Based on The Tinted Venus by F. Anstey
Bayou City Concert Musicals kicks off its 2012-13 season with a fully-staged concert version of the classic musical, One Touch of Venus, for five performances at the Heinen Theatre, 3517 Austin, September 6-9, 2012. "It seems strange," says BCCM Artistic Director Paul Hope, "to say a show written in the 1940s can be a Houston premiere, but One Touch of Venus has never before been seen on a Houston stage. That's a sad oversight BCCM will correct in September."
The Dallas Opera is pleased to announce the sale of one-price, single reserved seats for the world premiere of a new song cycle by composer Jake Heggie and librettist Gene Scheer commissioned for the company's much-anticipated annual Spring Gala, UNVEIL.
The award-winning Musical Theatre Guild, a company of professional performers who present concert-staged readings of seldom seen musicals, will continue its 15th season with Kurt Weill and Ogden Nash's 1943 rare classic ONE TOUCH OF VENUS.
The award-winning Musical Theatre Guild, a company of professional performers who present concert-staged readings of seldom seen musicals, will continue its 15th season with Kurt Weill and Ogden Nash's 1943 rare classic ONE TOUCH OF VENUS.
Musicals Tonight recent announced its 2010-2011 season. The season will feature a number of ambitious works, including One Touch of Venus and the American premiere of Theodore & Co.
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
42nd Street Moon celebrates its 15th anniversary season with another great line-up of uncommon musicals, including a leading appearance by Andrea Marcovicci.
Broadway performer Christianne Tisdale will be featured in One Touch of Venus, presented by England's Opera North, from November 3rd through 12th
Videos
