Roundabout Theatre Company (Todd Haimes, Artistic Director) has announced the New York premiere of Theresa Rebeck's new comedy The Understudy, directed by Scott Ellis with Tony Award winner Julie White as 'Roxanne'.
At a press conference in Tokyo today, New York Philharmonic Music Director Designate Alan Gilbert and President and Executive Director Zarin Mehta announced the details of Asian Horizons: Alan Gilbert and the New York Philharmonic, October 8?24, 2009. This will be the Orchestra?s inaugural international concert tour under the leadership of Alan Gilbert, who will begin his tenure as Music Director in September 2009. Asian Horizons will consist of eleven concerts, spanning five Asian countries, with performances in Tokyo, Japan (a destination of special significance in light of Mr. Gilbert?s Japanese heritage); Seoul, Korea; Singapore; and the Philharmonic?s debut performances in Hanoi, Vietnam, and Abu Dhabi, United Arab Emirates. Pianist Emanuel Ax and violinists Frank Peter Zimmermann and Ye-Eun Choi (Philharmonic debut) are the featured soloists on the tour. Asian Horizons marks the fourth New York Philharmonic concert tour under the aegis of Credit Suisse, the Orchestra?s Global Sponsor, and the second in Asia.
Singer-Impressionist Danny Gans, a staple on the Las Vegas Strip, passed away at age 52 on May 1st.
The Shrunken Head of Pancho Villa, a comedy written by Luis Valdez, will be performed at the Milagro Theatre May 5 - May 30. The show is directed by Olga Sanchez and is sponsored by El Hispanic News. Admission is $20 - $22 depending on date; $16 for students and seniors any performance. All tickets are $14 for the May 7th preview performance. Tickets may be purchased from www.milagro.org or 503-236-7253.
Seattle Theatre Group (STG) presents The Roots on Thursday, April 9, 2009 at 8:00pm at the Paramount Theatre.
Though popular success has largely eluded the Roots, the Philadelphia group showed the way for live rap, building on Stetsasonic's 'hip-hop band' philosophy of the mid-'80s by focusing on live instrumentation at their concerts and in the studio. Though their album works have been inconsistent affairs, more intent on building grooves than pushing songs, the Roots' live shows are among the best in the business.
The Guthrie is proud to present Penumbra Theatre's production of Lorraine Hansberry's A Raisin in the Sun, directed by Lou Bellamy. A co-production with Arizona Theatre Company and The Cleveland Play House, this presentation marks the 50th anniversary of the show's groundbreaking Broadway opening, and arrives at the Guthrie on the heels of two highly-lauded regional runs in Ohio and Arizona. A Raisin in the Sun previews March 12, opens March 13 and plays through April 11, 2009 on the McGuire Proscenium Stage. Single tickets are priced from $24 to $60, with opening night prices ranging from $49 to $70. Tickets are now on sale through the Guthrie Box Office at 612.377.2224, toll-free 877.44.STAGE, 612.225.6244 (Group Sales) and online at www.guthrietheater.org.
A recent widow, Lena Younger (Franchelle Stewart Dorn) wants to use her husband's insurance money to buy a home for her family, freeing them from the cramped tenement in which she, her two children, daughter-in-law and grandson live. Her son, Walter Lee (David Alan Anderson), is determined to invest the money in a business - an opportunity for him to be his own man and not just the driver for his white boss. Lena refuses; in her eyes a house is a sturdy thing to build a dream on, one that can relieve the strains that poverty has put on the family. But when a white representative of the neighborhood 'welcoming committee' presents the Youngers with an offer to buy them out of their home to prevent integration in their community, the dream of the house quickly becomes a nightmare.
The title comes from the opening lines of 'Harlem,' a poem by Langston Hughes ('What happens to a dream deferred? / Does it dry up / like a raisin in the sun?'). Throughout the play, the idea of deferred dreams is a prominent theme, as each member of the Younger family attempts to find his or her place amidst a number of difficult situations. While their future neighbors resist the Youngers' move, Walter Lee for the first time begins to value what money can't buy, and in the process achieves a new level of self respect and pride.
On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees.
Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.'
Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.
Seattle Theatre Group (STG) presents The Roots on Thursday, April 9, 2009 at 8:00pm at the Paramount Theatre.
Though popular success has largely eluded the Roots, the Philadelphia group showed the way for live rap, building on Stetsasonic's 'hip-hop band' philosophy of the mid-'80s by focusing on live instrumentation at their concerts and in the studio. Though their album works have been inconsistent affairs, more intent on building grooves than pushing songs, the Roots' live shows are among the best in the business.
On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees.
Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.'
Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.
The Guthrie is proud to present Penumbra Theatre's production of Lorraine Hansberry's A Raisin in the Sun, directed by Lou Bellamy. A co-production with Arizona Theatre Company and The Cleveland Play House, this presentation marks the 50th anniversary of the show's groundbreaking Broadway opening, and arrives at the Guthrie on the heels of two highly-lauded regional runs in Ohio and Arizona. A Raisin in the Sun previews March 12, opens March 13 and plays through April 11, 2009 on the McGuire Proscenium Stage. Single tickets are priced from $24 to $60, with opening night prices ranging from $49 to $70. Tickets are now on sale through the Guthrie Box Office at 612.377.2224, toll-free 877.44.STAGE, 612.225.6244 (Group Sales) and online at www.guthrietheater.org.
A recent widow, Lena Younger (Franchelle Stewart Dorn) wants to use her husband's insurance money to buy a home for her family, freeing them from the cramped tenement in which she, her two children, daughter-in-law and grandson live. Her son, Walter Lee (David Alan Anderson), is determined to invest the money in a business - an opportunity for him to be his own man and not just the driver for his white boss. Lena refuses; in her eyes a house is a sturdy thing to build a dream on, one that can relieve the strains that poverty has put on the family. But when a white representative of the neighborhood 'welcoming committee' presents the Youngers with an offer to buy them out of their home to prevent integration in their community, the dream of the house quickly becomes a nightmare.
The title comes from the opening lines of 'Harlem,' a poem by Langston Hughes ('What happens to a dream deferred? / Does it dry up / like a raisin in the sun?'). Throughout the play, the idea of deferred dreams is a prominent theme, as each member of the Younger family attempts to find his or her place amidst a number of difficult situations. While their future neighbors resist the Youngers' move, Walter Lee for the first time begins to value what money can't buy, and in the process achieves a new level of self respect and pride.
The 2008-2009 season of Dance at the Music Center opens with the return of Miami City Ballet led by Artistic Director Edward Villella, performing the much anticipated West Coast premiere of NIGHTSPOT, a Twyla Tharp and Elvis Costello collaboration, October 24-26 at the Dorothy Chandler Pavilion. Known for her innovation and creativity, Twyla Tharp has created some of the most memorable dances in modern repertory. Elvis Costello, whose adventurous musical talents make him one of the most revered artists of our time, provides an original musical composition intertwined with various motifs and quotations from existing songs. NIGHTSPOT features costumes designed by famed fashion designer Isaac Mizrahi. Also on this program are Christopher Wheeldon's Liturgy and George Balanchine's Tarantella and Symphony in Three Movements.
Gateway Playhouse in Bellport remains and is so popular that local residents know better than to drive along South Country Road at certain hours lest they become entangled in traffic either entering or exiting the theater.
The Gateway Playhouse is located on the site of the former Mott Estate on the eastern-most tip of Bellport , New York . Rumors are rife about the ghost of Lucretia Mott still haunting one of the buildings on the premises but she seems to be benign and hasn't caused any significant problems in the past few decades.
The Zipper Factory presents a wide-range of variety shows for in the theatre in March 2008, including The Wau Wau Sisters, Megan Mullally, Daphne Rubin-Vega, Joy Behar, 'Don't Quit Your Night Job' and 'Happy Sunshine Kung Fu Flower.'
Marshall Brickman and Rick Elice, writers of the 2006 Tony Award-winning Best Musical, Jersey Boys, are the librettists for THE ADDAMS FAMILY, Drama Desk Award-winning composer/lyricist Andrew Lippa (The Wild Party) is writing the score, and Improbable Theater founders Phelim McDermott and Julian Crouch (Shockheaded Peter) will direct and design. EET plans to premiere THE ADDAMS FAMILY in the 2009-2010 Broadway season, preceded by an out-of-town tryout.
Multi award-winning actress and recording artist Elaine Paige will return to the West End to take the title role in the Broadway smash hit musical, The Drowsy Chaperone. Directed and choreographed by Casey Nicholaw, with music by Lisa Lambert and Greg Morrison and book by Bob Martin and Don McKellar, the five-time Tony Award winning musical will preview at the Novello Theatre from 14 May, with press night on 5 June and opening night on 6 June.
Matthew Broderick, who was previously announced to star in the Broadway-bound Kenneth Lonergan play The Starry Messenger, will first take the play to the Old Globe Theatre in San Diego in January of 2007
Matthew Broderick has been cast in the Broadway-bound Kenneth Lonergan play The Starry Messenger, which will deliver itself on Broadway in April of 2007
On December 11th, Matthew Broderick and Nathan Lane will go 'Inside the Actors Studio'
Stopping by Weller's dressing room after a recent matinee found the 35 year old Weller still in the process of removing his green makeup. ..
Two months before The Producers opens, Matthew Broderick has won the Hollywood Supporting Actor of the Year Award, given by the Hollywood Film Festival's Board of Advisors
Always look on the bright side of life? It's easy for Brad now that he's part of the popular Monty Python goofapalooza.
Currently in Anyone Can Whistle at the Prince Theater, Chuck sounds off on his career, Dracula and more.
You've heard the horror stories about stage parents fumbling away their child's career through ill-informed decisions or alienating their children from the industry by being behind-the-scenes tyrants. So how do you avoid becoming that stage parent while keeping your child happy, healthy, and working? Troy Rutter has helped establish some of Hollywood's best-known child actors, and in Kids in the Biz, he tells you exactly how to concentrate on getting your kid that big break without breaking up your family life.
| 1995 | Off-Broadway |
Off-Broadway |
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