It Shoulda Been You, is a musical comedy for anyone with parents. The bride is Jewish. The groom is Catholic. Her mother is a force of nature, his mother is a tempest in a cocktail shaker. And when the bride's ex-boyfriend shows up, the perfect wedding starts to unravel faster than you can whistle "Here Comes the Bride!"
The cast of It Shoulda Been You includes Tony Award-winner Tyne Daly, Tony Award-winner Harriet Harris, Sierra Boggess, Lisa Howard, David Burtka, Tony Award nominee Montego Glover, Chip Zien, Josh Grisetti, Adam Heller, Michael X. Martin, Anne L. Nathan, Nick Spangler, and Edward Hibbert, along with Farah Alvin, Gina Farrell, Aaron Finley, Mitch Greenberg, and Jillian Louis.
Yet this new musical, this Broadway season's freshest and funniest to date, defies skepticism, both in its wacky humor and its big, buoyant heart. Book writer and lyricist Brian Hargrove and composer Barbara Anselmi have taken a familiar premise -- that of lovers from different backgrounds uniting -- and crafted something that is both endearingly old-fashioned in spirit and decidedly contemporary in execution. Under the whip-smart direction of David Hyde Piece (Hargrove's husband), the 100-minute Shoulda Been can feel like a revival of some lost screwball classic. But Hargrove's hilarious lines, in song and dialogue, take liberties that wouldn't have flown back in the day...The message underlying this madness has to do with the importance of viewing others -- as individuals, in families and relationships -- with eyes wide open. And Pierce and his superb cast serve it with a delicacy befitting a fine soufflé.
'It Shoulda Been You' is a plastic statuette for the tourist trade, a nice-Jewish-girl-marries-nice-Catholic-boy musical farce that is by turns desperately unfunny and relentlessly preachy. Brian Hargrove's been-there-done-that plot (Tyne Daly's Jewish mom is a monster of tactlessness, Harriet Harris's Catholic mom a boozehound) was already a cliché a half-century ago, and today its whiskery stereotypes are a millimeter away from being actively offensive. As for Barbara Anselmi's music, it sounds like a medley of discarded theme songs from the pilots of failed '70s sitcoms. The cast, fortunately, is excellent...David Hyde Pierce's staging is sufficiently adroit to make you long to see what he'd do with a real musical. This isn't it.
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