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Review: THE INHERITANCE PART I on ZACH's Kleberg Stage
by Joni Lorraine - Aug 23, 2022


What did our critic think of ZACH'S THE INHERITANCE PART I at ZACH Kleburg Theatre? As a young Puerto Rican growing up in Florida, playwright Matthew Lopez read in a magazine about the acclaimed Merchant Ivory film adapted from E.M. Forster's novel Howards End, and asked his mom to take him to see the film. Since his outlets as a young man were books, theatre and movies, it stands to reason that Howards End and E.M. Forster play such a literally integral role in Lopez's sprawling theatrical adaptation of the novel. His mother later also bought Lopez the book. He fell in love with it, and fell in love with Forster or, more specifically, Forster's queerness.

Photo Flash: Borderlands Theater Presents SANCTUARY
by A.A. Cristi - Aug 16, 2018


Continuing their signature new plays based on pivotal historical moments in our region, Borderlands Theater presents a timely new drama exploring the origins of the sanctuary movement. Written by Milta Ortiz, who penned 2015's award winning Mas, about the banning of ethnic studies classes in T.U.S.D., Sanctuary is based on the people and events leading up to the 1980's Sanctuary movement that ignited in Tucson when concerned citizens took a radical moral stand in support of people fleeing unimaginable violence.

BWW Review: LULA WASHINGTON DANCE THEATRE is an Entity All its Own at The Ford Theatre
by Valerie-Jean Miller - Jun 14, 2018


Lula Washington, an L. A. native from Watts, along with her husband Erwin Washington and daughter Tamica Washington Miller, have been the incumbent founders, creators, directors and choreographers of the LULA WASHINGTON DANCE THEATRE since 1980. They began with the goal to motivate, educate, inspire, challenge and enrich the lives of young people so they could become successful, productive and competitive citizens. Thirty years later, and now a major dance company all over the world, their appearance here in Los Angeles at The Ford Theatre was an incredible ensemble of dance works choreographed by a variety of talented artists, including Lula and Tamica, and performed by one of the most powerful, strong and exciting company of dancers on the planet.

BWW Review: CATCH ME IF YOU CAN Plagued By Problems
by Frank Benge - Sep 29, 2017


CATCH ME IF YOU CAN is a musical with a libretto by Terrence McNally and a score by Marc Shaiman and Scott Wittman. It follows the story of con artist named Frank Abagnale, Jr. The plot borrows heavily from the 2002 film of the same name, which in turn was based on Abagnale's 1980 autobiography. The musical received four 2011 Tony nominations. The current production is directed by Joshua Denning.

BWW Reviews: TRACERS All-Veteran Cast Pays Tribute to Those who Missed the Freedom Bird Home
by Shari Barrett - Nov 4, 2013


TRACERS features a stellar cast of young actors, all of whom have served in the United States military, a first since the original production. Their personal insights fuel the action as well as the rampant emotions that haunt them through the rigors of boot camp, the horrors of combat, the craziness of war, and the PTSD challenges of coming home including dealing with the effects of Agent Orange and living life in a wheelchair.

Photo Flash: Opening Night at Bay Street Theatre's MEN'S LIVES
by BWW News Desk - Jul 9, 2012


Bay Street Theatre presents the second production of its 2012 Mainstage Season, MEN'S LIVES, which opened officially last Saturday evening, July 7, 2012. The play was written by Joe Pintauro; based on the book by Peter Matthiessen; directed by Harris Yulin. The show runs through Sunday, July 29. Check out photos from opening night below!

Photo Flash: Goodman Theater's HIGH HOLIDAYS
by Gabrielle Sierra - Nov 5, 2009


Native Chicago playwright Alan Gross teams up with director Steven Robman to bring his newest work, High Holidays, to Goodman Theatre.

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