What's Up Photos - Broadway

What did our critic think of MOTHER COURAGE AND HER CHILDREN at Ensemble?

Shaun Rennie (Director) allows Tennessee Williams’ words to be the hero of the night as he presents a captivatingly simple expression of SUDDENLY LAST SUMMER at Ensemble Theatre.

What did our critic think of ROGERS & HAMMERSTEIN'S OKLAHOMA! at Golden Gate Theatre, San Francisco?

Live theatre is officially back and Concord Theatricals is celebrating! 'There's No Business Like Show Business' is a digital celebration that launched just last month, marking the return of live theater and all of the incredible people who help to make it happen. The celebration coincides with the 75th anniversary of Irving Berlin's Annie Get Your Gun and its iconic showstopper 'There's No Business Like Show Business,' a song that has more resonance than ever this year.

This season on Broadway, everything has definitely been going Eva Price's way.

As BroadwayWorld reported yesterday, stage and screen star, Patricia Morison died at the age of 103 at home in Los Angeles of natural causes. A stage icon and legend best known for her starring roles in Cole Porter's Kiss Me Kate and The King & I opposite Yul Brynner, she established an indelible mark in films with a reputation as a the villainous femme fatale with large blue eyes and extremely long, dark hair that made her a favorite of studios and fans alike. 

Like Andy Warhol, another well-known, towheaded, Avant Garde artist who pushed the boundaries of his art form, Klaus Kinski was one of the most celebrated and controversial actors in the history of world cinema. The reckless abandon with which he approached both life and art left him tortured, demonized and worshiped by scores of his fans. And since the German actor died in November 1991, there is no way to speak with him now about what motivated him and why he felt so tortured throughout his life. The project first germinated when writer/actor Andrew Perez lined up interviews with Phyllis Winter (a very close friend during the last 10 years of Kinski's life in Lagunitas, CA) and her daughter Sara to learn more about the temperamental artist. He then worked hand in hand with director Eric G. Johnson to interview the two women which led to the creation of a theatrical tribute to the outspoken artist entitled THE SECOND COMING OF KLAUS KINSKI, a hit at the 2017 Hollywood Fringe Festival which is now enjoying an open-ended encore run on Thursday nights at Studio C on Hollywood's Theatre Row.

The Billie Holiday Theatre (The Billie) has launched its 46th Season in the newly-renovated theater with a production of THE OLD SETTLER, written by Brooklyn-born playwright John Henry Redwood and directed by Tony Award nominee Michele Shay, October 20 - November 19.

'Oooook-lahoma! Where the wind comes sweepin' down the plain...' Fun fact- that's the first thing that pops into my head whenever I think about the musical, OKLAHOMA. But, with it's versatile musical scale and it's bold and meaningful storyline, OKLAHOMA is so much more than the story of good ol' country cowboys and farmers trying to get along and the making of a new American state. It's a story of the triumphs and struggles for women in early American life and the conflicts that a local rivalry can bring, all wrapped up in a beautiful love story.  

Agatha Christie is one of the world's best-selling authors. Her 66 detective novellas and fourteen short story collections have sold over a billion copies. She is also credited with writing the play and movie scripts for some of her works.

It is rare that an exhibition can take an artist you have known for most of your museum-going life and make him live anew. PICASSO SCULPTURE is one such glorious rarity.

BROADWAY BOUND won the 1987 Pulitzer Prize for Drama, making part three the most serious of the Eugene trilogy plays in which we find Eugene and his older brother Stanley trying to break into the world of show business in 1949 as professional comedy writers while coping with their parents break-up and eventual divorce. Along the way, their material is broadcast on the radio for the first time, making the family upset to hear a thinly-veiled portrait of themselves played for laughs. Of course everyone else in their Brighton Beach neighborhood sees themselves in the characters, but that does lessen the hurt felt by their grandfather and parents when the show airs.

While watching the Next Stage production of Gina Gionfriddo's RAPTURE, BLISTER, BURN at Theatre Memphis, I was reminded of John Van Druten's screenplay for the 1943 Warner Brothers film OLD ACQUAINTANCE. It was one of those 'women pictures' which provided thespic opportunities for the likes of actresses like Bette Davis and Miriam Hopkins, who, in fact, were the lead players in this particular film. In their youth, the two women had been friends, but as their paths parted in life, the Davis character, brittle and alone, became a critically acclaimed (if financially challenged) author, while the Hopkins character, finally penning a bestseller (trash that it is, it rakes in the 'big bucks'), jealously desires what Davis has. I couldn't help thinking, if Gionfriddo's RAPTURE had fallen into the hands of a director like Vincent Sherman, I could see Davis as the 'Catherine Croll' character, who, despite national recognition and an evidently fulfilling career, begins to have doubts about her life choices. (If you've ever seen the famous car scene in Joseph L. Mankiewicz's ALL ABOUT EVE, also starring Davis, you'll hear the character of stage actress 'Margo Channing' lament what a woman gives up when she devotes herself entirely to a career: I wonder if this very scene influenced Ms. Gionfriddo in her characterizations.) The other character, 'Gwen,' would obviously have been given over to Hopkins, who would have shone as the once promising woman who jettisoned her own burgeoning promise to marry 'Don Harper,' who once had been Catherine's intended (George Brent, anyone?).

NIGHT WATCH is one of the best productions I have seen at Theatre 40, a brilliantly written script visualized and presented by a talented production team and cast who truly understand the material and what it takes to keep you at the edge of your seat, trying to figure out just who has done what to whom. There's an array of suspects with a twist ending worthy of O. Henry.

The OBIE-winning HERE announces the line-up for CULTUREMART 2014, taking place January 28 - February 9. In CULTUREMART, process becomes the focus, as this annual festival offers a first look at live performance work in various stages of development from the boundary-breaking artists in the HERE Artist Residency Program (HARP) on their journey to mainstage productions. CULTUREMART 2014 serves up 13 adventurous workshop performances of new hybrid work that blurs the lines between theater, dance, music, multimedia, puppetry and visual art. Scroll down for a sneak peek at the performers!

What would the iconic Holly Golightly be however, without her trusty, feline friend? Check out photos of the BREAKFAST AT TIFFANY'S cats backsatge below. Plus, check out a hoard of Holly Golightlys outside of the theatre!

Audiences will be captivated at what happens on stage when the Stephen F. Austin State University School of Theatre presents 'The Madwoman of Chaillot' tonight through Nov. 17, in W.M. Turner Auditorium. But equally fascinating and impressive is what goes on behind the scenes of this SFA production of the play written by French dramatist Jean Giraudoux and adapted by Maurice Valency. Read on to get a glimpse into the backstage work!

The party starts on January 29 at The Cleveland Play House with Ain't Misbehavin', a Tony Award-winning celebration of the music of Thomas 'Fats' Waller.