INTAR (Eduardo Machado, Artistic Director/John McCormack, Executive Director) will join New York University's Department of English and its Program in Dramatic Literature to celebrate the 80th birthday of playwright, director and teacher Maria Irene Fornés.
Two-time Tony Award-winner Brian Dennehy has thrilled Chicago audiences in unforgettable productions over the past two decades—Desire Under the Elms, Long Day's Journey into Night, The Iceman Cometh and Death of a Salesman; now, his portrayal of contrasting roles in the double-bill of Hughie by Eugene O'Neill and Krapp's Last Tape by Samuel Beckett is 'sheer theatrical dynamite' (Toronto Star).
Two-time Tony Award-winner Brian Dennehy has thrilled Chicago audiences in unforgettable productions over the past two decades—Desire Under the Elms, Long Day's Journey into Night, The Iceman Cometh and Death of a Salesman; now, his portrayal of contrasting roles in the double-bill of Hughie by Eugene O'Neill and Krapp's Last Tape by Samuel Beckett is 'sheer theatrical dynamite' (Toronto Star).
The New York Philharmonic will present SONDHEIM: The Birthday Concert on March 15 and Tuesday, March 16, 2010, at 7:30 p.m. This celebration of the 80th birthday of the great Broadway and film composer/lyricist will include his most enduring orchestral music and songs - performed, in some cases, by the stars of the original Broadway cast productions - in addition to rarely-heard material. Joining the celebration will be (in alphabetical order) Michael Cerveris, Victoria Clark, Jason Danieley, Nathan Gunn, George Hearn, Patti LuPone, Marin Mazzie, Audra McDonald, Donna Murphy, Mandy Patinkin, Bernadette Peters, and others to be announced, including surprise guests. Paul Gemignani, Mr. Sondheim's longtime collaborator, will conduct the New York Philharmonic; Lonny Price is the director; and Mr. Price and Matt Cowart are the producers.
San Francisco's cutting-edge Cutting Ball Theater announces the extension of the company's current production of Mar?a Irene Forn?s's poetic and penetrating MUD. MUD will extend for an additional week of performance, playing now through February 15 at the Cutting Ball Theater in residence at Exit on Taylor, 277 Taylor Street in San Francisco. For tickets ($15-30) and more information, the public may visit cuttingball.com or call 800-838-3006.
It is 1973 and Mae has just begun to learn how to read; things finally seem to be taking a turn for the better. As she tries to rise above her humble Midwestern origins, Mae must keep the two men in her life, foster brother and former lover Lloyd, and new boyfriend Henry, from dragging her back down. Little does Mae know that the first strong decision she's ever made about her life may be the last decision she will ever make.
'After spending two weeks at the Dialog Festival in Wroclaw, Poland last year, I came back to San Francisco with a new idea about what really good and interesting theater ought to be,' said MUD director Paige Rogers. 'The sense of humanness I experienced, where the audience breathes along with the performance, is such an elemental aspect of theater and something I feel Cutting Ball can give its audience in its new performance space. I am directing Fornes' MUD with this idea, that less is more, and I believe that each audience member will take away something personal and different that will stay with them for a long time.'
San Francisco's cutting-edge Cutting Ball Theater announces the extension of the company's current production of Mar?a Irene Forn?s's poetic and penetrating MUD. MUD will extend for an additional week of performance, playing now through February 15 at the Cutting Ball Theater in residence at Exit on Taylor, 277 Taylor Street in San Francisco. For tickets ($15-30) and more information, the public may visit cuttingball.com or call 800-838-3006.
It is 1973 and Mae has just begun to learn how to read; things finally seem to be taking a turn for the better. As she tries to rise above her humble Midwestern origins, Mae must keep the two men in her life, foster brother and former lover Lloyd, and new boyfriend Henry, from dragging her back down. Little does Mae know that the first strong decision she's ever made about her life may be the last decision she will ever make.
'After spending two weeks at the Dialog Festival in Wroclaw, Poland last year, I came back to San Francisco with a new idea about what really good and interesting theater ought to be,' said MUD director Paige Rogers. 'The sense of humanness I experienced, where the audience breathes along with the performance, is such an elemental aspect of theater and something I feel Cutting Ball can give its audience in its new performance space. I am directing Fornes' MUD with this idea, that less is more, and I believe that each audience member will take away something personal and different that will stay with them for a long time.'
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