Jake Gyllenhaal and Annaleigh Ashford, who both earned raves for their portrayals, will return to their roles, and will mark the second major Broadway revival of Sondheim and Lapine's Pulitzer Prize-winning musical.
Sondheim and Lapine's masterpiece follows painter Georges Seurat (Jake Gyllenhaal) in the months leading up to the completion of his most famous painting, A Sunday Afternoon on the Island of La Grande Jatte. Consumed by his need to "finish the hat," Seurat alienates the French bourgeoisie, spurns his fellow artists, and neglects his lover Dot (Annaleigh Ashford), not realizing that his actions will reverberate over the next 100 years.
Sunday in the Park with George is produced on Broadway by Adam Speers for Ambassador Theatre Group, New York City Center, Jeanine Tesori, and Riva Marker.
Lapine's overall approach - assuming that is what I am describing here - is a perfectly justifiable and resonant way into this show and, I'd wager, a closer match for where Lapine (her uncle) and Sondheim are now with regard to their midlife show. The downside, though, of the projection of art as personality-killing necessity is that you don't see a lot of possibility for life lived the other way - you know, the functional one with the love, art and kids - and the diminished potential of the road not traveled has the impact of cutting the tension in the piece and compromising one of its most perpetually engaging qualities.
Every once in a rare while, the theater rewards us with a kind of transcendent experience, a feeling that this, surely, will never happen again - at least not remotely in the same way. My once-in-a-lifetime theory is being crushed - exquisitely, rapturously - right now as Jake Gyllenhaal and Annaleigh Ashford step up alongside Mandy Patinkin and Bernadette Peters in the treasured place where I keep memories of the original 'Sunday in the Park With George.' They are that good.
Videos