Liza Minnelli and the cast of CABARET are featured in the new doucmentary CABARET: THE MUSICAL THAT CHANGED MUSICALS. The film is included as part of the 40th anniversary Blu-ray release available from Warner Brothers beginning tomorrow, February 5th. Click here to get a first look!
The Picture Show at Bay Street Theatre, sponsored by Peconic Landing continues with classic films this winter and spring. All films start at 8 pm. Tickets are $7 at the door and include a small box of popcorn. For the $28 prix-fixe 'Dinner and a Movie' package, call Page at 63 Main (631-725-1810), IL Capuccino (631-725-2747) or Sen (631-725-1774). Beginning February 15, the dinner package will be available at Dockside (631-725-7100). Cost does not include sales tax, beverage or gratuities.
The Picture Show at Bay Street Theatre has announced announce that Peconic Landing is sponsoring its long-running, classic Picture Show Series for the 2013 Season.
After an 80-year absence from the stage, The ReGroup Theatre Company presents 1931-, Claire & Paul Sifton's gritty tale of the Great Depression era.
'Ninety-seven percent of the public believe what they're told, and what they're told is what the other chap's been told - and the fellow who told him read it somewhere,' announces marketing maven Ambrose Peale to would-be businessman Rodney Martin in 'It Pays to Advertise.'
The Equity professional East Lynne Theater Company presents this screwball comedy from tonight, September 19 through October 13, with an 8:00 p.m. curtain. It is the usual Wednesday through Saturday schedule, except there is no show on Wednesday, October 3, and an added show on Sunday, October 7 at 7:30 p.m. On Wednesday, September 19 is an after-show opening night party at Aleathea's Restaurant at The Inn of Cape May, 7 Ocean Street, where patrons have the opportunity to mingle with actors and fellow theater lovers while indulging in complimentary hors d'oeuvres. There is an after-show Q&A with the cast and director on Friday, September 28, and on Friday, October 12, is an American Sign Language interpreted performance.
After an 80-year absence from the stage, The ReGroup Theatre Company presents 1931-, Claire & Paul Sifton's gritty tale of the Great Depression era.
'Ninety-seven percent of the public believe what they're told, and what they're told is what the other chap's been told - and the fellow who told him read it somewhere,' announces marketing maven Ambrose Peale to would-be businessman Rodney Martin in 'It Pays to Advertise.'
The Equity professional East Lynne Theater Company presents this screwball comedy from September 19 through October 13, with an 8:00 p.m. curtain. It is the usual Wednesday through Saturday schedule, except there is no show on Wednesday, October 3, and an added show on Sunday, October 7 at 7:30 p.m. On Wednesday, September 19 is an after-show opening night party at Aleathea's Restaurant at The Inn of Cape May, 7 Ocean Street, where patrons have the opportunity to mingle with actors and fellow theater lovers while indulging in complimentary hors d'oeuvres. There is an after-show Q&A with the cast and director on Friday, September 28, and on Friday, October 12, is an American Sign Language interpreted performance.
A bachelor faces financial ruin after losing a fortune in a bad business deal, but fortunately, he stands to inherit seven million dollars if he's married by 7:00p.m. on his 27th birthday. Unfortunately, he's received this great news on his 27th birthday, leaving him little time to act. When the love of his life turns him down, his business partner places an ad in the paper, and an army of would-be brides show up at the church.
Contracted marriage, the lady kills her husband, goes 'mad' and dies, and then her real lover kills himself at her graveside. That's the formula for Lucia that showcases the great sopranos and tenors of the day in Lucia di Lammermoor, Donizetti's most popular opera, set to screen as part of the Metropolitan Opera's HD summer encores series.
Contracted marriage, the lady kills her husband, goes 'mad' and dies, and then her real lover kills himself at her graveside. That's the formula for Lucia that showcases the great sopranos and tenors of the day in Lucia di Lammermoor, Donizetti's most popular opera, set to screen as part of the Metropolitan Opera's HD summer encores series.
Fiddler on the Roof, kicks off Barrington Stage Company's 2012 Mainstage Season for a five week run from June 13 through July 14. The award-winning regional theatre in downtown Pittsfield celebrates its 18th season in the Berkshires under the leadership of Julianne Boyd, Artistic Director, and Tristan Wilson, Managing Director. Directed and choreographed by Gary John La Rosa, with music direction by Darren R. Cohen, Fiddler on the Roof will have an official opening night on Sunday, June 17 at 5pm.
Greg MacKellan and Stephanie Rhoads, artistic and producing directors of 42nd Street Moon, today announced details for the company's 20th Anniversary Season of musical theater: Moon Goes Platinum! It will be celebrated with five diverse comedies - all first-time productions for the organization, including a political comedy, romantic comedy, singing satire, a comedy-drama and a no-holds-barred farce.
Berkeley's Aurora Theatre Company has announced the lineup for its 21st season.
Cassie Hodges for Bloomsday in association with Neil McPherson for the Finborough Theatre presents The first London production in 80 years of Autumn Fire.
Cassie Hodges for Bloomsday in association with Neil McPherson for the Finborough Theatre presents The first London production in 80 years of Autumn Fire.
Cassie Hodges for Bloomsday in association with Neil McPherson for the Finborough Theatre presents The first London production in 80 years of Autumn Fire.
FEAR AND DESIRE is the second play in a trilogy written by Free (Part One is Beginner At Life and Part Three is Black Fire/White Fire). In FEAR AND DESIRE, Eden, a new mother in Manhattan, asks 'How do you trust life if you don't trust your mother?'
Although Broadway has a history of great artistic success from adapting existing sources for the musical stage (My Fair Lady, Show Boat, Gypsy...) the past decade's ever-increasing trend of turning popular films, novels that inspired popular films and songwriter's catalogues into musicals has, in many minds, elevated the status of the completely original musical; particularly original musicals by American authors.
The Colony Theatre Company is thrilled to present its third and most magical production of its 36th season, BELL, BOOK AND CANDLE, written by John van Druten and directed by Richard Israel (Merrily We Roll Along), making his Colony Theatre directorial debut.
The Colony Theatre Company is thrilled to present its third and most magical production of its 36th season, BELL, BOOK AND CANDLE, written by John van Druten and directed by Richard Israel (Merrily We Roll Along), making his Colony Theatre directorial debut.
The 36th Annual Jazz Records Collectors Bash will be held June 25th & 26th, 2010. The event will offer 78s, LPs, CDs, Memorabilia, Rare Films
The 36th Annual Jazz Records Collectors Bash will be held June 25th & 26th, 2010. The event will offer 78s, LPs, CDs, Memorabilia, Rare Films
Big band sound transforms the Lincoln Theatre into a Duke Ellington jazz club as Arena Stage presents Duke Ellington's Sophisticated Ladies, choreographed by and starring Maurice Hines (Broadway's Sophisticated Ladies and Uptown... It's Hot!) with direction by Charles Randolph-Wright (Arena's Guys and Dolls and Blue).
Big band sound transforms the Lincoln Theatre into a Duke Ellington jazz club as Arena Stage presents Duke Ellington's Sophisticated Ladies, choreographed by and starring Maurice Hines (Broadway's Sophisticated Ladies and Uptown... It's Hot!) with direction by Charles Randolph-Wright (Arena's Guys and Dolls and Blue).
Broadway legend Carol Channing is fond of telling the story about a group of Russian diplomats who came to see the original production of Hello, Dolly! in 1964. Although they spoke virtually no English, they sat through the show and visited with the star in her dressing room afterwards. Talking through an interpreter, they told her that they loved the musical because it was filled with so much optimism. Although they couldn't understand the lyrics, the ebullience of Jerry Herman's music allowed them to experience and enjoy what producer David Merrick touted as 'the world's happiest musical'.
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