Carnegie Hall's Beethoven Celebration Continues This Spring
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This spring, Carnegie Hall's season-long Beethoven celebration continues with a vibrant series of events featuring the complete Beethoven symphony cycle with Yannick Nézet-Séguin and The Philadelphia Orchestra, the complete piano sonatas by nine leading artists, and the complete string quartets by Quatuor Ebène, as well as workshops, lectures, and more. Beyond Carnegie Hall, public programming and events, including music, dance, exhibitions, and lectures at prestigious partner organizations across New York City highlight the many dimensions of the great music master. Together, the Beethoven celebration features more than 70 programs, creating an extraordinary view of this revolutionary composer.
Music director, conductor, and Perspectives artist Yannick Nézet-Séguin presents The Philadelphia Orchestra in the second complete Beethoven symphony cycle over four nights in Stern Auditorium / Perelman Stage. In speaking of these upcoming performances with the orchestra, Mr. Nézet-Séguin said, "I'm curious what the cycle will teach me this time about countless details in my own life, but also about the struggles Beethoven had with authority, with the political climate of his own day. Through music, he made strong statements about unity and brotherhood/sisterhood that still vividly resonate today-perhaps even more so than when he composed these works."- France's treasured Lyon Opera Ballet performs Trois Grandes Fugues at The Joyce Theater. This stunning triple-bill features the work of trailblazing choreographers Maguy Marin, Lucinda Childs, and Anne Teresa de Keersmaeker. These women each undertake the musical complexity of Beethoven's Grosse Fuge, Op. 133, in three different choreographic imaginings (March 18-22);
- St. Luke's Chamber Ensemble, joined by pianist Paavali Jumppanen, performs Beethoven's Symphony No. 3 in E-flat Major, Op. 55, "Eroica" (in a chamber arrangement by Beethoven's friend and student, Ferdinand Ries) and Quintet for Piano and Winds in E-flat Major, Op. 16 at The Morgan Library & Museum (March 25). Running in conjunction with this performance is the Morgan's collection of autograph manuscripts by Beethoven which are on view through April 26;
- In celebration of the reopening of The Metropolitan Museum of Art's British Galleries, MetLiveArts presents two intimate, in-gallery performances featuring music that would have been originally heard in London's opulent homes. The first of these two performances features the Spektral Quartet performing a program that includes Beethoven's last major work, the String Quartet in F Major, Op. 135-an intellectually confounding and emotionally ravaging piece with sharp contrasts of lightness and darkness (March 28);
- The Brooklyn Institute for Social Research presents a daylong symposium titled Beethoven and Beyond at the Goethe-Institut New York that explores the composer's transformational impact on Western music, artistry, culture, and sensibility (March 28). Participants will include BISR faculty, Susan Buck-Morss, Scott Burnham, Bora Yoon, Du Yun, Kate Wagner, Elaine Sisman, Olivier Glissant, and the Brooklyn Symphony Orchestra-with more to be announced;
- The following month, Can & Able! The Resilience of the Gift, presented by The New York Public Library for the Performing Arts and the National Black Theatre, brings together differently abled Black artists for an evening of new, multidisciplinary micro-commissions inspired by Beethoven's resilience to create in spite of his health challenges. Drawing from the composer's personal journal and his late period "Archduke" Trio, the artists celebrate how art can change the world "in spite of" (April 13);
- YIVO Institute for Jewish Research at the Center for Jewish History presents Beethoven in the Yiddish Imagination-a celebration of Beethoven in the Yiddish imagination, including a Yiddish translation of "Ode to Joy" and a bilingual reading of a Yiddish story about the "Moonlight" Sonata. An die ferne Geliebte and the String Quartet in C-sharp Minor, Op. 131, will also be performed following a discussion of the largely unknown Jewish influences on these works (April 20);
- Beethoven's Literary Afterlife explores the composer's literary afterlife through the lens of chamber music, examining the formation of a musical legacy. Presented by The Society of Fellows and Heyman Center for the Humanities and the Italian Academy for Advanced Studies in America, Columbia University, the event features lectures by Columbia professors Nicholas Dames and Arden Hegele, and Rutgers professor Nicholas Chong, as well as a performance of the Beethoven's Violin Sonata No. 7, Op. 30, No. 2, featuring violinist Chad Hoopes and pianist Anne-Marie McDermott (April 20);
- Company members of Mark Morris Dance Group will teach a class for families accompanied by live music. People of all ages and dance levels, with and without disabilities, will learn excerpts of the vignettes from Morris's The Muir, set to Beethoven's arrangements of Irish and Scottish folk songs (May 9).
For a full schedule and details about Beethoven celebration events at Carnegie Hall and partner organizations, click here.
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