWorld last year, Adam Spreadbury eloquently discussed his experience of directing Coming Clean, described as arguably the 'first gay kitchen sink drama' of the Eighties. He aptly pointed out that 1982 was a time when exposing audiences to a drama centred around gay men was "an exciting and relatively untapped prospect". And yet, it is both noteworthy and disappointing that 35 years later this statement still rings true for drama focused on gay women.