When it comes to solving murder mysteries, it’s always the one you least suspect! The very proper butler Jenkins and the fiery Cockney maid Sarah Jane are preparing the Covington household for a visit from Edwina Corry, the world’s greatest mystery author and friend to Lady Miranda and Colonel Covington. Other guests arriving include Lady Covington’s feisty old mother, their high-flying daughter Kat, their chatty priest who doesn’t know when to quit and the caddish, eavesdropping neighbor boy Trevor. Things are soon thrown into confusion, however, when Trevor is found stabbed to death in the kitchen. On her arrival, Edwina eagerly launches an investigation into the murder. Unfortunately, the evidence is stacked against poor Jenkins from the start, and when the bloody knife is found in his pocket, the other members of the household tie him to a chair and call the police. The only problem? Jenkins didn’t do it. And now he’s got just half an hour to figure out who the real murderer is — while still tied to the chair.
Today, BroadwayWorld is extremely proud to present an extensive conversation with the modern master of the musical theatre himself, Stephen Sondheim, all about the incredibly revealing and thoroughly riveting second volume of his complete collected (and annotated) lyrics (covering 1981-2011) - following last year's superlative FINISHING THE HAT - titled LOOK, I MADE A HAT. With ample insights pertaining to the Pulitzer Prize-winning SUNDAY IN THE PARK WITH GEORGE, INTO THE WOODS, ROAD SHOW, THE FROGS and many more, Sondheim and I also discuss some of his Hollywood endeavors - the proposed film adaptation of INTO THE WOODS, as well as the never-produced SINGING OUT LOUD and his Oscar-winning work for Warren Beatty's DICK TRACY - and his affection for - and process of adapting (in the case of WEST SIDE STORY, the CYMBELINE setting in THE FROGS and his recent scoring of the Public Theatre's production of KING LEAR starring Kevin Kline) - the works of William Shakespeare. Additionally, we discuss the upcoming Encores! revival of MERRILY WE ROLL ALONG starring Lin-Manuel Miranda, the currently-running revival of FOLLIES starring Bernadette Peters (as well as its brand new cast album), the West End transfer of the Michael Ball/Imelda Staunton-led SWEENEY TODD in the UK and much, much more!
Today we continue our special series consisting of five entries total, each of which highlight a different facet of the rich and wonderful world of William Shakespeare and all with a particular emphasis on the controversial new feature film that explores the time, place, politics and goings-on of the Elizabethan era and focuses on the possibility that the true author of the esteemed plays we now know may very well have been someone else entirely - Edward de Vere - and how the question of the canon's true creation then comes into play - ANONYMOUS. "All the world's a stage," after all, so it should come as no surprise that acts of lust, bloodshed and betrayal would exist in the actual life - or even the supposed one - of the man who created the most bloody and thought-provoking tragedies in the history of literature - whoever he may have actually been. Perhaps some brief analysis of the finest leading players, most memorable lines and moments, as well as an exploration of other notable acts of grand betrayal in Shakespeare's plays will aid us on the journey to understanding the thesis of ANONYMOUS and bring us into a closer relationship with the individual who penned the greatest plays in the English language. Picking up where we left off, now, with the second entry in the five days of Top 5s, here is a look at the best leading ladies to have done Shakespeare onstage and onscreen this century and last - featuring Judi Dench, Meryl Streep, Jessica Lange, Helen Mirren, and, an ANONYMOUS star herself, Vanessa Redgrave!
Rundgren, IU's ninth Wells Professor, will teach the middle two weeks of a four-week, one-credit hour honors course designed for a maximum of 25 Wells Scholars and Hutton Honors Scholars. The class commences in late October and finishes in mid-November. Co-teaching the class will be IU Professor of Music Glenn Gass -- whose relationship with Rundgren helped make the professorship possible -- and IU Distinguished Professor of Sociology Bernice Pescosolido, who was instrumental in helping to plan the course.
Gass, a professor at IU's world-class Jacobs School of Music, said he sees Rundgren's engagement at IU as the start of a trend in which legendary rock stars share their knowledge with a new generation. Rundgren, who performs frequently, gave a concert at Clowes Memorial Hall at Butler University in Indianapolis on Sept. 11.
'Todd is a treasure trove of memories, knowledge, stories . . .,' Gass said. 'This class is a way for him to celebrate what he's done and allows him to share his experiences with students who really want to hear what he has to say.'
In addition to learning about the culture, politics and economics of the music business, from the 1970s through today, students will visit Professor of Anthropology Nicholas Toth at IU's Stone Age Institute to view some of the earliest tools used for making music.
'I think the students will love it. For us, the appeal of the class is really both Todd and Glenn,' said Professor of Physics Tim Londergan, director of the Wells Scholars Program. Londergan is a self-professed rock 'n' roll fan who has audited three of Gass' courses.
The Rundgren course is currently full with a waiting list, and course auditors/visitors, including IU students not registered for the class, cannot be accommodated.
During his stay in Bloomington, Rundgren will give a public lecture titled 'LONGHAIR: Todd Rundgren on the Beatles Effect' at 7 p.m. Oct. 28 in Ballantine Hall 013. He will also present a Halloween-night recital titled 'CLUSTER: The Birth of the T Chord' at 8 p.m. Oct. 31 in Auer Hall. Both are free and open to the public.
Gass said he asked Rundgren to talk about the Beatles both because of Rundgren's collaborations with various members of the band and because of the window it will provide into his own music. 'If it was going to be 'Todd talks about Todd,' he may have felt awkward,' Gass said. 'By asking him to talk about the Beatles, we can get more insight into his music, too.'
Rundgren's unique associations with the Beatles include a number of covers, participation in the Ringo All-Star Band and co-producing the power pop band Badfinger with George Harrison. When Harrison died, Rundgren did a highly acclaimed version of 'While My Guitar Gently Weeps' for a tribute album. In 1980, Rundgren and his then-band Utopia, did a loving sendup of the Beatles (Deface the Music) that Gass calls 'just genius.'
Rundgren is also a longtime Beatles fan who credits Harrison with inventing the 'lead guitar' player, Gass said. 'When Todd was in the band Nazz, he wasn't the lead singer -- he was the lead guitar player -- which in the 50s meant one of the backup musicians. Because of George, lead guitar now means you're one of the band's leaders.'
Glenn Gass
Print-Quality Photo
Gass initially met Rundgren in Hawaii, when Gass and his wife were on sabbatical for a year (and where they spent the past two summers). 'The kids start taking the bus together and the next thing you know, you're going to cookouts at Todd's,' Gass said. 'I quickly learned that everything they said about him was true. He's brilliant, articulate, really interesting -- and interested in things far beyond his own work and even his music. He's just a really engaged human being.'
Rundgren is also known for staying true to his artistic muse. 'He refused to take the easy way out,' Gass said. 'The easy way would have been to do five more songs like 'Hello, It's Me.' He paid a price for that, but in the long run, in 50 years, I think that's why he'll matter more than starts who may have had more hits.'
Rundgren was the highest paid producer of the 1970s, producing bands that ranged from the New York Dolls, The Band and Patti Smith to Meat Loaf, Hall & Oates and Cheap Trick. On Aug. 1, 1981 -- the evening MTV debuted with 'Video Kills the Radio Star' by the Buggles -- Rundgren was ready with his music video for 'Time Heals,' which premiered on MTV the same evening. Always a fan of technology, Rundgren made his music available through online downloads about 10 years before iTunes ('Everyone had dial-up connections then,' Gass commented. 'His fate is always to be just a few years ahead of his time.').
Gass said after the Beatles broke up, he was personally attracted to singer-songwriters like James Taylor, Neil Young, Carole King, Joni Mitchell -- and Todd Rundgren. 'Todd was always one of the best and most interesting performers. Even in those early albums, it was clear he wasn't just a singer-songwriter,' Gass said. At turns, Rundgren played with electric guitar or classical riffs, producing his own double album in 1972, on which he also played all of the instruments.
From the time he met Rundgren in Hawaii, Gass starting thinking of ways to bring the performer to IU. A confluence of events sparked by a Rundgren speaking engagement at DePauw University led to the IU professorship. DePauw's executive director of media relations, Ken Owen, is 'a huge Todd scholar -- Todd to him is like the Beatles to me,' Gass said.
'All of a sudden it went from being a day dream to being a real possibility, and now it's actually happening,' Gass said. 'He really can call himself Professor Rundgren. This is not a gimmick: He is the Wells Professor.'
About the Wells Professorships
The Wells professorships are made possible by gifts from the IU classes of 1941, 1942 and 1963. Previous Wells professors have included the Honorable Helen Suzman, a South African political leader (Class of 1941 Wells Professor in 1993), Sir Malcolm Bradbury, a novelist-screenwriter-critic (Class of 1942 Wells Professor in 1997), and Holocaust scholar Christopher Browning (Class of 1943 Wells Professor in 2003). The most recently appointed Wells Professors were Sir (now Lord) Timothy Garden (Class of 1941 Wells Professor) and artist Robert Colescott (Class of 1943 Wells Professor), both of whom taught at IU in 2004.
Dame Edna Everage and Michael Feinstein have welcomed Gregory Butler, Jodi Capeless, and Jon-Paul Mateo to their upcoming extravagant Broadway musical entertainment ALL ABOUT ME, directed by three time Tony Award-nominee Casey Nicholaw.
People's Light & Theatre Company kicks off their 35th Anniversary Season with the American Premiere of NATHAN THE WISE translated by Edward Kemp from the play by Gotthold Ephraim Lessing. NATHAN THE WISE runs from September 16 - October 11, 2009, on the Main Stage. Artistic Director Abigail Adams directs. People's Light & Theatre is located at 39 Conestoga Road, Malvern.
People's Light & Theatre Company kicks off their 35th Anniversary Season with the American Premiere of NATHAN THE WISE translated by Edward Kemp from the play by Gotthold Ephraim Lessing. NATHAN THE WISE runs from September 16 - October 11, 2009, on the Main Stage. Artistic Director Abigail Adams directs. People's Light & Theatre is located at 39 Conestoga Road, Malvern.
People's Light & Theatre Company kicks off their 35th Anniversary Season with the American Premiere of NATHAN THE WISE translated by Edward Kemp from the play by Gotthold Ephraim Lessing. NATHAN THE WISE runs from September 16 - October 11, 2009, on the Main Stage. Artistic Director Abigail Adams directs. People's Light & Theatre is located at 39 Conestoga Road, Malvern.
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