BWW Review: TWO BRUNETTES & A GAY Were It and a Bit and More at Gluttony for Adelaide Fringe
An exercise in knowing one's audience, and trumping one's own stereotypes, Two Brunettes & a Gay was so tongue-in-cheek it was deep throating itself.
Australia - Adelaide Theater Reviews
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BWW Review: JULIUS CAESAR Razor-Sharp Interpretation of Shakespeare Bloodbath at Holden Street Theatres
The city of Rome is suffering, restless, and lying in secret senators cry for the blood of Julius Caesar, a prize they will have.
BWW Review: ADELAIDE FESTIVAL 2017: INTIMATE SPACE at Hilton Hotel
With Intimate Space, the company has taken a big step, mounting 60, sold out performances.
BWW Review: WHAT IF Ticks All the Boxes at Tandanya Theatre
BWW Review: WHAT IF Ticks All the Boxes at Tandanya Theatre
BWW Review: ADELAIDE FESTIVAL 2017: SAUL at Adelaide Festival Theatre
A sensational retelling of the story of Saul and David, the first two kings of the Israelites.
BWW Review: ADELAIDE FRINGE 2017: UNRAVELLED at Mount Barker Town Hall
Ink Pot Arts is an organisation that is passionate about fostering creativity,
BWW REVIEW: David Walliams' Endearing Tale Of Inclusion, Acceptance and And An Aromatic Vagrant Comes To Life In MR STINK
Maryam Master's adaptation of David Walliams' popular children's book MR STINK returns to the Sydney stage under Jonathan Biggins' direction.
BWW Review: ADELAIDE FRINGE 2017: IN(NATE)TURE at First Creek Wetlands Amphitheatre, Adelaide Botanic Gardens
A contemporary dance piece about nature, and mankind's connections with it.
BWW Review: ADELAIDE FRINGE 2017: ACOUSTIC LOUNGE - 'IN CONCERT' SERIES AT THE GC: CATHERINE BLANCH at The Lounge At The GC At The German Club
Catherine Blanch packed the German Club Lounge to capacity
BWW Review: ADELAIDE FRINGE 2017: THAT'S F#@%$D UP GORELESQUE at Balcony Bar At The Ambassadors Hotel
Some remarkably different, exciting, challenging, thought-provoking and boundary-breaking works.
BWW Review: ADELAIDE FRINGE 2017: A MURDER MOST FOUL: THE TUTORIAL CONUNDRUM at Alere Function Centre, Flinders University
Get in quick if a classic 'whodunit' thrills you.
BWW Review: ADELAIDE FRINGE 2017: RADELAIDE! at The Balcony Room At The Griffins Hotel
This Show Is 'Heaps Good'.
BWW Review: ADELAIDE FRINGE 2017: PROHIBITION at The Speakeasy, Gluttony
Be sure to catch a performance while you can.
BWW Review: ADELAIDE FRINGE 2017: ON ONE CONDITION at Tandanya
This powerful performance is immeasurably personal.
BWW Review: ADELAIDE FRINGE 2017: BARKING MAD at Bakehouse Theatre
Masterson has done it again!
BWW Review: ADELAIDE FRINGE 2017: MONEYPENNY: A JAMES BOND CABARET at Upstairs At La Boehme
Sexy music with class in a martini glass, shaken not stirred.
BWW Review: ADELAIDE FRINGE 2017: WINTER WITCHES at The Black Forest At The Royal Croquet Club
A live electronic music experience.
BWW Review: ADELAIDE FRINGE 2017: PARADISE LOST at Henrietta's At The Henry Austin
A Mesmerising Poetic Performance.
BWW Review: ADELAIDE FRINGE 2017: GILLIAN ENGLISH IS A BITTER SHREW at Producers Niche, The Producers Hotel
English's intense energy and breathtakingly fast delivery catches the mood of today's life.
BWW REVIEW: Cirque Alfonse Blends Traditional Circus With Contemporary Culture In A Night Of Bearded Hipster Athleticism And Humour.
Canadian circus troupe Cirque Alfonse returns to Australia, bringing their Hipster circus BARBU, filled with hirsute men to Sydney Opera House to delight audiences.
BWW Review: BUTTERFLY LADIES BAND – CHINESE NEW YEAR CONCERT 2017 at Dunstan Playhouse
It was a privilege to hear such venerable instruments played so extremely well.
BWW Review: BEER THEATRE - AUTOBAHN at Wheatsheaf Hotel
Four of the short plays from Neil LaBute's Autobahn
BWW Review: WHY HIM? at Event Cinemas - Marion
Why Him? is basically another version of Meet the Parents, only more crude, less funny, and less interesting.
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Log Boy State Theatre Company South Australia (10/01-10/10) |
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Vanya and Sonia and Masha and Spike Little Theatre (10/09-10/18) |
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The Heartbreak Choir State Theatre Company South Australia (11/20-12/05) |
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Commentary State Theatre Company South Australia (8/21-9/05) |