Queens Theatre in the Park (QTP) presents a performance by Jeanne Ruddy Danceon Sunday, May 2, 2010 at 3pm at Queens Theatre in the Park, Flushing Meadows Corona Park, Flushing, NY.
The New York Philharmonic will present The Russian Stravinsky: A Philharmonic Festival conducted by Valery Gergiev on April 21-May 8, 2010. The three-week festival - one of several initiatives launched during Alan Gilbert's first season as Music Director - will offer an in-depth look at Stravinsky, exploring how his Russian roots informed his works. Led by the Russian-born Mr. Gergiev, the festival will feature eight programs over three weeks, including concerts, lectures, pre-concert talks, radio broadcasts, podcasts and an Archives exhibit.
The Pulitizer and Tony Award winnning rock opera RENT comes to the Broadway Theatre Center May 21 through June 20 as part of the Sylight Opera Series. Ticket prices range from $62 to $20 and are available at the Box Office, 414-291-7800 or www.skylightopera.com.
The New York Philharmonic will present The Russian Stravinsky: A Philharmonic Festival conducted by Valery Gergiev on April 21-May 8, 2010. The three-week festival - one of several initiatives launched during Alan Gilbert's first season as Music Director - will offer an in-depth look at Stravinsky, exploring how his Russian roots informed his works. Led by the Russian-born Mr. Gergiev, the festival will feature eight programs over three weeks, including concerts, lectures, pre-concert talks, radio broadcasts, podcasts and an Archives exhibit.
Queens Theatre in the Park (QTP) presents a performance by Jeanne Ruddy Danceon Sunday, May 2, 2010 at 3pm at Queens Theatre in the Park, Flushing Meadows Corona Park, Flushing, NY.
A haunting tale of obsession, the internationally acclaimed Richard Jones production of
Tchaikovsky's The Queen of Spades opens Houston Grand Opera's (HGO) 2010 spring repertory.
Performances run April 16 - May 1, 2010 in the Brown Theater of the Wortham Theater Center.
Opera News calls Richard Jones's production of The Queen of Spades, originally created for
Welsh National Opera 'telling theatricality.' London's Observer wrote 'Once every few seasons, a
production gets pretty much everything right. This is one ... dramatically spine-chilling, visually spare and coherent; it was the kind of theatrical experience which changes the way you look at life.'
The New York Philharmonic will present The Russian Stravinsky: A Philharmonic Festival conducted by Valery Gergiev on April 21-May 8, 2010. The three-week festival - one of several initiatives launched during Alan Gilbert's first season as Music Director - will offer an in-depth look at Stravinsky, exploring how his Russian roots informed his works. Led by the Russian-born Mr. Gergiev, the festival will feature eight programs over three weeks, including concerts, lectures, pre-concert talks, radio broadcasts, podcasts and an Archives exhibit.
Northrop Dance at the University of Minnesota brings the classic beauty of George Balanchine performed by The Suzanne Farrell Ballet, one of the world's most pioneering ballerinas and Balanchine's famous muse.
Northrop Dance at the University of Minnesota brings the classic beauty of George Balanchine performed by The Suzanne Farrell Ballet, one of the world's most pioneering ballerinas and Balanchine's famous muse.
A haunting tale of obsession, the internationally acclaimed Richard Jones production of
Tchaikovsky's The Queen of Spades opens Houston Grand Opera's (HGO) 2010 spring repertory.
Performances run April 16 - May 1, 2010 in the Brown Theater of the Wortham Theater Center.
Opera News calls Richard Jones's production of The Queen of Spades, originally created for
Welsh National Opera 'telling theatricality.' London's Observer wrote 'Once every few seasons, a
production gets pretty much everything right. This is one ... dramatically spine-chilling, visually spare and coherent; it was the kind of theatrical experience which changes the way you look at life.'
Northrop Dance at the University of Minnesota brings the classic beauty of George Balanchine performed by The Suzanne Farrell Ballet, one of the world's most pioneering ballerinas and Balanchine's famous muse.
Lincoln Center Theater (under the direction of Andre Bishop, Artistic Director, and Bernard Gersten, Executive Producer) announced three productions that it will produce during the 2010-2011 season at the Vivian Beaumont Theater and on Broadway. The first, a musical version of the Pedro Almodóvar film WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN, with book by Jeffrey Lane, music and lyrics by David Yazbek and direction by Bartlett Sher, will begin previews Saturday, October 2 when it will reopen the newly restored Belasco Theatre (111 W. 44 Street). Opening night is Thursday, November 4.
On Tuesday and Thursday, February 16 and 18 at 8 PM, Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org) present The Voluptuous Muse, a celebration of the lush tonality and decadent Romanticism of late 19th- and early 20th- century song.
On Thursday, February 18 at 8 PM, Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org) present The Voluptuous Muse, a celebration of the lush tonality and decadent Romanticism of late 19th- and early 20th- century song.
Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.
On Tuesday and Thursday, February 16 and 18 at 8 PM, Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org) present The Voluptuous Muse, a celebration of the lush tonality and decadent Romanticism of late 19th- and early 20th- century song.
On Tuesday and Thursday, February 16 and 18 at 8 PM, Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org) present The Voluptuous Muse, a celebration of the lush tonality and decadent Romanticism of late 19th- and early 20th- century song.
Please join us for a reading of a new play, Family Secrets, and meet with the playwright Norman Barasch.
On Tuesday and Thursday, February 16 and 18 at 8 PM, Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org) present The Voluptuous Muse, a celebration of the lush tonality and decadent Romanticism of late 19th- and early 20th- century song.
In celebration of Black History Month, Arts>World Financial Center and New York Opera Society (NYOS) will co- present two free concerts showcasing the music of George Gershwin and Scott Joplin, featuring renowned soprano Christina Clark and baritone Kenneth Overton. The concert will take place Friday, February 5.
Please join us for a reading of a new play, Family Secrets, and meet with the playwright Norman Barasch.
The Rrazz Room has announced its lineup of Concerts and Events for February.
In celebration of Black History Month, Arts>World Financial Center and New York Opera Society (NYOS) will co- present two free concerts showcasing the music of George Gershwin and Scott Joplin, featuring renowned soprano Christina Clark and baritone Kenneth Overton. The concert will take place Friday, February 5.
The Cameron Mackintosh/Really Useful Theatre Company, Inc. production of Andrew Lloyd Webber's The Phantom of the Opera, directed by Harold Prince, will make a return to South Florida as a major presentation of the 2009-2010 theatrical season when it opens Wednesday, December 23, brings in New Year 2010, and runs through Sunday, January 17. Well remembered by local theater goers for its phenomenal run when it opened on February 26, 1991 as the premiere presentation of the newly built theater, this 4-week run will mark another landmark presentation as a major 'special' of Broadway Across America-Ft. Lauderdale presented by Florida theatrical Association at the Broward Center for the Performing Arts.
On Tuesday and Thursday, February 16 and 18 at 8 PM, Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org) present The Voluptuous Muse, a celebration of the lush tonality and decadent Romanticism of late 19th- and early 20th- century song.
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