The Connection 1959 - Articles Page 7

Andrew Bovell's When the Rain Stops Falling continues the Wilma Theater's 2016-17 season. A fish falls from the sky in the year 2039. A man named Gabriel prepares to meet his adult son after being estranged for twenty years. He wonders why his son is coming and what he wants: to know who he is? Where he comes from? Where he belongs? Gabriel knows nothing; his own past escapes him. As the story of Gabriel's family unfolds onstage, his ancestors come alive around him to fill in the gaps. With its web of intricately overlapping connections, When the Rain Stops Falling follows four generations of a family from 1959 to 2039, and from London to Australia. As this family and their world evolve over time, one question remains: in the face of climate change, can we break our habits and change the way we live?

In response to popular demand, The Pearl Theatre Company extends Shelagh Delaney's A Taste of Honey to October 30. Directed by Austin Pendleton, this production marks the play's first New York revival in 35 years.

The Pearl Theatre Company presents A Taste of Honey by Shelagh Delaney. Directed by Tony-nominee Austin Pendleton, the production, running tonight, September 6, through October 16, marks the first Off-Broadway revival of this landmark play in 35 years.

Nederlands Dans Theater 1, one of the world's most prolific and creative contemporary dance companies, will perform in Program 5 of the 2016 Fall for Dance Festival at New York City Center on Friday, October 7 and Saturday, October 8 at 8 pm.

Nederlands Dans Theater 1, one of the world's most prolific and creative contemporary dance companies, will perform in Program 5 of the 2016 Fall for Dance Festival at New York City Center on Friday, October 7 and Saturday, October 8 at 8 pm.

The Pearl Theatre Company is pleased to present A Taste of Honey by Shelagh Delaney. Directed by Tony-nominee Austin Pendleton, the production, running September 6-October 16, marks the first Off-Broadway revival of this landmark play in 35 years.

The Kimmel Center for the Performing Arts announces programming for the 2016-17 season featuring internationally-acclaimed superstars in rock, dance, comedy, and jazz; family shows as part of the Family Discovery Series, returning favorites, the best of touring Broadway, and more!

The U.S. Commission of Fine Arts and the National Capital Planning Commission have unanimously approved a pedestrian bridge linking the Kennedy Center Expansion to the Potomac Riverfront, also connecting the Center to Georgetown to the north and the Lincoln Memorial to the South to create new public access.

Nederlands Dans Theater 1 returns to New York with a 2016 season that includes four U.S. premieres by Sol León and Paul Lightfoot, Crystal Pite, and Marco Goecke, running November 16 – 19, 2016 at New York City Center.  Nederlands Dans Theater, under the Artistic Direction of choreographer Paul Lightfoot, is recognized as one of the world's most prolific and creative contemporary dance companies. 

The 2016 Tony Awards are in the history books, so now it's time to look ahead at the 2016-2017 Broadway season. With new musicals and plays about to descend to Broadway and amazing revivals of classic plays and musicals ready to entrance a new audience, BroadwayWorld has rounded up everything arriving next season!

With HOW SHOULD WE LIVE? Propositions for the Modern Interior, The Museum of Modern Art examines a range of environments -- domestic interiors, exhibition displays, and retail spaces -- with the aim of exploring the complex collaborative partnerships, materials, and processes that have shaped the modernist interior. On view from October 1, 2016, to April 23, 2017, the exhibition focuses on specific interior spaces from the 1920s to the 1950s.

Squabbalogic captures Jim Jacobs and Warren Casey's (Book, Music and Lyrics) original vision of the iconic story in THE ORIGINAL GREASE.

Artistic and Executive Director, Roy Surette, assures that theatre lovers will be SWEPT AWAY by Centaur Theatre's 48th season.

Author Martin Simons believes that the changing climate threatens to destroy civilization on the land. For him, a likely solution is for the human race to live entirely on the sea, which occupies about 75% of the globe. This concept gave him the idea to write the novel 'Cities at Sea,' (published by Xlibris AU) a story set a couple of thousand years from now.

Racism in the housing market in the mid-20th Century was not limited to Detroit. In connection with Detroit's history of impact from race relations, urban renewal, and gentrification and in honor of Black History Month, Theatre and Dance at Wayne announces its presentation of THE RAISIN CYCLE, a series including and stemming from Lorraine Hansberry's A RAISIN IN THE SUN.

Racism in the housing market in the mid-20th Century was not limited to Detroit. In connection with Detroit's history of impact from race relations, urban renewal, and gentrification and in honor of Black History Month, Theatre and Dance at Wayne announces its presentation of THE RAISIN CYCLE, a series including and stemming from Lorraine Hansberry's A RAISIN IN THE SUN.

In light of robust patron demand and excellent press reviews, Artists Repertory Theatre is delighted to announce they will extend THE MIRACLE WORKER for a second time. THE MIRACLE WORKER will now run through January 17, 2016.

In 6 Questions and a Plug, Wildrick displays an infectious enthusiasm equal to Maria's and reveals how much of herself is in this production's iconic role. 

Artists Repertory Theatre is pleased to announce that The Miracle Worker will extend through January 10, 2016. The theatre is delighted that Portland audiences are excited to see this production of one of the most inspirational and triumphant stories of the human spirit ever told this holiday season. Following in the footsteps of our runaway hit musical Cuba Libre earlier this year, The Miracle Worker is the second show of Artists Rep's 2015/16 season that has extended prior to the official opening night.

Dallas Theater Center presents the world premiere of CLARKSTON this winter. Written by 2014 MacArthur Foundation Fellow Samuel D. Hunter, one of the most provocative new voices in American theater, and directed by Davis McCallum, CLARKSTON runs through Sunday, January 31. Press Opening is tonight, December 11 at 8 p.m.

Dallas Theater Center presents the world premiere of CLARKSTON this winter. Written by 2014 MacArthur Foundation Fellow Samuel D. Hunter, one of the most provocative new voices in American theater, and directed by Davis McCallum, CLARKSTON begins with previews tonight, December 3 at 7:30 p.m. with a Pay-What-You-Can performance and runs through Sunday, January 31.

?Artists Repertory Theatre is delighted to present one of the most triumphant stories of the human spirit ever told. The soul-stirring The Miracle Worker evokes hope and inspiration for the entire family at Artists Rep throughout this holiday season and through January 3, 2016.

Dallas Theater Center presents the world premiere of CLARKSTON this winter. 

I think it's safe to say that everyone, by now, has heard that the hills are alive with THE SOUND OF MUSIC. The Broadway musical, which starred Mary Martin in 1959 (and Julie Andrews on film six years later), is easily one of the most familiar titles in the musical theater catalog. With family audiences fawning over more contemporary classics like WICKED, THE LION KING and MATILDA, bringing back an old chestnut comes with a risk.

In mounting the world premiere of Rob Urbinati's new play, Mama's Boy, Good Theater's Artistic Director Brian P. Allen has given Maine a great gift - one of the company's finest productions - some two hours of searing psychological drama, tautly directed and brought to life by a stellar cast. Urbinati's (Death by Design, Hazelwood) two-act play explores the complex, emotionally wrought family dynamics of Lee Harvey Oswald, his mother Marguerite, his wife Marina, and his brother Robert in the time just prior to and just after the Kennedy assassination. Though the play is rooted in history and evokes indelible memories in the communal consciousness, it is less about the tragic events of 1963 and more about the personal relationships of four damaged individuals desperately seeking some connection and meaning. At the epicenter of this dysfunctional family is Marguerite Oswald, thrice married single parent to three estranged sons, a fierce and tender woman who is sees herself as victim and survivor, a woman whose own emotional demands continue to cripple her children. Returning from his defection to Russia, Lee Harvey brings with him his bewildered young wife Marina and their first child, and Urbinati examines Lee Harvey's troubled year before November 22, 1963 as he struggles to support himself and his family, find an ideology, and take hold of his manhood by freeing himself from his mother. The playwright effectively probes Lee Harvey Oswald's increasing instability, as well as his conflicts with Marina and Marguerite. Though the play offers no answers to the many riddles of the JFK assassination, it does challenge the audience to view the characters as human beings and to realize that the dreadful events at Dealey Plaza claimed the Oswald family among its victims, as well as the beloved President, his family, and a grieving nation.