Anna Jensen has a Ph.D. in Theater Studies from UC Santa Barbara. She has translated and adapted plays by Henrik Ibsen, including Hedda Gabler and When We Dead Awaken. She has served as production dramaturg for many productions, some of her favorites include Macbeth (dir. Jonathan Fox), Good People (dir. Jenny Sullivan) and The Baltimore Waltz (dir. Tom Whitaker).
Critic A.C. Bradley claimed that of all of Shakespeare's tragedies, King Lear was too sublime for the stage. For Bradley, King Lear's depiction of madness, stormy landscapes, filial deception, and treachery went to extremities best conjured by a reader who can imaginatively fill in the breadth of Shakespeare's vast tragic landscape. The turn-of-the-century stage practice that Bradley would have experienced, however, aspired to visual verisimilitude. In trying to depict everything for the audience's eyes, these theaters could only betray the expansive world of Lear.BWW Review: AND THEN THERE WERE NONE at San Marcos High School November 18, 2017
Murder and mystery staged by San Marcos High School under the direction of Riley Berris