The Film Society of Lincoln Center announced today the complete lineup for the 17th edition of Views from the Avant-Garde (VIEWS), taking place from October 3-7
Curtains up! AIR TWYLA propels Pacific Northwest Ballet into its new season with a trio of works by its first artist-in-residence, renowned choreographer Twyla Tharp. The program includes the world premiere of Waiting at the Station with a commissioned score by New Orleans music legend Allen Toussaint. Sharing the program with Waiting at the Station are the Scottish-inspired Brief Fling (a PNB premiere) and Tharp's homage to Ol' Blue Eyes and ballroom dance, the unforgettable Nine Sinatra Songs. AIR TWYLA runs for only seven performances, September 27 – October 6 at Seattle Center's Marion Oliver McCaw Hall. Tickets start at $28 and may be purchased by calling 206.441.2424, online at pnb.org, or in person at the PNB Box Office at 301 Mercer Street. AIR TWYLA is made possible through the generous support of presenting sponsor The Paul G. Allen Family Foundation.
Groundbreaking actor, singer, dancer, author and educator Rita Moreno has been named the 50th recipient of SAG-AFTRA's highest tribute - the SAG Life Achievement Award for career achievement and humanitarian accomplishment.
Sony Classical celebrates the 85 th birthday of Gary Graffman American pianist, music administrator and piano teacher with the first ever release of Mr. Graffman's complete recordings in a limited original jacket collection available September 24, 2013.
Sony Classical celebrates the 85th birthday of Gary Graffman – American pianist, music administrator and piano teacher – with the first ever release of Mr. Graffman's complete recordings in a limited original jacket collection available September 24, 2013.
Erica Herd and L.E. Swenson's breakout comedic masterpiece, THE YEAR OF DEAD CATS, will have its World Premiere today, June 16th at Stage Left Studio (214 West 30th Street - between Seventh & Eighth Avenues - Sixth Floor) where it will play through Sunday, June 30th with the option to continue through September.
Founding fathers of the New Romantics and pioneers of the '80s sound, Visage return with a new album Hearts and Knives.
Founding fathers of the New Romantics and pioneers of the '80s sound, Visage return with a new album Hearts and Knives. “It has been 29 years since the last Visage album and during that period it often seems like we have all lived through several lifetimes,” comments Steve Strange, the band's creative force and flamboyant leader singer.
Founding fathers of the New Romantics and pioneers of the '80s sound, Visage return with a new album Hearts and Knives.
Erica Herd and L.E. Swenson's breakout comedic masterpiece, THE YEAR OF DEAD CATS, will have its World Premiere on Sunday, June 16th at Stage Left Studio (214 West 30th Street - between Seventh & Eighth Avenues - Sixth Floor) where it will play through Sunday, June 30th with the option to continue through September.
In tribute to the legends responsible for making American music part of global popular culture, the U.S. Postal Service today proudly announces the launch of a new Music Icons stamp series with the issuance of a stamp honoring Lydia Mendoza, one of the first and greatest stars of Tejano music.
Red Bull Theater will present the American Premiere of a new adaptation of August Strindberg's The Dance of Death by Mike Poulton (Tony Award Nominee for Best Play for Fortune's Fool), directed by Joseph Hardy (Tony Award winner for Best Director for Child's Play), for a strictly limited engagement beginning tonight, April 10th and continuing through May 4th only, at the Lucille Lortel Theater (121 Christopher Street, between Bleecker and Hudson Streets). Opening Night is set for Thursday April 18th.
Red Bull Theater (Jesse Berger, Artistic Director) today announced that Derek Smith would join the cast for the American Premiere of a new adaptation of August Strindberg's The Dance of Death by Mike Poulton (Tony Award Nominee for Best Play for Fortune's Fool), directed by Joseph Hardy (Tony Award winner for Best Director for Child's Play). This strictly limited engagement begins Wednesday April 10th and continues through May 4th only, at the Lucille Lortel Theater (121 Christopher Street, between Bleecker and Hudson Streets). Opening Night is set for Thursday April 18th. Hardy directs a company that features Daniel Davis, Laila Robins, and Derek Smith.
Competitive backstabbing alternates with supportive camaraderie amongst emerging writers and their famous professor in Theresa Rebeck's award-winning drama Seminar, receiving its Philadelphia premiere at Philadelphia Theatre Company tonight, March 15-April 14 at the Suzanne Roberts Theatre (Broad and Lombard Streets). Directed by Scott Schwartz, the ensemble cast features Rufus Collins, Matt Harrington, Teresa Avia Lim, Genevieve Perrier, and Luigi Sottile.
In the sci-fi movie classic The Matrix, the hero, Neo, was given a choice: take the red pill and see the world as it truly is, or take the blue pill and wake up in his bed believing whatever he wants to believe. Of course, Neo takes the red pill, and the adventure begins. Now, what if there was a real Matrix and a real red pill?
Red Bull Theater today announced that Derek Smith would join the cast for the American Premiere of a new adaptation of August Strindberg's The Dance of Death by Mike Poulton (Tony Award Nominee for Best Play for Fortune's Fool), directed by Joseph Hardy (Tony Award winner for Best Director for Child's Play).
Red Bull Theater will present the American Premiere of a new adaptation of August Strindberg's The Dance of Death by Mike Poulton (Tony Award Nominee for Best Play for Fortune's Fool), directed by Joseph Hardy (Tony Award winner for Best Director for Child's Play), for a strictly limited engagement beginning April 10th and continuing through May 4th only, at the Lucille Lortel Theater (121 Christopher Street, between Bleecker and Hudson Streets). Opening Night is set for Thursday April 18th.
Competitive backstabbing alternates with supportive camaraderie amongst emerging writers and their famous professor in Theresa Rebeck's award-winning drama Seminar, receiving its Philadelphia premiere at Philadelphia Theatre Company March 15-April 14 at the Suzanne Roberts Theatre (Broad and Lombard Streets). Directed by Scott Schwartz, the ensemble cast features Rufus Collins, Matt Harrington, Teresa Avia Lim, Genevieve Perrier, and Luigi Sottile.
The Writers Guild of America, West (WGAW) has named a quartet of iconic Japanese filmmakers - Akira Kurosawa, Shinobu Hashimoto, Ryuzo Kikushima, and Hideo Oguni - as honorees of its 2013 Jean Renoir Award for Screenwriting Achievement, given to an international writer(s) who has advanced the literature of motion pictures and made outstanding contributions to the profession of screenwriter.
The Film Society of Lincoln Center and the Romanian Film Initiative are pleased to announce the continuation and reinvention of the yearly festival dedicated to Romanian cinema in New York City.
Crosby, Stills, and Nash (CSN) announced the release of an all-new, custom CSN app that is the first subscription-based iPad app for a recording artist to be approved for sale in the Apple App Store, last week as they finished their 2012 world tou
The Film Society of Lincoln Center and the Romanian Film Initiative are pleased to announce the continuation and reinvention of the yearly festival dedicated to Romanian cinema in New York City.
Crosby, Stills & Nash (CSN) and CSN Records announce the release of an all-new, custom CSN app that is the first subscription-based iPad app for a recording artist to be approved for sale in the Apple App Store.
Devil in the Dirt, created and performed by Daria Harper and directed by Mary Ann Thebus, is set for just three shows at Redtwist Theatre, tonight, August 4, 2012 at 3pm; Sunday, August 5, 2012 at 7:30pm; and Saturday, August 18, 2012 at 7:30pm. All tickets are $20.
The last time the 1933 West End musical Nymph Errant was revived in New York, the Medicine Show Theatre Company advertised their production with the selling point that they haven't removed any of the show's racism. Now, while going to see a racist musical is not exactly my idea of a fun night out, there is a certain historic value to watching older musicals performed with the texts the authors wrote, opposed to the frequent occurrence of slapping their books with labels like “creaky” or “dated” and having contemporary authors make wholesale revisions to transform them into suitable entertainments for modern audiences.
Videos
