Award-winning actor/director Frank Ferrante re-creates his acclaimed New York and London stage portrayal celebrating America's greatest comedian - Groucho Marx. You will feel as though Groucho is back, as Ferrante sings, dances and performs classic routines on the North Coast Rep stage, June 12 and 13th at 7:30pm.
In the early 1950s, when she was a student at the Juilliard School, beloved soprano Leontyne Price, who turns 90 on February 10, lived and worked at International House, the Riverside Drive residential community founded by the Rockefeller and Dodge families in1924 dedicated to preparing the next generation of globally-minded leaders.
In the early 1950s, when she was a student at the Juilliard School, beloved soprano Leontyne Price, who turns 90 on February 10, lived and worked at International House, the Riverside Drive residential community founded by the Rockefeller and Dodge families in1924 dedicated to preparing the next generation of globally-minded leaders.
Leonora y Marcos viven hace cinco años juntos. Ellos se atraen y se repelen, se buscan y se rechazan, se aman y se odian. Necesitan hacerse sufrir para amarse con mas pasion. Lo que los une es algo mas poderoso que ellos mismos, algo penoso y terrible que les duele reconocer y confesarse. 'Me amaras por siempre jamas' es un torturante estudio del amor, que resume el drama de la pareja.
Renowned British actor/writer/director Steven Berkoff will direct a rare production of Eugene O'Neill's 1922 expressionist play The Hairy Ape, opening May 14 at West L.A.'s Odyssey Theatre.
In 1924, Noel Coward was so captivated by the outlandish lifestyle and eccentric personality of Laurette Taylor that he was inspired to write his play HAY FEVER in just three days. The play focuses on the antics of four members of the Bliss family in their country home during a weekend with guests. The Playhouse production of HAY FEVER opens tonight, November 7 and runs through December 5, 2015.
In 1924, Noel Coward was so captivated by the outlandish lifestyle and eccentric personality of Laurette Taylor that he was inspired to write his play HAY FEVER in just three days. The play focuses on the antics of four members of the Bliss family in their country home during a weekend with guests. The Playhouse production of HAY FEVER opens November 7 and runs through December 5, 2015.
As the days grow shorter and lower temperatures bring a nip to the air, Hedgerow Theatre's annual autumn thriller will also deliver chills up the spine as it present the classic Dracula from tonight, October 22 through November 22.
As the days grow shorter and lower temperatures bring a nip to the air, Hedgerow Theatre's annual autumn thriller will also deliver chills up the spine as it present the classic Dracula from October 22 through November 22.
The 2015-16 season at Hedgerow promises hilarity, chills, thrills, suspense, intrigue, mystery and a holiday tradition, with a schedule that includes the comic detective spoof Bullshot Crummond, the Gothic horror of Dracula, the 23rd annual A Christmas Carol, the amazing true story of British spy turned playwright Aphra Behn in Or, the world premiere of Agatha Christie's Mysterious Affair at Styles, and the classic Italian comedy The Servant of Two Masters.
The Boston Symphony Orchestra and Music Director Andris Nelsons have entered into a new partnership to create Classical Live, a unique initiative that offers a new paradigm for the distribution of live recordings of classical music available only on Google Play Music. Classical Live will offer participating orchestras—the BSO, Cleveland Orchestra, New York Philharmonic, London Symphony Orchestra, and Amsterdam's Royal Concertgebouw Orchestra—an opportunity to release up to four live concert recordings each season for download exclusively on Google Play Music with the first recordings to be made available at music.google.com or classical-live.com beginning on June 15.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske andEthan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
The Manhattan School of Music Opera Theater will be presenting Ernest Bloch's Macbeth on Wednesday, December 10 and Friday, December 12 at 7:30 pm.; and on Sunday, December 14 at 2:30 p.m. in the School's Borden Auditorium. Bloch's only opera, composed when the composer was in his early 20's, is set to a libretto by the composer's friend, the poet Edmond Fleg, after Shakespeare's play.
Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for Dracula, the Original Vampire Play, the second production in the 'Alley Theatre @ UH' season. Featuring iconic costume and set designs by Edward Gorey, the Alley's production is based on the original 1927 adaptation of the classic thriller that marvelously balances the menace of the horror tale with sophisticated satire.
Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for Dracula, the Original Vampire Play, the second production in the 'Alley Theatre @ UH' season. Featuring iconic costume and set designs by Edward Gorey, the Alley's production is based on the original 1927 adaptation of the classic thriller that marvelously balances the menace of the horror tale with sophisticated satire.
Principal casting has been announced for the upcoming world premiere production of AN AMERICAN IN PARIS. The cast will include Robert Fairchild as Jerry Mulligan, Leanne Cope as Lise Dassin, Veanne Cox as Madame Baurel, Jill Paice as Milo Davenport, Brandon Uranowitz as Adam Hochberg, and Max Von Essen as Henri Baurel.
In advance of American Conservatory Theater's (A.C.T.) upcoming U.S. premiere of James Fenton's acclaimed adaptation of The Orphan of Zhao, a classic Chinese legend that has its roots in the fourth century BCE, A.C.T. and the Commonwealth Club of California are proud to present BD Wong and A.C.T. Artistic Director Carey Perloff in Conversation for one-night-only - Monday, May 19 at 7:30 p.m. at A.C.T.'s Geary Theater (415 Geary St., San Francisco).
Ruth Wilson (Saving Mr Banks, Anna Christie, A Streetcar Named Desire, Luther, The Lone Ranger) will star in the London premiere of The El. Train: three one-act plays by Eugene O'Neill (The Web, Before Breakfast and The Dreamy Kid). The plays, written between 1913 and 1918, are being presented together for the first time. Ruth will act in The Web and Before Breakfast, directed by Sam Yates, and will make her directorial debut with The Dreamy Kid. Combining live music with immersive design, all housed in the intimate setting of Grade II listed Hoxton Hall (built 1863, seating an audience of 125), The El. Train will run for a limited four-week season from tonight, 6 December - 30 December, with press nights on the 12 & 13 December. Design is by Richard Kent, with lighting by Neil Austin and original composition and sound design by Alex Baranowski. The El. Train is being produced by Found Productions.
Ruth Wilson (Saving Mr Banks, Anna Christie, A Streetcar Named Desire, Luther, The Lone Ranger) will star in the London premiere of The El. Train: three one-act plays by Eugene O'Neill (The Web, Before Breakfast and The Dreamy Kid). The plays, written between 1913 and 1918, are being presented together for the first time. Ruth will act in The Web and Before Breakfast, directed by Sam Yates, and will make her directorial debut with The Dreamy Kid. Combining live music with immersive design, all housed in the intimate setting of Grade II listed Hoxton Hall (built 1863, seating an audience of 125), The El. Train will run for a limited four-week season from 6 December - 30 December, with press nights on the 12 & 13 December. Design is by Richard Kent, with lighting by Neil Austin and original composition and sound design by Alex Baranowski. The El. Train is being produced by Found Productions. Further casting will be announced shortly.
A Noise Within (ANW), the acclaimed classical repertory theatre company led by Producing Artistic Directors Geoff Elliott and Julia Rodriguez-Elliott, continues its 22nd season and the third season in its new Pasadena home with The Guardsman by Ferenc Molnar, translated by Frank Marcus, opening Saturday, October 5 and closing Sunday, November 30, 2013, with previews starting tonight, September 28.
A Noise Within (ANW), the acclaimed classical repertory theatre company led by Producing Artistic Directors Geoff Elliott and Julia Rodriguez-Elliott, continues its 22nd season and the third season in its new Pasadena home with The Guardsman by Ferenc Molnar, translated by Frank Marcus, opening Saturday, October 5 and closing Sunday, November 30, 2013, with previews starting September 28.
Three Eleanors, A Multimedia Solar Powered Paper Doll Production, written by Karen Wurl & Dorothy Chansky, directed by Dorothy Chansky with original art by Carol Flueckiger and production design by Emmett Buhmann, will run at Stage Left Studio, July 24-August 4, 2013. BroadwayWorld has a first look at the cast in action below!
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