Acosta Danza’s program Cuban Ecléctico ran in the Eisenhower Theater at the Kennedy Center for just three days, but the show deserved much more stage time, both to receive a greater audience and to refine their performance.
The Washington Ballet’s ALICE (in wonderland) is a theatrical, whimsical, and approachable translation of Lewis Carroll’s iconic duology, Alice’s Adventures in Wonderland and Through the Looking Glass.
What did our critic think of BEOWULF: A RETELLING by Taffety Punk Theatre? Experience a dynamic retelling of Beowulf by Taffety Punk Theatre.
What did our critic think of AMERICAN FAST at Theater Alliance?
The elite performers of Complexions Contemporary Ballet took to the Opera House stage from March 20th to the 22nd for their first full company engagement at the Kennedy Center.
What did our critic think of RIVERDANCE 30: THE NEW GENERATION at The Kennedy Center Opera House?
Contemporary dance choreographer and company founder Dana Tai Soon Burgess produced the dance concert “An Asian American Dance Journey” for a three-day run at the Woolly Mammoth Theatre Company.
Written in 1613 by Lope de Vega, Fuenteovejuna is widely considered a masterpiece by the most influential playwright from Spain’s golden age.
The excitement was overflowing in The Kennedy Center Opera House as the annual Alvin Ailey American Dance Theater program began.
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