Pacific Conservatory of the Performing Arts Theaterfest is pleased to present the American Premiere of My Fairytale, a musical about Hans Christian Andersen. The musical is composed by Stephen Schwartz, the award-winning composer of Godspell, Pippin and Wicked, and will be presented in time for the 2011 centennial celebration of Solvang, CA as a Danish-American community. This exclusive engagement will preview in Santa Maria's Marian Theatre August 12 - 19, 2011, then open under the stars in the Solvang Festival Theater August 26, playing through September 25, 2011.
Michael Feinstein releases his new CD through Concord Records on October 25, 2011.
On October 9, for one night only, Mari Kimura, inventor of Subharmonics for the violin, will perform four new works for violin, electronics and integrative graphics in the culminating event of the New York Electronic Art Festival (NYEAF) at Roulette Performance Space, 509 Atlantic Avenue, Brooklyn. Her concert is titled 'Eigenspace' after its centerpiece composition, a work of that name for Augmented Violin and Interactive Graphics composed by Kimura. It was commissioned by Harvestworks and features interactive graphics by Tomoyuki Kato, a noted Japanese visual artist and film director.
Today Executive Director Mark Murphy unveils REDCAT's 2011 Fall Season, featuring a dynamic lineup of living legends and daring new voices in dance, theater, music, film/video, visual and multimedia work.
Tyne Daly, Tom Wopat, Gregg Edelman, Aaron Lazar, Tony DeSare, Michele Lee and Jamie Barton have joined the roster of guest artists to perform at The New York Pops' 28th Birthday Gala, Celebrate Hope, on May 2, 2011. A grand gala evening celebrating the legacy of late actor and comedian Bob Hope and honoring decades of support by Interpublic Group, the event begins at 7:00 PM with a concert at Carnegie Hall featuring a special lineup of concert artists, followed by a black tie dinner and dance held at the luxurious Plaza Hotel.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
Music Director Steven Reineke has announced that Tyne Daly, Tom Wopat, Gregg Edelman, Aaron Lazar, Tony DeSare, Michele Lee and Jamie Barton have joined the roster of guest artists to perform at The New York Pops' 28th Birthday Gala, Celebrate Hope, on May 2, 2011. A grand gala evening celebrating the legacy of late actor and comedian Bob Hope and honoring decades of support by Interpublic Group, the event begins at 7:00 PM with a concert at Carnegie Hall featuring a special lineup of concert artists, followed by a black tie dinner and dance held at the luxurious Plaza Hotel.
Today we lost one of the greats: the gentle giant of directors, Sidney Lumet. What a resume! Just to pick seven of perhaps the best known of the bunch, the bunch in question being over 100 titles strong: 12 ANGRY MEN, LONG DAY'S JOURNEY INTO NIGHT, SERPICO, DOG DAY AFTERNOON, NETWORK and BEFORE THE DEVIL KNOWS YOU'RE DEAD - the films spanning fifty years from MEN in 1957 and DEVIL in 2007 - it is clear to see why Lumet was one of the most cherished and celebrated directors in Hollywood, especially known for his tough, gritty New York stories and his pristine stage-to-screen transfers. For an excellent example of the latter (in addition to LONG DAY'S JOURNEY and the others) check out DEATHTRAP - based on Ira Levin's play, the longest-running thriller in Broadway history - featuring Michael Caine in one of his best roles and Christopher Reeve and Dyan Cannon in their finest performances on film. For an example of the former genre, look no further than NETWORK, containing one of the strongest screenplays ever penned, from the fiery and ferocious pen of Paddy Cheyefsky, and Faye Dunaway in her Oscar-winning performance for all the ages. As far as theatrical screenplays on screen, Lumet would be hard-pressed to even come close to the power, prescience and transformative brilliance at the core of the conceit of that film - yet he did just that; with his final, 2007 film no less. I am speaking, of course, of the underrated and riveting BEFORE THE DEVIL KNOWS YOU'RE DEAD starring Philip Seymour Hoffman, Ethan Hawke, Marisa Tomei, with Albert Finney and Rosemary Harris. Taking an original screenplay that could just as well have been written for the stage - shades of 12 ANGRY MEN, DOG DAY AFTERNOON, NETWORK and SERPICO, certainly - Lumet made a bristling, biting brilliant work of staggering craft and ingenuity - all with verve, energy and drive of a man a quarter of his age at the time (80). His films were classics in his own time and, now, in his passing, they are just as timeless - if not more so. With each passing year, new layers of truth, beauty, sadness and soulfulness can be found in the countless frames in the innumerable unforgettable scenes in his many masterpieces.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
Seattle Opera today announced its captivating 2011/12 season, featuring an American treasure, the greatest French opera, the company premiere of a work by Verdi, one of opera's fundamental love stories, and a beloved Puccini tragedy. The season opens with Porgy and Bess in July, followed by Carmen in the fall and Attila, Orphée et Eurydice, and Madama Butterfly in 2012.
Music Director Alan Gilbert will conduct the New York Philharmonic in Aaron Jay Kernis's a Voice, a Messenger, a World Premiere-New York Philharmonic Co- Commission with the Big Band Association, featuring Philharmonic Principal Trumpet Philip Smith, and the New York Premiere of Christopher Rouse's Oboe Concerto, with Principal Oboe Liang Wang, Tuesday, December 28, 2010, Wednesday, December 29, and Thursday, December 30, at 7:30 p.m. Also on the program: Vivaldi's Concerto for Four Violins, RV 580, performed by Philharmonic violinists Sheryl Staples, Michelle Kim, Marc Ginsberg, and Lisa Kim; Hindemith's Horn Concerto, played by Principal Horn Philip Myers; and Ravel's Boléro.
Music Director Alan Gilbert will conduct the New York Philharmonic in Aaron Jay Kernis's a Voice, a Messenger, a World Premiere-New York Philharmonic Co- Commission with the Big Band Association, featuring Philharmonic Principal Trumpet Philip Smith, and the New York Premiere of Christopher Rouse's Oboe Concerto, with Principal Oboe Liang Wang, Tuesday, December 28, 2010, Wednesday, December 29, and Thursday, December 30, at 7:30 p.m. Also on the program: Vivaldi's Concerto for Four Violins, RV 580, performed by Philharmonic violinists Sheryl Staples, Michelle Kim, Marc Ginsberg, and Lisa Kim; Hindemith's Horn Concerto, played by Principal Horn Philip Myers; and Ravel's Boléro.
Michael Riedel reports in the New York Post this morning that Patrick Cassidy is at work on a new piece about his father, the late musical actor Jack Cassidy, who died in an accidental fire at the age of 49. The younger Cassidy is developing a one-man show about Jack, with the help of some of Jack's old friends, including Hal Prince and John McMartin.
Music Director Alan Gilbert will conduct the New York Philharmonic in Aaron Jay Kernis's a Voice, a Messenger, a World Premiere-New York Philharmonic Co- Commission with the Big Band Association, featuring Philharmonic Principal Trumpet Philip Smith, and the New York Premiere of Christopher Rouse's Oboe Concerto, with Principal Oboe Liang Wang, Tuesday, December 28, 2010, Wednesday, December 29, and Thursday, December 30, at 7:30 p.m. Also on the program: Vivaldi's Concerto for Four Violins, RV 580, performed by Philharmonic violinists Sheryl Staples, Michelle Kim, Marc Ginsberg, and Lisa Kim; Hindemith's Horn Concerto, played by Principal Horn Philip Myers; and Ravel's Boléro.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
The Town Hall, New York City's landmark concert venue (123 West 43rd Street), will honor Tony ® and Emmy ® Award winning theatre legend Elaine Stritch, (who is currently starring in A Little Night Music) and Merryl H. Tisch, (Chancellor of the New York State Board of Regents) with The Town Hall 'Friend of the Arts' Award on Sunday, October 17th, 2010.
The Town Hall, New York City's landmark concert venue (123 West 43rd Street), will honor Tony ® and Emmy ® Award winning theatre legend Elaine Stritch, (who is currently starring in A Little Night Music) and Merryl H. Tisch, (Chancellor of the New York State Board of Regents) with The Town Hall 'Friend of the Arts' Award on Sunday, October 17th, 2010.
The new developmental production of Platinum (www.PlatinumTheMusical.com) starring Donna Bullock (Ragtime, City of Angels, A Class Act) will play the Lucille Lortel Theatre (121 Christopher Street) as part of the 2010 NY International Fringe Festival.
The new developmental production of Platinum (www.PlatinumTheMusical.com) starring Donna Bullock (Ragtime, City of Angels, A Class Act) will play the Lucille Lortel Theatre (121 Christopher Street) as part of the 2010 NY International Fringe Festival.
The new developmental production of Platinum (www.PlatinumTheMusical.com) starring Donna Bullock (Ragtime, City of Angels, A Class Act) will play the Lucille Lortel Theatre (121 Christopher Street) as part of the 2010 NY International Fringe Festival.
This past weekend, Elaine Stritch performed her 'Singin' Sondheim' cabaret in West Hartford, CT. As reported by the Hartford Courant, the A LITTLE NIGHT MUSIC-bound star was simultaneously in private rehearsals with director Trevor Nunn. According to the report, Stritch and Peters were in New York working on scenes with Nunn, who then rode to Hartford with Stritch to continue discussions over the two-hour car ride. They continued work at the Roberts Theatre, the same space Stritch performed 'Singin' Sondheim' that evening. Jeremy Cohen, associate artistic director of Hartford Stage, is quoted as saying that watching Stritch and Nunn 'was like [being] a kid in a candy shop ... He's definitely an actor's director and listening them talk about Sondheim was incredible. It's as if they had been working together for decades because they spoke in the common vocabulary of Sondheim.'
Tony, Grammy & Golden Globe Award winner Bernadette Peters and Tony & Emmy Award winner Elaine Stritch will return to Broadway in Stephen Sondheim and Hugh Wheeler's Tony Award-winning masterpiece A LITTLE NIGHT MUSIC, directed by Tony Award-winner Trevor Nunn.
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