Tony® and Emmy® winner Mary-Louise Parker (Weeds, Proof) returns to Broadway in this world premiere drama by Sharr White (The Other Place).
With war raging abroad, newly widowed Elizabeth Gaesling gathers her family for their annual shooting party to mark the opening of hunting season in rural, upstate New York. But Elizabeth is forced to confront a new reality as her carefree eldest son comes to terms with his impending deployment overseas and her younger son discovers that the father they all revered left them deeply in debt. Together, the family must let go of the life they’ve always known.
Tony winner Daniel Sullivan (Rabbit Hole, Proof) directs this stirring new play about a family waking up from their own personal Gilded Age as the world around them changes forever.
Director Daniel Sullivan smoothly handles White's melodramatic story, which also includes Elizabeth's religious sister, Clarissa, and her German husband, Max. The reliably wonderful Victoria Clark and Danny Burstein (doing a rather odd accent) act the hell out of tacked-on parts. You actually would like to know more about Clarissa, whose forbidding manner hides a kind spirit.
Mary-Louise Parker is much too delicate and entirely too fashionable (in stunning widow's weeds designed by Jane Greenwood) to be stuck in Syracuse in the dead of winter and at the end of the Gilded Age in America. But that's the price of playing a Chekhovian heroine in 'The Snow Geese,' Sharr White's bland homage to the master of upper-class existential malaise. The family in this domestic drama is, indeed, as melancholy as any family in a Russian play. But they're so shallow and self-centered that they are welcome to their misery.
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