Say Nothing 1965 - Articles Page 3

THE CENTER, formerly known as the Coral Springs Center for the Arts, is launching a music-packed 2017-18 season next month with an exciting, diverse, audience-wowing array of concerts, shows and events.

Simon Godwin's (Associate Director, London's National Theatre) acclaimed staging of Measure for Measure, William Shakespeare's dark comedy about justice, faith, power, sex and family, will close as scheduled next week, on July 16. Just 15 New York performances remain of the production.

Theatre for a New Audience presents Simon Godwin's (Associate Director, London's National Theatre) Measure for Measure, William Shakespeare's dark comedy about justice, faith, power, sex and family. Measure for Measure is the first time Godwin is directing Shakespeare with an American company. The production runs this weekend, June 17, through July 16 at Polonsky Shakespeare Center (262 Ashland Place) in the Brooklyn Cultural District.

Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) is pleased to announce casting for British director Simon Godwin's new staging of Measure for Measure, William Shakespeare's dark comedy about justice, faith, power, sex, and family. The production, which marks Godwin's first time directing Shakespeare for an American company, runs June 17 - July 16 at Polonsky Shakespeare Center (262 Ashland Place) in the Brooklyn Cultural District.

Theatre for a New Audience has announced casting for British director Simon Godwin's new staging of Measure for Measure, William Shakespeare's dark comedy about justice, faith, power, sex, and family.

Theatre for a New Audience (Jeffrey Horowitz, Founding Artistic Director) presents director Arin Arbus's new staging of Thornton Wilder's tragicomic masterpiece The Skin of Our Teethtonight, February 14, through March 19 at Polonsky Shakespeare Center(262 Ashland Place), TFANA's state-of-the-art permanent home in the heart of the Brooklyn Cultural District.

Theatre for a New Audience has announced the performance schedule, cast and creative team for director Arin Arbus's new staging of Thornton Wilder's comic masterpiece The Skin of Our Teeth, the first major New York production since 1998.

Theatre for a New Audience has announced the performance schedule, cast and creative team for director Arin Arbus's new staging of Thornton Wilder's comic masterpiece The Skin of Our Teeth, the first major New York production since 1998.

With their second production, Reboot Theatre Company hopes to charm its audience with this sweet little tuner "rebooted" by the company with its gender bent casting. Unfortunately, as talented and likable as the cast is, the show fails on two very important levels. It's certainly not little at 2 hours and 40 minutes and the casting does nothing to add to the story or the tone except to dilute the story in some places.

The Old Globe today announced the remaining productions in its 2017 Summer Season, including a brand-new comedy, Ken Ludwig's Robin Hood!, and a Summer Shakespeare Festival lineup featuring Robert Sean Leonard in the title role of the towering history play Richard II, directed by Erica Schmidt. Shakespeare's exhilarating tragedy Hamlet follows, directed by Old Globe Erna Finci Viterbi Artistic Director Barry Edelstein, one of the leading American authorities on the works of Shakespeare.

There's not much one can say when you look at the resume of Ben Vereen. I have to admit I thought the email to interview Mr. Vereen was a hoax or a vile trick someone was playing on me. Now the reason I say this is because he is one of my idols and reasons I studied musical theatre in college and left to go to NYC to work professionally. We are familiar with his work with Bob Fosse as the Leading Player in PIPPIN and as Judas in JESUS CHRIST SUPERSTAR but Mr. Vereen still continues to give us the ole razzle dazzle on the stage and on the screen. He's starred in 9 Broadway shows, has received the coveted Antionette Perry Award (The Tony), a Drama Desk Award, and a Prism Award. Nominated for an NAACP Image Award, starred in 30 plus movies and television shows, and has a huge crossover career. Ben Vereen hit the scene in Martha Graham's PRODIGAL SON in 1965 and he's been working ever since. I had the esteemed pleasure to sit and talk about his illustrious career and the current projects he's working on currently.

Opening Friday 5 August at Southbank Theatre, The Sumner, award-winning novel Jasper Jones is brought to life in a rich and poignant new production directed by Sam Strong.

Previews are underway for Theatre for a New Audience's production of August Strindberg's THE FATHER in a new version by Scottish author David Greig commissioned by Theatre for a New Audience and performances start tonight, May 10, at 7:30pm for A DOLL'S HOUSE in an adaptation by Thornton Wilder not seen in New York since its Broadway premiere in 1937.

Previews begin Sunday, May 1, at 7:30pm for Theatre for a New Audience's production of August Strindberg's The Father in a new version by Scottish author David Greig commissioned by Theatre for a New Audience and Tuesday, May 10, at 7:30pm for A Doll's House in an adaptation by Thornton Wilder not seen in New York since its Broadway premiere in 1937.  The plays, both directed by Arin Arbus, Associate Artistic Director of Theatre for a New Audience, feature Maggie Lacey as Nora in A Doll's House and as Laura in The Father and John Douglas Thompson as Thorwald in A Doll's House and the Captain in The Father.

Theatre for a New Audience has announced complete casting for A DOLL'S HOUSE, in an adaptation by Thornton Wilder not seen in New York since its Broadway premiere in 1937, and August Strindberg's THE FATHER, in a new version by Scottish author David Greig (Strindberg's Creditors at BAM) commissioned by Theatre for a New Audience.

Les Ballets de Monte-Carlo Celebrates it's 30th Anniversary with Jean-Christophe Maillot's CINDERELLA, February 18th to 20th, 2016, at New York City Center. Here he talks about his training, his performing career, and his choreography.

New Musicals at 54 is a series produced by Feinstein's/ 54 Below Programming Director Jennifer Ashley Tepper. Some of the 10 new and diverse musicals by a selection of today's most talented writers have had out-of-town productions, some have had workshops... now's your chance to be first to see them in NYC! Join us at New Musicals at 54 for one-night-only concerts celebrating each new show with songs, behind-the-scenes stories, and all-star casts!

The national tour of THE BRIDGES OF MADISON COUNTY, winner of the 2014 Tony Award for Best Original Score and Best Orchestrations, launched in Des Moines, IA at the Des Moines Performing Arts Civic Center with an official opening on Tuesday, December 1st.

Long Wharf Theatre presents, in conjunction with Eva Price, THE LION, written and performed by Benjamin Scheuer, directed by Sean Daniels, from tonight, January 6 through February 7, 2016. The play will take place on Stage II. The press opening will take place on January 13, 2016 at 7:30 pm.

When the glorious national tour of the beloved Rodgers and Hammerstein musical THE SOUND OF MUSIC sets up shop at Orlando's Dr. Phillips Center for the Performing Arts tonight, it will be a homecoming of sorts for one of the show's leading ladies. Though Teri Hansen, who plays the Baroness Elsa Schraeder, is a native of Detroit, after earning her degree in Opera at Florida State, she spent a year as an artist in residence with the now closed Orlando Opera.

To life! The Broadway revival of FIDDLER ON THE ROOF opens today, Sunday, December 20 at The Broadway Theatre (1681 Broadway). FIDDLER ON THE ROOF is directed by Tony Award winner Bartlett Sher, who most recently helmed the 2015 Tony Award-winning Broadway revival of The King and I.

Long Wharf Theatre presents, in conjunction with Eva Price, THE LION, written and performed by Benjamin Scheuer, directed by Sean Daniels, from January 6 through February 7, 2016. The play will take place on Stage II. Tickets are $25-$85. The press opening will take place on Wednesday, January 13, 2016 at 7:30 pm.

On Tuesday night, RODGERS & HAMMERSTEIN'S CINDERELLA opened a week-long run at Orlando's Dr. Phillips Center for the Performing Arts. Running through Sunday, I was fortunate enough to attend the tour stop's opening night, as was fellow BWW Orlando editor Kimberly Moy. As we did when we discussed THE PHANTOM OF THE OPERA, first show of the 2014-2015 Orlando Broadway Series, we had a back-and-forth conversation about CINDERELLA. While I tend to look at things from a more historical and critical point of view, Kim is an admitted fan girl.

For generations, RODGERS & HAMMERSTEIN'S CINDERELLA existed only as a beloved television movie. First with a live broadcast in 1957 starring Julie Andrews; then in 1965 with Lesley Ann Warren, a version which was regularly re-broadcast into the 90s (which I grew up watching); and finally in 1997 with Brandy in the title role and Whitney Houston as her Fairy Godmother. However, in 2013, over 55 years after its first broadcast, led by Broadway's favorite princess Laura Osnes and crowned prince Santino Fontana, R&H 's CINDERELLA took its first Broadway bow. The show earned nine Tony nominations, running for nearly two years. Now, CINDERELLA's First National Tour sets up shop in its own little corner at Orlando's Dr. Phillips Center for the Performing Arts, with performances beginning on Tuesday night.