Uncle Tom's Cabin 1852

The Frist Art Museum presents Kara Walker: Cut to the Quick, From the Collections of Jordan D. Schnitzer and His Family Foundation, an exhibition that offers a broad overview of the artist’s career and explores racial and gender exploitation, abuse, and inequity.

The Frist Art Museum Presents KARA WALKER: CUT TO THE QUICK, From the Collections of Jordan D. Schnitzer and His Family Foundation, an exhibition that offers a broad overview of the artist's career and explores racial and gender exploitation, abuse, and inequity.

On Her Shoulders will present a virtual reading of Slaves in Algiers (1794) by Susannah Haswell Rowson, directed by Melody Brooks, via NPTC's YouTube Channel: NewPerspectivesTC.

Petipa, who of the three choreographers listed in the program has the most influence on American Ballet Theatre's Le Corsaire, knows how to create a dramatic excuse for dance. With a few notable exceptions, 'Giselle' and 'Romeo and Juliet' come instantly to my mind, declarative dance which spends twenty minutes to hammer out an 'I love you' through pirouettes can be draining and leave the audience thinking 'Just spit it out.' Petipa, clearly seeing this dramatic shortcoming, forms his ballets around vast pageants, processionals, and presentations. The Black Swan seduces by exhibition at a banquet, the last glorious act of The Sleeping Beauty is a virtually plotless celebration, and practically the entire Nutcracker is a series of vignettes formed around a presentation. Le Corsaire is no different. The first act features the presentation of several ballerinas. The second act is centered around the principal dancers performing to 'entertain the group'. Then, in act three, a pasha spends a lengthy amount of time in a dream sequence which features, what else, women and flowers. Superficially, this all works wonderfully and the dancers shamelessly take this opportunity to exploit their most acrobatic technique. The piece's issues begin upon the introduction of the words 'slave girls.'

Point Park University's Conservatory Theatre Company closes its 2016-2017 season with Uncle Tom's Cabin, or The Most Popular American Play You've Never Seen.

Point Park University's Conservatory Theatre Company will present six productions in the 2016-2017 season, ranging from revamped classic works of theatre to popular, contemporary, Tony Award-winning musicals.

The federal government has awarded a $150,000 grant to preserve the Harriet Beecher Stowe Center collections in Hartford.

Veteran actor George Lee Miles, known for his roles in Spike Lee's Malcolm X, the original Fort Apache The Bronx and The Taking of Pelham 1-2-3, and Broadway's 1991 revival of Mule Bone, joins the cast in the title role of Metropolitan Playhouse'e Uncle Tom's Cabin.

Metropolitan Playhouse presents a revival of Uncle Tom's Cabin, adapted by George Aiken from the novel by Harriet Beecher Stowe.

Veteran actor George Lee Miles, known for his roles in Spike Lee's Malcolm X, the original Fort Apache The Bronx and The Taking of Pelham 1-2-3, and Broadway's 1991 revival of Mule Bone, joins the cast in the title role of Metropolitan Playhouse'e Uncle Tom's Cabin.

Metropolitan Playhouse presents a revival of Uncle Tom's Cabin, adapted by George Aiken from the novel by Harriet Beecher Stowe.

Veteran actor George Lee Miles, known for his roles in Spike Lee's Malcolm X, the original Fort Apache The Bronx and The Taking of Pelham 1-2-3, and Broadway's 1991 revival of Mule Bone, joins the cast in the title role of Metropolitan Playhouse'e Uncle Tom's Cabin.

Metropolitan Playhouse presents a revival of Uncle Tom's Cabin, adapted by George Aiken from the novel by Harriet Beecher Stowe.