Staging one of the theatre's most unique and unclassifiable pieces, Brecht & Weill's THE SEVEN DEADLY SINS for the New York City Ballet, starting May 11 and running through May 16, is just the latest act in a career made up of anomalies, seemingly built upon always attempting to do the impossible - from her Broadway debut, trying to bring balletic bravado to Trevor Nunn's terminally troubled 1988 musical CHESS (a project begun under the guidance of Michael Bennett before his death), up through the trying-but-Tony-winning TITANIC in 1997 and, this century, SWING! starring Ann Hampton Callaway and Laura Benanti and a succession of successful regional ballets and theatre pieces - the gifted and dynamic director/choreographer Lynne Taylor-Corbett continues to challenge herself, her peers and audiences with each of her audacious new endeavors. THE SEVEN DEADLY SINS, starring two-time Tony-winning Broadway legend Patti LuPone as Anna I, is a particularly problematic play - or is it a musical? Or, is it a ballet? A song-spiel? - and in this revealing and engaging discussion, Ms. Taylor-Corbett and I attempt to deduce the themes, analyze the structure and look back at the authors' lives to gain insight into the perplexing America painted by Brecht and Weill in the forty-minute-long theatrical experiment. Also, in this complete conversation, Lynne and I take a look back at her long and varied career and she generously shares her thoughts on where the place of dance is in the twenty-first century, the exhilaration of working with a theatre artist like Patti LuPone, her own inspirations and formative experiences in the theatre, the legacy of Michael Powell and THE RED SHOES, the theatre versus the dance world, her son Shaun's career, and much, much more! Further information on THE SEVEN DEADLY SINS - including tickets - is available here.
The 'Sas' is back. Rachelle Rak (better known to the Broadway community as 'Sas'), has had a career as a Broadway dancer to be envied. Having worked on Broadway for ten straight years in the original companies of Cats, Fosse, Starlight Express, and Dirty Rotten Scoundrels (among others) and the revival company of monster hits such as Oklahoma!, it seemed Rak had not only 'made it,' but found a home as the consumate chrous girl. Until 2006.
The Dallas Opera Guild will present the 23rd annual 'Dallas Opera Guild Vocal Competition,' a showcase for talented young opera singers who either come from Texas or got here 'as fast as they could' on Saturday, May 14, 2011 in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center, 2403 Flora Street, Dallas, TX 75201.
Rich has now written his farewell column for the New York Times, in which he looks back on his career at the paper as first the theatre critic and until now as an op-ed columnist.
In it, he notes that 'Of all the things I've done at The Times, there may be none I'm prouder of than, in my critic's days, championing 'Sunday in the Park with George,' Stephen Sondheim's and James Lapine's 1984 musical about two artists in two different eras restless to create something new. For a quarter-century now, the show's climactic song has inspired countless people in all walks of life when the time has come to take a leap. 'Stop worrying where you're going,' the Sondheim lyric goes. 'Move on.'
Dundalk Community Theatre continues its 2010/11 season with Reginald Rose's stage version of Twelve Angry Men through March 6th. Individual tickets are $22 for adults, $19 for senior adults and $14 for students/DCT Actors/Children 12 and under. The CCBC Box Office between 10 a.m. and 3 p.m. Tuesday through Friday at 443-840-2787, or visit www.ccbcmd.edu/performingarts/dct.html . The CCBC Box Office is also open two hours before each performance for ticket sales.
The 56th Annual Drama Desk Awards announced a series of major changes designed to enhance the visibility and outreach of the Drama Desk Awards nationwide while, at the same time, creating a large national footprint for all segments of New York theater. The changes include a television broadcast deal with Ovation; moving the awards ceremony from a concert hall to a prestigious ballroom in Midtown Manhattan; presenting the awards at a gala sit-down dinner in an elegant setting, hosted by a major Broadway star; adding musical numbers from nominated New York stage productions; changing the day of the annual Drama Desk Awards from its traditional Sunday time-slot to a Monday night when most Broadway and Off Broadway shows are dark; and adding major media partners. The changes were announced at a news conference held today (Thursday, February 24, 2011) at Inc Lounge in the Time Hotel, 224 West 49th Street, by Robert R. Blume, who has been Executive Producer of the annual Drama Desk Awards since 1999.
The New Orleans Ballet Association (NOBA) is thrilled to reunite two remarkable creative forces, Trey McIntyre Project (TMP) and Preservation Hall Jazz Band (PHJB), in an extraordinary world premiere event on February 4 at 8pm at the Mahalia Jackson Theater. This exclusive one-night only performance marks the second time that NOBA, TMP and PHJB have teamed up to create a shared evening of music and dance.
The New Orleans Ballet Association (NOBA) is thrilled to reunite two remarkable creative forces, Trey McIntyre Project (TMP) and Preservation Hall Jazz Band (PHJB), in an extraordinary world premiere event on February 4 at 8pm at the Mahalia Jackson Theater. This exclusive one-night only performance marks the second time that NOBA, TMP and PHJB have teamed up to create a shared evening of music and dance.
Obsidian Theatre Company in association with Nightwood Theatre is thrilled to present the Toronto premiere of the 2009 Pulitzer Prize award-winning play Ruined. Written by Lynn Nottage and starring theatre and film veterans, Yanna McIntosh and Sterling Jarvis, the story is set in a small mining town in the civil war-torn Democratic Republic of the Congo.
Since COIL began in 2006, 50+ companies from NYC, the US, UK, Australia, continental Europe, Latin America and Asia have been presented as part of this mid-winter festival.
Obsidian Theatre Company in association with Nightwood Theatre is thrilled to present the Toronto premiere of the 2009 Pulitzer Prize award-winning play Ruined. Written by Lynn Nottage and starring theatre and film veterans, Yanna McIntosh and Sterling Jarvis, the story is set in a small mining town in the civil war-torn Democratic Republic of the Congo.
Since COIL began in 2006, 50+ companies from NYC, the US, UK, Australia, continental Europe, Latin America and Asia have been presented as part of this mid-winter festival.
Columbia Records will release If I Were President: My Haitian Experience, the new six song EP from Wyclef Jean, available digitally on Tuesday, December 7, 2010.
This month, Broadway World is showcasing actor Heather Lind, who is reprising her role as Shylock's daughter, Jessica, in The Merchant of Venice. She previously took on this role when she was cast in the Shakespeare in the Park production this summer. Lind graduated in 2005 with a B.A. in Theatre Performance & Philosophy from Fordham College at Lincoln Center and received an M.F.A from NYU earlier this year.
Fortyfivedownstairs has announced its November programming. Street art and gardens have combined in the installation created by young artists from the Artful Dodgers Studios. In the theatre we have two solo shows from strongly contrasting environments performed by outstanding actors, Ellie Nielsen (Waiting for Isabella) and Hannah Norris (My Name is Rachel Corrie). With one set in mid twentieth century Paris, the other in war torn Gaza, these two works could hardly be more different!
Fortyfivedownstairs has announced its November programming. Street art and gardens have combined in the installation created by young artists from the Artful Dodgers Studios. In the theatre we have two solo shows from strongly contrasting environments performed by outstanding actors, Ellie Nielsen (Waiting for Isabella) and Hannah Norris (My Name is Rachel Corrie). With one set in mid twentieth century Paris, the other in war torn Gaza, these two works could hardly be more different!
Well, it's my last day here Dear Readers and I certainly sent it out with a bang. Let's get right to it shall we?
Fortyfivedownstairs has announced its November programming. Street art and gardens have combined in the installation created by young artists from the Artful Dodgers Studios. In the theatre we have two solo shows from strongly contrasting environments performed by outstanding actors, Ellie Nielsen (Waiting for Isabella) and Hannah Norris (My Name is Rachel Corrie). With one set in mid twentieth century Paris, the other in war torn Gaza, these two works could hardly be more different!
Columbia Records will release If I Were President: My Haitian Experience, the new six song EP from Wyclef Jean, available digitally on Tuesday, December 7, 2010.
Even as its shows reach New York and London, Berkeley Repertory Theatre begins another season of fearless theatre here at home: Emmy- and Tony Award-winning actor Mandy Patinkin stars in the world-premiere production of Compulsion on Berkeley Rep's intimate Thrust Stage. Acclaimed director Oskar Eustis returns to the Bay Area with Rinne Groff's latest play, a kaleidoscopic collision of history and culture that combines stellar acting with marvelous marionettes. Compulsion, a world-premiere co-production from Berkeley Rep, The Public Theater, and Yale Repertory Theatre, begins previews on September 13, opens September 16, and closes October 31.
Ever since Carly discovered the voice of Freddie Mercury, she has been in love with his theatrical, rocker glam persona. Freddie Mercury could sing anything...in any style, and that alone is an art to celebrate. After covering and loving his music for years, Ms. Ozard and musical director Joe Wicht are creating 'Somebody To Love: My Musical Tribute to Freddie Mercury.' Carly will be Queen for a day, paying homage to her idol, and sharing historic and interesting facts about Mercury's public and intimate lifestyle. Carly relates to Mercury's flair for theatrical and dramatic performing, incorporating his work into a night of fabulous cabaret.
Even as its shows reach New York and London, Berkeley Repertory Theatre begins another season of fearless theatre here at home: Emmy- and Tony Award-winning actor Mandy Patinkin stars in the world-premiere production of Compulsion on Berkeley Rep's intimate Thrust Stage. Acclaimed director Oskar Eustis returns to the Bay Area with Rinne Groff's latest play, a kaleidoscopic collision of history and culture that combines stellar acting with marvelous marionettes. Compulsion, a world-premiere co-production from Berkeley Rep, The Public Theater, and Yale Repertory Theatre, begins previews on September 13, opens September 16, and closes October 31.
Highline Ballroom is located at 431 West 16th Street between 9th Avenue and 10th Avenue. Tickets may be purchased through Ticketweb, online at ticketweb.com or at the Highline Box Office from noon until doors close at 866-468-7619. We are a full-scale restaurant. Our menu is American Continental with a Southern flair. We also have a full bar with all premier liquors and domestic and international cold beer, and we serve a full menu at all of our concerts. A $10 food and/or beverage minimum is standard for table seating during shows.
Logan is doing 'La Cage' for the third time in two years, but it's his first-ever show on Broadway!
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