BWW Review: ADELAIDE CABARET FESTIVAL 2018: YMA SUMAC - THE PERUVIAN SONGBIRD: ALI MCGREGOR, at Dunstan Playhouse, Adelaide Festival Centre
Ali McGregor gives a stunning performance in, Yma Sumac - The Peruvian Songbird
Ali McGregor gives a stunning performance in, Yma Sumac - The Peruvian Songbird
Brian Chatterton OAM takes a final bow this July from popular touring company Co-Opera when Co-Opera salutes him in a series of sentimental Farewell Concerts "Celebrating with Song- a thirty year journey", to be performed over three nights in two venues.
The 2018 Adelaide Fringe dazzled, inspired and delighted its way into the hearts of its audiences to generate a staggering 19.
Watch out for a return season of this performance.
You really can't get enough of Nancye Hayes and Todd McKenney.
This is the final Cabaret Festival for the current artistic director, Ali Mc Gregor.
Lea DeLaria's performance showcases both her vocal and comedic expertise.
Peyroux moves between music genres and styles with absolute certainty.
The Cat Empire lift you to a place from which you don't want to come down.
Rusciano is spontaneous, gregarious, and very genuine.
This is a show that will delight any musical theatre aficionado.
Cabaret should be exciting, challenging and, naturally, entertaining, and Sophie deLightful has it in spades.
This is a polished performance by an artist with loads of talent.
Sequins, a Brazilian and the Power of the Sixties offers two stories, both set to a soundtrack of the1960s.
An evening can only contain so much, and there are many more acts in this year's Cabaret Fringe.
The legendary GREAT MOSCOW CIRCUS returns to Adelaide for the first time in five years with an all new Extreme show playing from 31 May until 8 July across three locations; Glenelg (Wigley Reserve) 31 May-10 June; Port Adelaide (Hart's Mill) 14-24 June; and Elizabeth (Ridley Green Reserve) 28 June-8
It was a great evening.
Playwright, Matt Hawkins, underplays the pathos and draws the audience into the story.
Terrestrial is everything that good theatre should be.
Don't wait for a second to book tickets.
In addition to smashing records at the box office, the 2018 Adelaide Festival curated by Joint Artistic Directors Neil Armfield AO and Rachel Healy also generated an estimated gross expenditure of $76.
Victorian magician Dom Chambers will receive a 12-month mentorship and $2000 towards performing in the 2019 Adelaide Fringe after being announced as the inaugural recipient of the Matt Tarrant Young Performer Grant.
Pelican's award-winning production of Bring It On - The Musical is back for a return season this August 2 - 5 at the Norwood Concert Hall.
Concrete Impermanence reminds us of our human fragility.
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Scotch College - Hadestown Thebarton Theatre (8/08-8/09) |
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A Taste of Ireland - The Irish Music and Dance Sensation AANT Centre (9/24-9/24) |
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Boogie Wonderland Adelaide Royal Coach (7/10-7/12) |
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JESUS CHRIST SUPERSTAR THERRY THEATRE (7/23-8/01) |
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Faulty Towers The Dining Experience - Darwin Oaks Elan Darwin (8/20-8/22) |
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LOGAN ST State Theatre Company South Australia (7/24-8/08) |
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Uncle Vanya - but there’s ASMR soap cutting videos playing in the bottom right corner State Theatre Company South Australia (7/09-7/18) |
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POMONA Adelaide University Theatre Guild (8/07-8/16) |
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Log Boy State Theatre Company South Australia (10/01-10/10) |
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Scotch College - Hadestown: Teen Edition Thebarton Theatre (8/06-8/06) |