Michael Butler, famed producer of the musical Hair: The American Tribal Love-Rock Musical, passed peacefully November 7, 2022 at the Los Angeles Jewish Home for the Aging in Reseda, CA. He was born November 26, 1926 in Chicago, Illinois.
BAM today announced plans for virtual programs including theater, kids and family, literary, and film events. The fresh slate of offerings include the world premiere of V's (formerly Eve Ensler) That Kindness: Nurses in their Own Words; a talk with co-creator of #BlackLivesMatter and the Black Lives Matter Global Network Alicia Garza; and more!
Hollywood's legendary El Capitan Theatre presents a special engagement of Disney's ALADDIN, May 23 to June 16, shown in brilliant Dolby VisionTM Laser Projection & Dolby Atmos® Sound Technology. Tickets are now on sale at www.elcapitantickets.com, by calling 1-800-DISNEY6 and at The El Capitan Theatre box office.
The York Theatre Company in association with Documentary Arts presents the world premiere of the new musical Lonesome Blues, based on the true story of legendary bluesman Blind Lemon Jefferson, created by Alan Govenar (Texas in Paris) and Akin Babatunde (Blind Lemon Blues), directed by Katherine Owens (How Is It That We Live or Shakey Jake + Alice), performed by Akin Babatunde with David Weiss on guitar.
With Roundabout at Brighton Festival, James Graham's The Angry Brigade at the Bush Theatre, and Every Brilliant Thing on national tour, Artistic Directors of Paines Plough James Grieve and George Perrin today announce the company's Programme 2015 which sees 11 productions touring to 74 places.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske andEthan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Columbia Stages will present NEW PLAYS NOW, the annual festival of new plays by emerging artists from the MFA Theatre Program at Columbia University School of the Arts. NEW PLAYS NOW will run from tonight, April 17 to May 11 and will feature original works by Paulina Barros, Keith Boynton, Talya Chalef, Angelica Cheri, Pei-Chieh Chiang, Paola Lazaro Muñoz, Alessandra Most, Christina Quintana, Torrey Townsend, and Zhao Binghao.
Columbia Stages will present NEW PLAYS NOW, the annual festival of new plays by emerging artists from the MFA Theatre Program at Columbia University School of the Arts. NEW PLAYS NOW will run from April 17 to May 11 and will feature original works by Paulina Barros, Keith Boynton, Talya Chalef, Angelica Cheri, Pei-Chieh Chiang, Paola Lazaro Muñoz, Alessandra Most, Christina Quintana, Torrey Townsend, and Zhao Binghao.
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