Tisa Chang, Artistic Producing Director of PAN ASIAN REPERTORY THEATRE, celebrating its 39th Season, announces the New York world premiere of A DREAM OF RED PAVILIONS, China's greatest and most beloved novel. January 23 - February 14, 2016 at the Clubman Theatre (Theatre Row).
Stoneham Theatre opens Season 16 with Stephen Sondheim's riotously funny Broadway musical hit A FUNNY THING HAPPENED ON THE WAY TO THE FORUM. Performances run from tonight, September 10 - October 4, 2015.
Academy Award-winning actor Jim Broadbent makes his long-awaited return to the stage to play Scrooge in a new version of A Christmas Carol adapted by Patrick Barlow from Charles Dickens' classic story of greed, grief, ghoulish ghosts and eleventh-hour redemption.
Stoneham Theatre opens Season 16 with Stephen Sondheim's riotously funny Broadway musical hit A FUNNY THING HAPPENED ON THE WAY TO THE FORUM. Performances run from September 10 - October 4, 2015.
While only a pipe dream at this point, BWW pondered which 'celebrity' sharks from the world of entertainment could be cast in the title role?
This week launches the 21st season of the Michigan Shakespeare Festival with performances of A Midsummer Night's Dream and Henry IV, followed next week by the romantic comedy The Rivals.
Stella Abrera and Misty Copeland have been promoted to the rank of Principal Dancer with American Ballet Theatre and Skylar Brandt, Thomas Forster, Arron Scott and Cassandra Trenary have been promoted to Soloist effective August 1, 2015. In addition, Maria Kochetkova, a principal dancer with San Francisco Ballet and Alban Lendorf, a principal dancer with Royal Danish Ballet will join the Company as Principal Dancers and Jeffrey Cirio, a principal dancer with Boston Ballet, will join ABT as a Soloist, it was announced today by Artistic Director Kevin McKenzie.
We pride ourselves on our bounteous Southern hospitality here in Nashville, so who's gonna explain this: On Thursday, as thousands of country music fans gathered downtown for CMA Fest and thousands more fans of every musical genre you can think of were headed southward for the Bonnaroo Music Festival - just another summer in Tennessee, mind you - a truck spilled its load all over Interstate 65-S, adding to the hot, humid atmosphere with a whole mess of fish parts. Yep, you heard it right: smelly, disgusting fish parts baking on the hot asphalt under the blazing sun.
Rose Theatre Kingston today announces its most ambitious project to date - this autumn the Rose stage will be transformed into a battlefield for The Wars of the Roses, a gripping adaptation of four of Shakespeare's history plays, directed by Trevor Nunn. The productions will play in rep from 16 September until 31 October, with press performances for all three plays on 3 October.
Today we are talking to a terrifically talented triple-threat who made a major mark on Broadway with her star turns in GYPSY and WICKED before appearing this season in the brand new Shakespeare-themed musical comedy SOMETHING ROTTEN!, the effortlessly cute and convivial Kate Reinders. Discussing her hilarious role in the fresh Broadway musical, Reinders praises her starry assortment of co-stars - including Brian D'Arcy James, Christian Borle and John Cariani - in addition to analyzing all the details about putting a brand new musical on its feet directly before the eyes of Broadway. Additionally, Reinders shares some of her favorite moments in the show and touches upon some of the changes that have been implemented to the new Shakespeare-themed musical as it was refined over the course of previews, having opened straight in NYC without an out-of-town tryout. Besides all about her fabulously jocular turn in SOMETHING ROTTEN!, Reinders also reflects on some of her most familiar performances to date on the Great White Way and beyond, including her star-making performance in the 2003 revival of GYPSY, starring Bernadette Peters and directed by Sam Mendes, in addition to her notable run in mega-hit Oz musical WICKED. All of that, INTO THE WOODS revival memories, A YEAR WITH FROG & TOAD and much, much more!
One of the most idiosyncratic and undeniably gifted composers and lyricists to emerge this century, Michael Mott has taken the theatre world by storm with his absolutely spectacular collection of compositions titled WHERE THE SKY ENDS: THE SONGS OF MICHAEL MOTT and now Mott discusses the finer points of his newest concert event occurring at 54 Below this week featuring an all-star cast, THAT WAS THEN, THIS IS HOW, as well as highlights some of the new material being presented in the exciting evening. In addition to some spectacular selections from WHERE THE SKY ENDS, Mott and company will also be premiering several fresh songs from Mott's new musicals currently in development, including the 70s-era mafia-themed musical comedy MOB WIFE and the epic and imaginatively conceived new mythical musical FAUSTUS. Besides the songs from new musicals, Mott will also be showcasing a few new pop compositions that he has recently completed including 'Minefield Of Love' which had its debut last month in the 54 Below show ITHACA COLLEGE AT 54 BELOW. Plus, Mott shares details of a new song specifically commissioned for young rising musical theatre star Emma Howard of MATILDA fame, 'Fly High', as well as what he boasts may be his most challenging and impressive showstopper to date, which is set to be performed by musical theatre superstar Jeremy Jordan, 'Rise Or Fall' from FAUSTUS. All of that and much, much more in this expansive continuing conversation with one of Broadway's brightest creative forces.
?Dallas Theater Center announced today complete details for the rolling world premiere of Colossal, a new play by Andrew Hinderaker. DTC artistic director Kevin Moriarty directs the Kennedy Center Jean Kennedy Smith Playwriting Award-winning play, which is choreographed by founder and artistic director of Dark Circles Contemporary Dance Joshua L. Peugh. Colossal begins with previews tonight, April 2 with a Pay-What-You-Can performance and runs through Sunday, May 3.
?Dallas Theater Center announced today complete details for the rolling world premiere of Colossal, a new play by Andrew Hinderaker. DTC artistic director Kevin Moriarty directs the Kennedy Center Jean Kennedy Smith Playwriting Award-winning play, which is choreographed by founder and artistic director of Dark Circles Contemporary Dance Joshua L. Peugh. Colossal begins with previews on Thursday, April 2 with a Pay-What-You-Can performance and runs through Sunday, May 3.
Performances begin tonight, Friday, March 20 and run through Sunday, April 12. Press night is scheduled for Opening Night Friday, March 27. Appropriate for ages 17 +. As a concert production, there will be no live nudity, though documentary photographs of the original production will be projected.
In the coming months, Broadway will welcome a fresh crop of productions- many of which will mark the Broadway debuts for a slew of talented actors. Whether they are fresh faces or established stars, these Broadway babies will soon take their very first bows on some of the grandest stages in the world.
San Francisco Playhouse (Bill English, Artistic Director; Susi Damilano, Producing Director) continues its sixth season of the Sandbox Series of new plays with the National New Play Network Rolling World Premiere of Lauren Yee's in a word. Giovanna Sardelli will direct.
The Muny announced today its 2015 production of Oklahoma! will feature the Laurence Olivier Award-winning and Tony Award® nominated choreography of Susan Stroman. The Muny is honored to be the first theater in the world to recreate this extraordinary choreography, last seen in 2004. The Muny production will be directed by Rob Ruggiero, with music direction by Kevin Stites. Ms. Stroman's work will be recreated by Ginger 'Rodgers & Hammerstein's score is everything you dream a musical should be,' said Susan Stroman.
The Kansas City Theater League presents Chicago at the Kauffman Performing Arts Center January 20 through January 25. The musical with music by John Kander, lyrics by Fred Ebb, and a book by Bob Fosse and Ebb is set in Prohibition-era Chicago. It is the tale of two women in the Cook County Jail charged with murder, both fighting for fame that may keep them from the gallows. The interview with Terra C. MacLeod who plays Velma Kelly in the popular musical is courtesy of the Theater League.
This January and February 54 BELOW presents an exciting lineup of the brightest talent from Broadway and beyond. Located just below the legendary Studio 54 at 254 West 54thStreet. For a detailed schedule of upcoming performances at 54 Below and to purchase tickets, visit www.54Below.com.
Geva Theatre Center presents Little Shop of Horrors - the smash-hit musical by Howard Ashman and Alan Menken, based on the 1960 film by Roger Corman. Directed by Sean Daniels, Little Shop of Horrors begins performances January 13, opens January 17 and runs in the Elaine P. Wilson Mainstage through February 15.
The Old Globe invites your participation and coverage as it begins presenting shows through an exciting new producing platform, Globe for All. This free-of-charge tour of a professional production of Shakespeare will allow the theatre to serve more communities throughout San Diego by collaborating with a diverse range of local organizations. Old Globe Artistic Director Barry Edelstein directs the first production, Shakespeare's fascinating romance All's Well That Ends Well. He has cast local professional actors, including recent graduates of the Old Globe/University of San Diego Graduate Theatre Program. The first Globe for All free Shakespeare tour will begin October 28 and will culminate in three low-cost performances on November 7 to 9 in the Globe's Hattox Hall, part of the Karen and Donald Cohn Education Center in the Conrad Prebys Theatre Center.
I first met the Genius Lin-Manuel Miranda (I will never stop calling him that) back in 2003 when I was trying to get some traction as a freelance writer. My friend Tommy Kail asked me if I wanted to interview a young writer/composer he was working with on a new hip hop musical called IN THE HEIGHTS. It was just a one-act being workshopped in the basement theater of the Drama Bookshop, but the show's main character was gay (obviously a lot has changed over the years) and he thought that would interest me. It did, so we set up an interview.
Signature Theatre presents Elmer Gantry, a musical version of Sinclair Lewis' best-selling novel, directed by Signature's Artistic Director Eric Schaeffer (Broadway's Follies, Million Dollar Quartet). Schaeffer collaborated on the last production of Elmer Gantry at Marriott's Lincolnshire Theatre in Chicago with authors John Bishop (book), Mel Marvin (music) and Bob Satuloff (lyrics) in 1998; the show has not been produced since then. This will be the 5th production in the show's history. Running in the MAX Theatre today, October 7 - November 9, Signature's production will include several brand new songs by Mel Marvin and Bob Satuloff and a reimagined script that John Bishop worked on until his death in 2006.
What I hoped would be a period piece by now after seeing it ten years ago at New York's Public Theatre, Take Me Out is taking on a vibrant new life at Tyson Corner's 1st Stage. Opening their lucky seventh season, the play is a poignant exploration of expectations, character and how we look at courage.
Signature Theatre has announced the cast of Elmer Gantry, a musical version of Sinclair Lewis' best-selling novel, directed by Signature's Artistic Director Eric Schaeffer (Broadway's Follies, Million Dollar Quartet). Schaeffer collaborated on the last production of Elmer Gantry at Marriott's Lincolnshire Theatre in Chicago with authors John Bishop (book), Mel Marvin (music) and Bob Satuloff (lyrics) in 1998; the show has not been produced since then. This will be the 5th production in the show's history. Running in the MAX Theatre October 7 - November 9, Signature's production will include several brand new songs by Mel Marvin and Bob Satuloff and a reimagined script that John Bishop worked on until his death in 2006.
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