The Arches Sets Programme for 2014 BEHAVIOUR FESTIVAL, March 6-May 2
The Arches has announced the programme for the 2014 Behaviour Festival. Each year Behaviour showcases some of the most diverse and innovative performance talent for Glasgow's audiences. With the festival now in its fifth year Behaviour 2014 is set to be one of our most ambitious yet, with eighteen events pencilled in between the 6th of March and 2nd of May. As ever, we welcome an astonishing range of international and national artists and performers into The Arches, as well as taking work beyond our own brick walls to performance spaces and locations throughout Glasgow.
This year's Behaviour sees The Arches host what is perhaps its boldest and most exciting international strand to date.
We are thrilled to bring director Milo Rau's powerful Hate Radio to Scotland for its first UK performances. A harrowing recreation of the role played by popular radio station Radio Te?le?vision Libre des Mille Collines (RTLM) during the 1994 Rwandan genocide, the strikingly ambitious show sees its cast perform from within the glass box of a re-constructed radio studio, where the audience experience the piece through radio headsets. It is staged within the main space of The Arches ahead of the twentieth anniversary of the start of the massacre this year.
Elsewhere, we welcome Arches Brick Award winner La Merda to Glasgow for the very first time. The critically-acclaimed one-woman feminist out-pouring caused a stir during its charged run at the 2012 Edinburgh Fringe Festival, where it picked up several accolades including a Fringe First Award and The Stage Award for Acting Excellence, and has enjoyed sell-out runs across Europe.
Throughout April we are also showcasing the photographic and video work of five leading international contemporary artists, as part of our Future Reflexions Exhibition. The pieces are based on performance and live art practices and deal with images, stereotypes and visions of Africa in the 21st century.
Acclaimed UK Talent
It just wouldn't be Behaviour without some of the very best in Scottish and UK theatre and performance. Arches-favourite Bryony Kimmings will be kicking off this year's festival with her inspirational show Credible Likeable Superstar Rolemodel, a collaborative effort with her niece Taylor. Later in the month we decamp to Tramway for In May, a beautiful study on family and grief, featuring a musical score by The Divine Comedy's Neil Hannon.
We present a truly epic adaptation of Alexander Trocchi's controversial cult novel Cain's Book, a classic piece of Scottish writing re-imagined by writer and director Alan McKendrick, whose work in progress development of the piece was performed here in 2013. We'll also have our dancing shoes on for the appearance of Sam Halmarack and The Miserablites, a toe-tapping gem of musical theatre that won't fail to have you smiling.
Come April we'll be playing host to Sh!t Theatre's hilarious Job Seekers Anonymous, an excellent slice of political satire reflecting the frustration of life as a jobless young adult in 21st century Britain. Scottish literary favourite Alan Bissett also brings his celebrated show Ban This Filth! to Behaviour, following on from its massively successful run at the Edinburgh Fringe last year. He stages a head-to-head dialogue with celebrated radical feminist Andrea Dworkin in a creative deconstruction of sexual politics.
The Arches is proud to support groundbreaking Scottish work throughout the year, and Behaviour is no different. Rosana and Amy Cade return to start the festival with the developed performance of their startlingly bold show Sister, which was a stand-out during Arches Live 2013. Arches Artist-in-residence Adrian Howells teams up with Konstantin Bock (Mammalian Diving Reflex) and Aldo Palstra to present FAG, an unflinching examination of sexuality across three generations.
Once again we've teamed up with The National Theatre Scotland to work on the NTS Auteurs Project, which promotes the work of five selected artists. This year's Auteurs are Lou Prendergast, Michael John O'Neill, Finn Den Hertog, Rosana Cade, and Greg Sinclair. Our Scratch Night sees some of them presenting bite-sized works in quick succession followed by feedback from the audience. Elsewhere we have new work from Martin O'Connor, Gary Gardiner, and Murray Wason, all taking place outwith The Arches.
Enormous Yes, the winners of our Platform 18 Award for emergent theatre and performance talent, will present their new work The Forbidden Experiment at the end of the festival. A piece that examines secretive language deprivation studies by the MoD, the show will have performances at The Arches before heading over to Edinburgh for a short run at the Traverse Theatre.
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