Dance of Death 1971 - Articles Page 9

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Shows are opening, shows are closing and Fiddler on the Roof is back onstage for Actors Pointe Theatre Company while Tom Sawyer takes a bow at Springhouse Theatre in Smyrna! Obviously, the 2016 theater season continues to reveal itself at a breakneck pace, giving audiences a veritable buffet of offerings from which to choose.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

March 4, 2016 (BOSTON, MA)—Boston Ballet's 52nd season continues with Kaleidoscope, a vibrant fusion of works by the most influential choreographic voices of the 20th century. The first of four works presented in this dynamic program is George Balanchine's Kammermusik No. 2, a “fascinating” and “unremitting” ballet, followed by the dazzling and technically demanding The Vertiginous Thrill of Exactitude by William Forsythe that returns to Boston Ballet after a critically acclaimed Company premiere last season (Brian Seibert, The New York Times). Adding to the evening's exceptional program is the graceful Pas de Quatre by unsung choreographer Leonid Yakobson, a classically romantic work noted for its “distinctive movement sensibility” (Roslyn Sulcas,The New York Times). Concluding the program is Léonide Massine's colorful Gaîté Parisienne, an effervescent ballet that evokes Moulin Rouge and Paris in the early 1900s, and ends with an unforgettable can-can.  Kaleidoscope will run March 17–26, 2016 at the Boston Opera House. 

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the notebooks, datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

March 4, 2016 (BOSTON, MA)—Boston Ballet's 52nd season continues with Kaleidoscope, a vibrant fusion of works by the most influential choreographic voices of the 20th century. The first of four works presented in this dynamic program is George Balanchine's Kammermusik No. 2, a “fascinating” and “unremitting” ballet, followed by the dazzling and technically demanding The Vertiginous Thrill of Exactitude by William Forsythe that returns to Boston Ballet after a critically acclaimed Company premiere last season (Brian Seibert, The New York Times). Adding to the evening's exceptional program is the graceful Pas de Quatre by unsung choreographer Leonid Yakobson, a classically romantic work noted for its “distinctive movement sensibility” (Roslyn Sulcas,The New York Times). Concluding the program is Léonide Massine's colorful Gaîté Parisienne, an effervescent ballet that evokes Moulin Rouge and Paris in the early 1900s, and ends with an unforgettable can-can.  Kaleidoscope will run March 17–26, 2016 at the Boston Opera House. 

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera,theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights. These include a rare, fully staged production of Iris, a forerunner of Madama Butterfly by Puccini's close contemporary Pietro Mascagni; the world premiere of Demolishing Everything with Amazing Speed, four newly unearthed puppet plays from leading Italian Futurist Fortunato Depero, as reimagined by Dan Hurlin;the world premiere of Fantasque, a new ballet set to the music of Respighi and Rossini by John Heginbotham and Amy Trompetter; a film series on "Puccini and the Operatic Impulse in Cinema"; and the return of Bard's authentic and sensationally popularSpiegeltent,hosted by the inimitable Mx. Justin Vivian Bond. Taking place between July 1 and August 14 in the Frank Gehry-designed Richard B. Fisher Center for the Performing Arts and other venues on Bard College's stunning Hudson River campus, SummerScape's 2016 offerings provide new opportunities to discover that, as Time Out New York puts it, "the experience of entering the Fisher Center and encountering something totally new is unforgettable and enriching." Tickets go on sale on Monday, February 15; click here for more information.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Welcome to 2016 via 1950 at The Joyce Theater, February 9-14, when a series of the late choreographer's groundbreaking works-'Tensile Involvement,' 'Gallery,' 'Mechanical Organ III,' and 'Crucible' command the stage courtesy of the Ririe-Woodbury Dance Company, the repository of 'Nik's' greatest hits. Alberto del Saz, director of the Nikolais/Louis Foundation for Dance, selected, staged and directed the season repertory.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Welcome to 2016 via 1950 at The Joyce Theater, February 9-14, when a series of the late choreographer's groundbreaking works-'Tensile Involvement,' 'Gallery,' 'Mechanical Organ III,' and 'Crucible' command the stage courtesy of the Ririe-Woodbury Dance Company, the repository of 'Nik's' greatest hits. Alberto del Saz, director of the Nikolais/Louis Foundation for Dance, selected, staged and directed the season repertory.

Composer Paola Prestini, the Creative and Executive Director of the National Sawdust (NS), announces the initial programming for the non-profit's winter 2016 season in its acclaimed new home -- a $16 million, 13,000-square-foot, state-of-the-art chamber hall in the heart of Williamsburg, Brooklyn.

"American Cultural Ambassadors," Alvin Ailey American Dance Theater, returns to the New York City Center stage for its 45th consecutive year December 2, 2015-January 3, 2016. This five week engagement, led under the direction of Artistic Director Robert Battle, has become such a wonderful holiday tradition here in New York.

Composer Paola Prestini, the Creative and Executive Director of the National Sawdust (NS), announces the initial programming for the non-profit's winter 2016 season in its acclaimed new home -- a $16 million, 13,000-square-foot, state-of-the-art chamber hall in the heart of Williamsburg, Brooklyn.

The Stella Adler Theatre is thrilled to present the West Coast Premiere of AY, CARMELA!, written by Jose Sanchis Sinisterra, adapted by Nilo Cruz and Catalina Botello, with Scenic Design by noted Architect Frank Gehry (his Los Angeles Intimate Theatre debut!) and directed by Alberto Arvelo. 

The Dallas Black Dance Theatre will present the company premiere of Margo Sappington's Step Out Of Love on November 6, 7 and 8, 2015 at the Dee and Charles Wyly Theatre in Dallas, Texas.

The Sun Valley Center for the Arts and Company of Fools (COF) will present two evening readings of the play MAURITIUS, by playwright Theresa Rebeck -- Today, October 23 and Saturday, October 24, at 6:30 pm at The Center in Ketchum.

The Dallas Black Dance Theatre will present the company premiere of Margo Sappington's Step Out Of Love on November 6, 7 and 8, 2015 at the Dee and Charles Wyly Theatre in Dallas, Texas.

The Stella Adler Theatre is thrilled to present the West Coast Premiere of AY, CARMELA!, written by Jose Sanchis Sinisterra, adapted by Nilo Cruz and Catalina Botello, with Scenic Design by noted Architect Frank Gehry (his Los Angeles Intimate Theatre debut!) and directed by Alberto Arvelo. 

The Sun Valley Center for the Arts and Company of Fools (COF) will present two evening readings of the play MAURITIUS, by playwright Theresa Rebeck -- Friday, October 23 and Saturday, October 24, at 6:30 pm at The Center in Ketchum.

Al Hirschfeld immortalized celebrities, politicians, Broadway productions, films, television shows and beyond with his iconic linear drawings for nine decades, establishing himself as one of the most important contemporary portrait artists. Over a decade since the legendary artist drew his final line drawing, he continues to inspire. Tonight, September 29, at 6:30PM, The Art Students League of New York (215 W 57th Street) will host a discussion on the art and influence of perhaps the most popular graphic artist of the 20th century.