Broadway 1926 - Articles Page 14

"They'll love you a lot more if you hang. You know why? Because they'll sell more papers". When Bob Fosse, John Kander and Fred Ebb presented their jazz-aged masterpiece for the first time in 1975, I doubt they could foresee millions of people tuning in for highlights on the George Zimmerman trial on every major network. Nor could Maurine Dallas Watkins have any way of knowing that her play (CHICAGO is based on it) would be so topical for years to come, after writing it in 1926. But, nearly 90 years later, with trials on every channel and our justice system often in upheaval, it seems to be more relevant than ever. And the Arundel Barn Playhouse's production of CHICAGO proves just why it has endured.

Dale Carman, currently starring in the Off-Broadway hit THE SILVER CORD, will be this week's special guest on the popular WPKN (89.5 FM) Radio program 'State of the Arts' today (Friday) at 12:40 PM. The interview can also be heard live at www.wpkn.org.

The entire cast of THE SILVER CORD, is set to preside over the closing bell at NASDAQ MarketSite this today, July 5th at 4 pm. The ceremony will be broadcast live on the 7-story-tall NASDAQ Tower looming over Times Square at Broadway & 43rd Street.

The entire cast of THE SILVER CORD, is set to preside over the closing bell at NASDAQ MarketSite this Friday, July 5th at 4 pm. The ceremony will be broadcast live on the 7-story-tall NASDAQ Tower looming over Times Square at Broadway & 43rd Street.

The Hollywood Bowl's upcoming production of CHICAGO, the musical which holds the record as the third longest running show in Broadway history, will star Samantha Barks as Velma, Drew Carey as Amos, Lucy Lawless as Mama Morton, and Stephen Moyer as Billy.

The award winning Foothill Music Theatre swings for the fences this summer with the Tony Award-winning musical DAMN YANKEES. This production will be helmed by Tom Gough with music direction by Catherine Snider, and choreography by Katie O'Bryon and plays July 26 - August 18 in the Smithwick Theatre, Foothill College, 12345 El Monte Rd., Los Altos Hills.

The Peccadillo Theater Company is presenting the first major NYC revival of Sidney Howard's THE SILVER CORD, directed by OBIE Award winner Dan Wackerman. Opening night is tonight, June 11th at 7pm at Theatre at St. Clement's, 423 West 46th Street (between Ninth & Tenth Ave.)

The Peccadillo Theater Company is presenting the first major NYC revival of Sidney Howard's THE SILVER CORD, directed by OBIE Award winner Dan Wackerman. Opening night is tomorrow, June 11th at 7pm and there will be a special added final preview performance tonight at 7pm at Theatre at St. Clement's, 423 West 46th Street (between Ninth & Tenth Ave.)

The Peccadillo Theater Company is presenting the first major NYC revival of Sidney Howard's THE SILVER CORD, directed by OBIE Award winner Dan Wackerman. Currently in previews, the production is set to officially open next Tuesday, June 11th at Theatre at St. Clement's, 423 West 46th Street (between Ninth & Tenth Ave.) Check out a first look at the production below!

Broadway and film star Bobby Cannavale attended last night's preview performance of THE SILVER CORD, which is scheduled to open officially next Tuesday, June 11th at Off-Broadway's Theatre at St. Clement's. Bobby brought along a couple of his fellow actors from Broadway's THE BIG KNIFE, Lee Aaron Rosen and Mark Zeisler. This marked a reunion with SILVER CORD star Dale Carman, who served in the wardrobe department for THE BIG KNIFE through the end of its limited engagement last Sunday. Cast members from both shows posed for onstage photos after the performance.

The Peccadillo Theater Company is presenting the first major NYC revival of Sidney Howard's The Silver Cord, directed by OBIE Award winner Dan Wackerman. Currently in previews, the production is set to officially open next Tuesday, June 11th at Theatre at St. Clement's, 423 West 46th Street (between Ninth & Tenth Ave.) BroadwayWorld has a first look at the cast in action below!

The Peccadillo Theater Company will present the first major NYC revival of Sidney Howard's 1926 play THE SILVER CORD this summer, directed by OBIE Award winner Dan Wackerman. Performances are set to begin tonight, June 5th, with the Opening on Tuesday, June 11th at 7pm at Theatre at St. Clement's, 423 West 46th Street (between Ninth & Tenth Ave.)

The 5th Avenue Theatre has announced complete casting for Hairspray in Concert, featuring some of Seattle's favorite musical theatre stars and the powerful voices of the 250-member Seattle Men's Chorus. Celebrating the 10th anniversary of Hairspray's 2002 Broadway debut, this unique concert event will play for six very special performances of glorious and irreverent John Waters-inspired wackiness (Friday-Sunday, June 20-23). In 2002, Hairspray was The 5th Avenue Theatre's first world premiere musical to head for Broadway where it won the 2003 Tony Award for Best Musical and launched The 5th's unprecedented track record for sending new works to New York. Now the smash hit musical comes home, as audiences have never seen it before.

Today in 1946, the second Broadway revival of Showboat opened at the Ziegfeld Theatre, and ran for 418 performances. Show Boat is a musical in two acts with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It was originally produced in New York in 1927 and in London in 1928, and was based on the 1926 novel of the same name by Edna Ferber. The plot chronicles the lives of those living and working on the Cotton Blossom, a Mississippi River show boat, from 1880 to 1927. The show's dominant themes include racial prejudice and tragic, enduring love.

The Peccadillo Theater Company will present the first major NYC revival of Sidney Howard's 1926 play THE SILVER CORD this summer, directed by OBIE Award winner Dan Wackerman. Performances are set to begin June 5th, with the Opening on Tuesday, June 11th at 7pm at Theatre at St. Clement's, 423 West 46th Street (between Ninth & Tenth Ave.)

The Peccadillo Theater Company will present the first major NYC revival of Sidney Howard's 1926 play THE SILVER CORD this summer, directed by OBIE Award winner Dan Wackerman. Performances are set to begin June 5th, with the Opening on Tuesday, June 11th at 7pm at Theatre at St. Clement's, 423 West 46th Street (between Ninth & Tenth Ave.)

The announcement of Tony Award nominations raised a round of cheers this morning in the Emerald City as The 5th Avenue Theatre's Broadway hit A Christmas Story, The Musical received three nods from the American Theatre Wing, including Best Musical. Additionally, Carolee Carmello received a Tony Award nomination for Best Performance by a Leading Actress in a Musical for her performance in Scandalous: The Life and Trials of Aimee Semple McPherson, which premiered at The 5th in 2011 as Saving Aimee.

Brooke Shields has been announced as the director of the Hollywood Bowl's upcoming production of CHICAGO, which holds the record as the third longest running show in Broadway history. Rob Fisher has also been announced as the conductor of the production. Shields starred in CHICAGO both on Broadway and in London's West End and this marks her directing debut. Fisher's association with the show began with the 1996 Broadway revival and he continues to be supervising music director of CHICAGO productions around the globe.

Left Field Productions, Neil Berg, Adam Friedson and MSC OPAS at Texas A&M University welcome veteran Broadway actor Marc Kudisch to direct the world premiere project that will close the 40th Anniversary OPAS Season at Texas A&M University - Neil Berg's The Phantoms of the Opera.

According to a casting notcice, Edward Hibbert and Wesley Taylor have signed on to star in an upcoming off-Broadway revival of Sidney Howard's 1926 play THE SILVER CORD at The Peccadillo Theater Company. A staged reading for the show was held in January featuring Tayor alongside Charles Busch Dan Wackerman, Jessie Austrian, Molly Camp, and Robert Eli. The production will run May 15 through June 23.

Broadway's Favorite Beltress Kate Pazakis and star of Broadway, Film, and Television Michael-Leon Wooley have partnered with The Federal Bar in North Hollywood to create a monthly cabaret night like nothing Los Angeles has ever seen. The first event, 'You Never Know Who's Going To Walk Through The Stage Door', will take place tonight, March 12 at 8 p.m.

Broadway's Favorite Beltress Kate Pazakis and star of Broadway, Film, and Television Michael-Leon Wooley have partnered with The Federal Bar in North Hollywood to create a monthly cabaret night like nothing Los Angeles has ever seen. The first event, 'You Never Know Who's Going To Walk Through The Stage Door', will take place on Tuesday, March 12 at 8 p.m.

The cabaret gods must be smiling on this reviewer because this past Saturday evening my wife and I celebrated her birthday with an intimate dinner in between a couple of totally engaging shows from two lovely ladies of cabaret; the beautiful Jillian Laurain paying homage to classic Broadway show tunes at the Metropolitan Room, and the beguiling Stacy Sullivan in her MAC and BroadwayWorld.com Award-nominated tribute to Peggy Lee, 'It's a Good Day,' at the Cafe Carlyle. For me and the Birthday Girl, it was definitely a good night.

Under the artistic direction of the legendary Judith Malina, The Living Theatre will continue to produce its unique avant-garde political theatre in New York City. Additional performances of its current hit, HERE WE ARE, are set to play downtown's Clemente Soto Velez Cultural and Educational Center (107 Suffolk Street) in Manhattan, March 26-29 at 8pm.

At last year's Manhattan Association of Cabarets and Clubs (MAC) Awards, two of the big winners were T. Oliver Reid (photo left) for Male Debut and Eric Michael Gillett for Major Artist, Male (and both could very likely be MAC nominees again this year). Almost a year later, two of New York cabaret's leading men performed new shows one night apart at 54 Below; Reid on February 6 with Drop Me Off in Harlem, and Gillett the next night with Careless Rhapsody: An Evening Dedicated to the Lyrics of Lorenz Hart. Ironically, what the shows had in common--besides being a fairly good fit of material to singer--was that the majority of their sets featured songs written in the 1930s but in very different styles. With Reid it was the jazz, swing and blues of Harlem; with Gillette it was the romantic Broadway musical sensibility of Hart's lyrics (paired with the timeless melodies of Richard Rodgers). While neither Reid's 'Harlem,' nor Gillett's 'Hart' were stirring or spectacular shows, they were both solid and entertaining enough that both could be nominated for BroadwayWorld.com Awards in 2013.