Theater for the New City (Crystal Field, Artistic Director) presents the world-premiere production of Squealer, part of Lesser America in residence at Theater For the New City.
Theater for the New City (Crystal Field, Artistic Director) presents the world-premiere production of Squealer, part of Lesser America in residence at Theater For the New City.
Nominations in 26 competitive categories for the American Theatre Wing's 65th Annual Antoinette Perry 'Tony' Awards were announced May 3, 2011 by Tony Award winning actor Matthew Broderick and Tony Award winning actress Anika Noni Rose, at the Tony Award Nominations Announcement sponsored by IBM.
Nominations in 26 competitive categories for the American Theatre Wing's 65th Annual Antoinette Perry 'Tony' Awards were announced May 3, 2011 by Tony Award winning actor Matthew Broderick and Tony Award winning actress Anika Noni Rose, at the Tony Award Nominations Announcement sponsored by IBM.
The Shakespeare Center of Los Angeles (SCLA) continues the celebration of its 25th anniversary by holding its 21st Simply Shakespeare reading of "The Merry Wives of Windsor." The participants for this rhinestone-studded cast in a down-home evenin' that will be more colorful than a clown at a rodeo include Christina Applegate, Kenneth Branagh, Faith Hill, Eric idle, Arte Johnson, Eugene Levy, Tim McGraw, William Shatner, Martin Short, Tracey Ullman and the co-chairs of the event Rita Wilson and Tom Hanks, all of whom will be reading one of Shakespeare's best known and beloved comedies. The special musical guests are Reba McEntire, Sara Watkins, Sean Watkins, and Chris Wilson.
Theater for the New City (Crystal Field, Artistic Director) presents the world-premiere production of Squealer, part of Lesser America in residence at Theater For the New City.
This spring, Site-Specific Directing returns to the curriculum along with a new class, Advanced Scene Study: Sarah Ruhl/Sarah Kane at Primary Stages Einhorn School of Performing Arts (ESPA). The two worked together this week to present scenes from Sarah Kane in the East Village.
Theater for the New City (TNC) has announced that Squealer, a new play by Jonathan Blitstein and directed by Daniel Talbott, will open on Thursday May 5th at 8pm at Theater for the New City - 155 First Avenue, between 9th and 10th Streets.
The Shakespeare Center of Los Angeles (SCLA) continues the celebration of its 25th anniversary by holding its 21st Simply Shakespeare reading of "The Merry Wives of Windsor."
The Shakespeare Center of Los Angeles (SCLA) continues the celebration of its 25th anniversary by holding its 21st Simply Shakespeare reading of 'The Merry Wives of Windsor.' The participants for this rhinestone-studded cast in a down-home evenin' that will be more colorful than a clown at a rodeo include Christina Applegate, Kenneth Branagh, Faith Hill, Eric idle, Arte Johnson, Eugene Levy, Tim McGraw, William Shatner, Martin Short, Tracey Ullman and the co-chairs of the event Rita Wilson and Tom Hanks, all of whom will be reading one of Shakespeare's best known and beloved comedies.
The long overdue London premiere of the Broadway musical The Roar of the Greasepaint - The Smell of the Crowd, directed by acclaimed West End and RSC director Ian Judge, and designed by three time Olivier Award winner Tim Goodchild, opens for a four week limited season at the Finborough Theatre on Tuesday, 7 June 2011 (Press Night: Thursday, 9 June 2011 at 7.30pm).
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, will present David Ives' new comedy, THE SCHOOL FOR LIES, adapted from the Molière classic The Misanthrope, directed by Tony Award winner Walter Bobbie, beginning performances Wednesday, April 13 at CSC (136 East 13th Street) for a limited engagement through Sunday, May 22
Today we lost one of the greats: the gentle giant of directors, Sidney Lumet. What a resume! Just to pick seven of perhaps the best known of the bunch, the bunch in question being over 100 titles strong: 12 ANGRY MEN, LONG DAY'S JOURNEY INTO NIGHT, SERPICO, DOG DAY AFTERNOON, NETWORK and BEFORE THE DEVIL KNOWS YOU'RE DEAD - the films spanning fifty years from MEN in 1957 and DEVIL in 2007 - it is clear to see why Lumet was one of the most cherished and celebrated directors in Hollywood, especially known for his tough, gritty New York stories and his pristine stage-to-screen transfers. For an excellent example of the latter (in addition to LONG DAY'S JOURNEY and the others) check out DEATHTRAP - based on Ira Levin's play, the longest-running thriller in Broadway history - featuring Michael Caine in one of his best roles and Christopher Reeve and Dyan Cannon in their finest performances on film. For an example of the former genre, look no further than NETWORK, containing one of the strongest screenplays ever penned, from the fiery and ferocious pen of Paddy Cheyefsky, and Faye Dunaway in her Oscar-winning performance for all the ages. As far as theatrical screenplays on screen, Lumet would be hard-pressed to even come close to the power, prescience and transformative brilliance at the core of the conceit of that film - yet he did just that; with his final, 2007 film no less. I am speaking, of course, of the underrated and riveting BEFORE THE DEVIL KNOWS YOU'RE DEAD starring Philip Seymour Hoffman, Ethan Hawke, Marisa Tomei, with Albert Finney and Rosemary Harris. Taking an original screenplay that could just as well have been written for the stage - shades of 12 ANGRY MEN, DOG DAY AFTERNOON, NETWORK and SERPICO, certainly - Lumet made a bristling, biting brilliant work of staggering craft and ingenuity - all with verve, energy and drive of a man a quarter of his age at the time (80). His films were classics in his own time and, now, in his passing, they are just as timeless - if not more so. With each passing year, new layers of truth, beauty, sadness and soulfulness can be found in the countless frames in the innumerable unforgettable scenes in his many masterpieces.
Making its Midwest premiere in the birthplace of Alcoholics Anonymous, Bill W. and Dr. Bob is an inspirational, gripping and timely story about the men and their wives whose relationships pioneered the beginning of Alcoholics Anonymous and the creation of Al-Anon.
The final play of Florida Stage's 24th subscription season is the world premiere of a darkly funny, electric and timely new play by Carter W. Lewis, The Cha-Cha of a Camel Spider. From the award-winning author of The Storytelling Ability of a Boy and Women Who Steal, The Cha-Cha of a Camel Spider asks the questions, what happens when our 'soldiers of fortune' outnumber our army troops and can art really make a difference in a corporatized world? The Cha-Cha of a Camel Spider continues Florida Stage's first season as the resident company in the Rinker Playhouse at the Kravis Center for the Performing Arts.
Three-time Tony Award-winning scenic designer ROBIN WAGNER and esteemed costume designer LEWIS BROWN are among the 2011 TDF/Irene Sharaff Awards recipients. The awards will be presented at a ceremony on Friday, April 8 at 6:30pm at the Hudson Theatre (145 West 44th Street). Mr. Brown was selected to receive the 2011 TDF/Irene Sharaff Lifetime Achievement Award for costume design, and Tony Award-winning scenic designer Robin Wagner will receive the Robert L.B. Tobin Award for Sustained Excellence in Theatrical Design. Sadly, Mr. Brown passed away in January of 2011. His award will be accepted by his long-time colleague and friend, Albert Wolsky, who was the recipient of the 2010 TDF/Irene Sharaff Lifetime Achievement Award
THE ACTIVE THEATER in association with BUD MARTIN will present Any Given Monday by Bruce Graham on Monday, April 4, 2011 at New World Stages, 2:00pm, in Stage 5. Bud Martin will direct the private reading of the play which was first seen in a co-production between ACT II PLAYHOUSE, Ambler, PA and THEATRE EXILE, Philadelphia, PA. Any Given Monday was the recipient of the 2010 Barrymore Award for Best New Play.
After a sold-out and critically acclaimed run at The New York
International Fringe Festival, the award-winning The Umbrella Plays is back, for a limited engagement at The Tank, March 31st - April 10th.
Written by Stephanie Janssen and directed by Daniel Talbott (art. dir. Rising Phoenix Rep, Keep Your Baggage With You (at all times)), The Umbrella Plays connects six snap-shot-sized plays, each offering a glimpse into the lives of a disparate (and sometimes desperate) cast of characters, as they work their ways through inclement weather of the literal and figurative variety, searching for shelter in whatever form it can be found. The smallest and most common-place of objects, the simple umbrella, becomes the entry point into these stories, reminding us that there is more than meets the eye in the most innocuous-seeming pieces of a life, and the most fleeting of moments. Storms crash in and leave their marks, lovers are sought and lost and found again, ambitions jump the tracks and hopes get renewed, and in the swirl of these six stories, an umbrella is never, ever just an umbrella.
Making its Midwest premiere in the birthplace of Alcoholics Anonymous, Bill W. and Dr. Bob is an inspirational, gripping and timely story about the men and their wives whose relationships pioneered the beginning of Alcoholics Anonymous and the creation of Al-Anon.
Theater for the New City (Crystal Field, Artistic Director) presents the world-premiere production of Squealer, part of Lesser America in residence at Theater For the New City.
Playwright and artistic director of Rising Phoenix Rep Daniel Talbott has been named a finalist in the drama category for the 2011 Lambda Literary Awards, which were announced March 16th.
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, will present David Ives' new comedy, THE SCHOOL FOR LIES, adapted from the Moli re classic The Misanthrope, directed by Tony Award winner Walter Bobbie, beginning performances Wednesday, April 13 at CSC (136 East 13th Street) for a limited engagement through Sunday, May 22
Years before Coppola's Godfather enthralled a nation and decades before "Sopranos" and "Boardwalk Empire" fed viewers' insatiable appetites for serial gangster melodrama, the yakuza (Japanese mafia) were mainstays of the Japanese film industry.
Written by Stephanie Janssen and directed by Daniel Talbott (art. dir. Rising Phoenix Rep, Keep Your Baggage With You (at all times)), The Umbrella Plays connects six snap-shot-sized plays, each offering a glimpse into the lives of a disparate (and sometimes desperate) cast of characters, as they work their ways through inclement weather of the literal and figurative variety, searching for shelter in whatever form it can be found. The smallest and most common-place of objects, the simple umbrella, becomes the entry point into these stories, reminding us that there is more than meets the eye in the most innocuous-seeming pieces of a life, and the most fleeting of moments. Storms crash in and leave their marks, lovers are sought and lost and found again, ambitions jump the tracks and hopes get renewed, and in the swirl of these six stories, an umbrella is never, ever just an umbrella.
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