BWW Review: SIX THE MUSICAL, Arts Theatre,
They say that history is written by the victors.
Fraser MacDonald - Page 2
BWW Review: JERSEY BOYS, Edinburgh Playhouse
For any fan of the Four Seasons, the story that Jersey Boys tells is unmissable.
BWW Review: A BEAUTIFUL NOISE, Lyric Theatre
He's penned some of the greatest hits of the 20th century and is revered the world over.
BWW Review: SONGS FOR NOBODIES, Ambassadors Theatre
As a performer, Robinson excels in her vocal talent and is sure to deliver a glorious homage to many of the great voices that are sadly no longer with us.
BWW Review: A CHRISTMAS CAROL THE MUSICAL IN CONCERT, Lyceum Theatre
The performance itself is as a live concert rather than a fully costumed and set production, allowing actors to focus on the delivery of the score, bringing the music to life in a way that other productions cannot.
BWW Review: BEAUTY AND THE BEAST, King's Theatre, Edinburgh
Every so often, a show comes along that completely redefines how theatre should be done.
BWW Review: SLEEPIN' CUTIE, Macrobert Arts Centre, Stirling
For kids of all ages - even mums and dads, who are just big kids at heart - this panto really does give something for all.
BWW Review: ALADDIN, King's Theatre, Glasgow
Under the direction of Nigel West, Glasgow's King's Theatre once again delivers a seriously entertaining pantomime.
BWW Review: DICK WHITTINGTON, Lyric Hammersmith
It's been a decade since the Lyric Hammersmith theatre first brought a panto to their local faithful.
BWW Interview: Keith McLeish Talks Panto SLEEPIN' CUTIE at Macrobert Arts Centre
Keith McLeish takes on larger-than-life panto dame Fairy B in Sleepin' Cutie at Macrobert Arts Centre in Stirling, playing until 31 December.
Book Review: NATIONAL YOUTH THEATRE MONOLOGUES, Michael Bryher
With detailed explanatory notes for every piece of its 75-strong compilation, this must-have guide is sure to bolster the confidence of those lining up to take part in the most important minutes of their lives.
BWW Review: THE KING AND I, Cinema Broadcast
The screened version of this year's Palladium run brings a completely new perspective to the show, not only delivering a true reflection of the live experience but enhancing it beyond any reasonable expectations.
BWW Review: RED, Broadcast In Cinemas
John Logan's Red, which debuted at the Donmar Warehouse in 2009, enjoyed a belated West End run at the beginning of this year.
CD Review: SI, Andrea Bocelli
Orchestrations are deliciously rich and offer the impression of a grand concert hall with musicians in fine tune.
BWW Review: THE WIPERS TIMES, Arts Theatre
Returning to the Arts Theatre in London's West End after a UK tour, The Wipers Times proves that the history of the Great War can be engaging and at times entertaining.
Book Review: BOUBLIL AND SCHONBERG'S LES MISERABLES, Sarah Whitfield
The musical phenomenon that continues to take audiences by storm is arguably uplifting and depressing in equal measure.
EDINBURGH 2018: BWW Review: FAULTY TOWERS THE DINING EXPERIENCE, The Principal
Set around a wonderful three course meal, the experience intertwines some of the best of John Cleese and Connie Booth's scripts with innumerable disasters that are carefully orchestrated to keep their audience laughing from start to finish.
BWW Review: TRUMP THE MUSICAL, C Venues
Cue chaos, sweeping political generalisations and very-nearly-almost nudity - Trump the Musical is a mad-cap hour where the only certainty is the uncertainty of what is to come.
BWW Review: GODLEY'S CREAM: 20 YEARS AND COUNTING, Counting House Ballroom
Her set feels as intimate as speaking to her on a bus; there are no airs and graces.
EDINBURGH 2018: BWW Review: CHRIS FORBES: PROPHECY, Gilded Balloon Teviot
It's safe to say you will never listen to Wonderwall the same again but for a light-hearted exploration of religion, and a little bit of theology along the way, Prophecy is a safe bet for those seeking something more than just comedy this Fringe season.
Tickets From $59
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Tickets From $71
Tickets From $95