Chicago is a sassy and satirical musical set in the roaring twenties of Chicago. It tells the story of Roxie Hart and Velma Kelly, two murderesses vying for fame and acquittal during a time obsessed with media sensationalism.
The plot revolves around Roxie, a housewife who kills her cheating lover and seeks the help of a cunning lawyer, Billy Flynn, to manipulate the justice system and turn her into a celebrity. Velma, a vaudeville star already convicted for her crime, sees Roxie as a threat to her fading spotlight. The musical unfolds through a series of sharp dialogues, witty lyrics, and dazzling jazz-inspired choreography, all delivered with a healthy dose of cynicism and dark humor.
Chicago is a celebrated musical, having held the record for the longest-running American musical on Broadway until surpassed by The Phantom of the Opera. It has garnered numerous awards throughout its history, including Tony Awards for Best Musical, Best Revival of a Musical, and Best Choreography. The show's popularity extends beyond Broadway, with successful tours and revivals around the world.
When the weather heats up, Uptown Underground is the cool place to be for Top Shelf Retrotainment including burlesque, vaudeville, variety, magic, comedy and more.
Actress Betsy Palmer, whose long film, stage and television career began back in 1951 in the early days of live television and who later found a new generation of fans in her role as Mrs. Vorhees in the cult film classic Friday the 13th, has died at the age of 88, it was announced today by her longtime manager Brad Lemack.
Could Playboy mogul Hugh Hefner be the next public figure to be immortalized in a musical? Theatre buzz has surfaced suggesting just that.
The Theatre School at DePaul University will host the One Theatre World 2015 national conference, today, May 7 through May 9, 2015, produced by Theatre for Young Audiences/USA (TYA/USA). TYA/USA is a national service organization whose mission is to promote the power of professional theatre for young audiences through excellence, collaboration, and innovation across cultural and internal boundaries.
BRIC is pleased to announce the lineup for its 37th annual Celebrate Brooklyn! Performing Arts Festival, which will comprise 29 performances, June 3 - August 12. The programming, reflective of Brooklyn's eclecticism and diversity, will feature a wide array of free, world-class performances in the singular environs of the Prospect Park Bandshell.
Last week I had the opportunity to take advantage of the warmer weather and spend the day in the Niagara region and then take in The Phantom of the Opera at the Shea's Performing Arts Centre in Buffalo, NY. The Shea's Performing Arts Centre is a stunning venue just a couple of hours from the Toronto downtown core - and is well worth the trip to take in a show and spend some time exploring all the region has to offer.
Author's Note: The posting of this review was delayed due to family circumstances. CHICAGO! has moved on from Baltimore. It is my hope my review will be of use to audiences in other cities on CHICAGO!'s tour.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
DALLAS, FEBRUARY 20, 2015 – The Dallas Opera is preparing to whisk audiences away to the Latin Quarter of Paris for the blockbuster opera of the season: Giacomo Puccini's 1896 masterpiece, LA BOHÈME, based on Henri Murger's newspaper serial-turned-novel, Scènes de la vie de bohème.
The Theatre School at DePaul University will host the One Theatre World 2015 national conference, May 7 through May 9, 2015, produced by Theatre for Young Audiences/USA (TYA/USA). TYA/USA is a national service organization whose mission is to promote the power of professional theatre for young audiences through excellence, collaboration, and innovation across cultural and internal boundaries.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
The Uptown Underground, 4707 N. Broadway, is open for business with five nights of programing this Spring, from comedy to magic to music to dance. Uptown Underground features retro-entertainment, cabaret, burlesque and jazz, and is the new home of the long-running weekly hit The Kiss Kiss Cabaret.
The Uptown Underground, 4707 N. Broadway, is open for business as of Valentine's Day weekend after a lengthy dispute with the city and state over the art form of burlesque and the sale of liquor. Originally slated to open on New Year's Eve 2014, the Uptown Underground features retro-entertainment, cabaret, comedy, magic, burlesque and jazz, and is the new home of the long-running weekly hit The Kiss Kiss Cabaret. Jenn A. Kincaid and Chris O. Biddle are the co-owners of the Uptown Underground as well as co-producers of The Kiss Kiss Cabaret. For more information and complete schedule of events visit www.UptownUnderground.net.
DALLAS, FEBRUARY 20, 2015 – The Dallas Opera is preparing to whisk audiences away to the Latin Quarter of Paris for the blockbuster opera of the season: Giacomo Puccini's 1896 masterpiece, LA BOHÈME, based on Henri Murger's newspaper serial-turned-novel, Scènes de la vie de bohème.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske andEthan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
In the musical theatre today, it seems the world goes 'round the shows of composer John Kander & lyricist, the late Fred Ebb. On Broadway, one of their final musicals 'The Visit,' starring Chita Rivera with a book by Terrence McNally, begins previews next Month and opens in April.
The windy city blew into the Kauffman Center for the Performing Arts with gale force on Tuesday night as the Theater League presented the opening of Chicago the Musical. Barry and Fran Weissler present the Tony Award winning musical with book by Fred Ebb and Bob Fosse, music by John Kander, and lyrics by Fred Ebb. David Bushman recreates the original choreography and David Hyslop recreates the original production direction of the musical originally choreographed and directed by Fosse.
Glendale Philharmonic Association and Positive Motions Foundation proudly present The Fifth Anniversary Season of the Glendale Philharmonic Orchestra and Positive Motions Concert Series, founded five years ago by renowned and critically acclaimed Russian cellist, Ruslan Biryukov.
On Her Shoulders is pleased to present a FREE staged reading of Chicago (1926) by Maurine Dallas Watkins, directed by Melody Brooks today, December 17, 2014.
The much-anticipated Manila premiere of Broadway's longest-running American musical, CHICAGO, razzle-dazzled audiences with its hard-hitting numbers (All That Jazz, Cell Block Tango, Razzle Dazzle), which speak of passion, treachery, murder, and glossed-over celebrity, on opening night. Leading the pack of an all-American cast of Broadway veterans is Bianca Marroquin who rocked Solaire Resort and Casino's The Theatre with her multi-faceted portrayal of accused murderess Roxie Hart. The strong ensemble, while writhing, gyrating, and exploding to John Kander's music, provided the backdrop to Fred Ebb and Bob Fosse's dark satirical commentary of the 1920s Prohibition-era Chicago. When the audience rose to a standing ovation at the end of the show, it was palpable that even in these modern days, it is impossible to convict good looking murderesses.
On Her Shoulders is pleased to present a FREE staged reading of Chicago (1926) by Maurine Dallas Watkins, directed by Melody Brooks on Wednesday, December 17, 2014.
Chicago's newest theater space is opening its doors on New Year's Eve for an exciting evening of entertainment featuring cabaret, comedy, magic, burlesque and jazz. Uptown Underground, 4707 N. Broadway, opens to the public on December 31, 2014 for the New Year's Eve Hullabaloo featuring The Kiss Kiss Cabaret and others. Uptown Underground will host performances Jan. 1, 2 and 3 at 8 p.m. and feature a special public Grand Opening 'Bees Knees Bazaar' Sunday, Jan. 4. Jenn A. Kincaid and Chris O. Biddle are the co-owners of the Uptown Underground as well as co-producers of The Kiss Kiss Cabaret. For more information and complete schedule of events visit www.UptownUnderground.net.
54 BELOW, Broadway's Supper Club, presents Farah Alvin (Marvelous Wonderettes, I Love You Because), Kate Shindle (Wonderland, Legally Blonde) and Katie Thompson (Giant, Pump Boys and Dinettes at Encores), who will portray a trio of iconic women in selections from the new musical Vanishing Point.
Coming up this week, 54 BELOW, Broadway's Supper Club, presents some of the brightest stars from Broadway, cabaret, jazz and beyond. To purchase tickets or for more information, visit www.54Below.com or call (646) 476-3551.
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