Thrillpeddlers announces their annual Halloween Extravaganza Shocktoberfest 14: Jack the Ripper - An Evening of Horror, Madness, Spanking and Song Commemorating the 125th Anniversary of the Jack The Ripper Murders in London. Thrillpeddlers presents its 4th and final preview performance of Shocktoberfest 14 on Sept. 30, the very date that police received the letter that coined the name 'Jack the Ripper' and the case's double-murder occurred.
Thrillpeddlers announces their annual Halloween Extravaganza Shocktoberfest 14: Jack the Ripper - An Evening of Horror, Madness, Spanking and Song Commemorating the 125th Anniversary of the Jack The Ripper Murders in London. Thrillpeddlers presents its 4th and final preview performance of Shocktoberfest 14 on Sept. 30, the very date that police received the letter that coined the name 'Jack the Ripper' and the case's double-murder occurred.
Spectrum presents an afternoon recital with virtuoso pianist Beth Levin today, May 5th at 3. The program features a world premiere by Andrew Rudin, a New York premiere by David Del Tredici and works by Scott Wheeler, Yehudi Wyner, Johannes Brahms, Franz Schubert and Michael Rose.
Spectrum presents an afternoon recital with virtuoso pianist Beth Levin on Sunday, May 5th at 3. The program features a world premiere by Andrew Rudin, a New York premiere by David Del Tredici and works by Scott Wheeler, Yehudi Wyner, Johannes Brahms, Franz Schubert and Michael Rose.
Votes are cast, polls are closed, and results have been tabulated! This was our BIGGEST year yet! After a record number of voters in over 30 regions worldwide, BroadwayWorld is VERY excited to announce the 2012 San Antonio Winners! Thanks to all who voted and HUGE congrats to all the winners!
The Harris Theater for Music and Dance today announced its full Harris Theater Presents 2011-2012 season, offering Chicago audiences a ground-breaking collection of innovative, culturally diverse programming by the world's finest musicians and dance companies, as well as Harris' signature collaborations with Chicago's leading dance and music institutions.
Cooper-Hewitt, National Design Museum will present the fourth exhibition in the National Design Triennial series in spring 2010. 'Why Design Now?' will be on view from May 14, 2010, through Jan. 9, 2011, and will explore the work of designers addressing human and environmental problems across many fields of design from architecture and product design to fashion, graphics, new media and landscape design. Organized by Cooper-Hewitt curators Ellen Lupton, Cara McCarty, Matilda McQuaid and Cynthia Smith, the Triennial will be global in reach for the first time, reflecting the connectedness of design practices and the need for international cooperation to solve the world's problems.
Cooper-Hewitt, National Design Museum will present the fourth exhibition in the National Design Triennial series in spring 2010. 'Why Design Now?' will be on view from May 14, 2010, through Jan. 9, 2011, and will explore the work of designers addressing human and environmental problems across many fields of design from architecture and product design to fashion, graphics, new media and landscape design. Organized by Cooper-Hewitt curators Ellen Lupton, Cara McCarty, Matilda McQuaid and Cynthia Smith, the Triennial will be global in reach for the first time, reflecting the connectedness of design practices and the need for international cooperation to solve the world's problems.
Cooper-Hewitt, National Design Museum will present the fourth exhibition in the National Design Triennial series in spring 2010. 'Why Design Now?' will be on view from May 14, 2010, through Jan. 9, 2011, and will explore the work of designers addressing human and environmental problems across many fields of design from architecture and product design to fashion, graphics, new media and landscape design. Organized by Cooper-Hewitt curators Ellen Lupton, Cara McCarty, Matilda McQuaid and Cynthia Smith, the Triennial will be global in reach for the first time, reflecting the connectedness of design practices and the need for international cooperation to solve the world's problems.
Ambroise Thomas's Hamlet returns to the Met stage for its first performances since 1897, with the powerful pairing of Simon Keenlyside in the title role and Marlis Petersen as Ophélie. Keenlyside's acclaimed interpretation of Hamlet in Geneva, London and Barcelona finally arrives in the United States, with a performance in the Patrice Caurier and Moshe Leiser production that was hailed by the British press as 'magnificent . . . sheer vocal genius.' Petersen, who steps in for Natalie Dessay, brings her haunting portrayal of Ophélie to the Met; she earned praise for the role during a 2006 run of Hamlet in Düsseldorf. Louis Langrée conducts a cast that includes Jennifer Larmore as Gertrude, Toby Spence in his Met debut as Laërte, and James Morris in the role of Claudius. Jane Archibald, in her Met debut, sings the role of Ophélie on April 5 and 9. The creative team is rounded out by Christian Fenouillat with set designs, Agostino Cavalca with costume designs, and Christophe Forey with lighting designs, all in their Met debuts. Performances run through April 9, with the March 27 matinee shown worldwide as part of The Met: Live in HD
Ambroise Thomas's Hamlet returns to the Met stage for its first performances since 1897, with the powerful pairing of Simon Keenlyside in the title role and Marlis Petersen as Ophélie. Keenlyside's acclaimed interpretation of Hamlet in Geneva, London and Barcelona finally arrives in the United States, with a performance in the Patrice Caurier and Moshe Leiser production that was hailed by the British press as 'magnificent . . . sheer vocal genius.' Petersen, who steps in for Natalie Dessay, brings her haunting portrayal of Ophélie to the Met; she earned praise for the role during a 2006 run of Hamlet in Düsseldorf. Louis Langrée conducts a cast that includes Jennifer Larmore as Gertrude, Toby Spence in his Met debut as Laërte, and James Morris in the role of Claudius. Jane Archibald, in her Met debut, sings the role of Ophélie on April 5 and 9. The creative team is rounded out by Christian Fenouillat with set designs, Agostino Cavalca with costume designs, and Christophe Forey with lighting designs, all in their Met debuts. Performances run through April 9, with the March 27 matinee shown worldwide as part of The Met: Live in HD
Ambroise Thomas's Hamlet returns to the Met stage for its first performances since 1897, with the powerful pairing of Simon Keenlyside in the title role and Marlis Petersen as Ophélie. Keenlyside's acclaimed interpretation of Hamlet in Geneva, London and Barcelona finally arrives in the United States, with a performance in the Patrice Caurier and Moshe Leiser production that was hailed by the British press as 'magnificent . . . sheer vocal genius.' Petersen, who steps in for Natalie Dessay, brings her haunting portrayal of Ophélie to the Met; she earned praise for the role during a 2006 run of Hamlet in Düsseldorf. Louis Langrée conducts a cast that includes Jennifer Larmore as Gertrude, Toby Spence in his Met debut as Laërte, and James Morris in the role of Claudius. Jane Archibald, in her Met debut, sings the role of Ophélie on April 5 and 9. The creative team is rounded out by Christian Fenouillat with set designs, Agostino Cavalca with costume designs, and Christophe Forey with lighting designs, all in their Met debuts. Performances run through April 9, with the March 27 matinee shown worldwide as part of The Met: Live in HD
Public Theater Artistic Director Oskar Eustis, Executive Director Andrew D. Hamingson and Board Chairman Warren Spector officially launched the GOING PUBLIC Capital Campaign on Tuesday, March 9 at a ceremonial groundbreaking event attended by more than 150 people including, City Council Speaker Christine Quinn, Manhattan Borough President Scott Stringer, Cultural Affairs Commissioner Kate D. Levin, and Board Members Gail Papp, Liev Schreiber and Sam Waterston.
On Tuesday and Thursday, February 16 and 18 at 8 PM, Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org) present The Voluptuous Muse, a celebration of the lush tonality and decadent Romanticism of late 19th- and early 20th- century song.
On Thursday, February 18 at 8 PM, Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org) present The Voluptuous Muse, a celebration of the lush tonality and decadent Romanticism of late 19th- and early 20th- century song.
On Tuesday and Thursday, February 16 and 18 at 8 PM, Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org) present The Voluptuous Muse, a celebration of the lush tonality and decadent Romanticism of late 19th- and early 20th- century song.
On Tuesday and Thursday, February 16 and 18 at 8 PM, Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org) present The Voluptuous Muse, a celebration of the lush tonality and decadent Romanticism of late 19th- and early 20th- century song.
On Tuesday and Thursday, February 16 and 18 at 8 PM, Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org) present The Voluptuous Muse, a celebration of the lush tonality and decadent Romanticism of late 19th- and early 20th- century song.
Cooper-Hewitt, National Design Museum will present the fourth exhibition in the National Design Triennial series in spring 2010. "Why Design Now?" will be on view from May 14, 2010, through Jan. 9, 2011, and will explore the work of designers addressing human and environmental problems across many fields of design from architecture and product design to fashion, graphics, new media and landscape design.
On Tuesday and Thursday, February 16 and 18 at 8 PM, Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org) present The Voluptuous Muse, a celebration of the lush tonality and decadent Romanticism of late 19th- and early 20th- century song.
Alan Gilbert will launch the New York Philharmonic's 168th season's subscription concerts in his new role as Music Director, conducting works that reflect his interest in creating programs that feature established repertoire and new and lesser-known music in innovative contexts.
The NYC400 is the first-ever list of New York City's ultimate movers and shakers since the City's founding?from politics, the arts, business, sports, science, and entertainment.
Alan Gilbert will launch the New York Philharmonic's 168th season's subscription concerts in his new role as Music Director, conducting works that reflect his interest in creating programs that feature established repertoire and new and lesser-known music in innovative contexts.
Natalie Dessay and Juan Diego Fl?rez, who created a sensation last season in La Fille du R?giment, star in a new production of Bellini's La Sonnambula opening March 2, directed by Mary Zimmerman and conducted by Evelino Pid?. Dessay takes the role of the sleepwalker Amina, with Fl?rez as her betrothed Elvino, and Michele Pertusi as the Count who almost ruins their wedding. Performances run through April 3, with Barry Banks singing Elvino at the final performance. Zimmerman returns with the creative team that collaborated on her hit production of Lucia di Lammermoor, which opened the 2007-08 season: Daniel Ostling, set designer; Mara Blumenfeld, costume designer; T.J. Gerckens, lighting designer; and Daniel Pelzig, choreographer.
Natalie Dessay and Juan Diego Fl?rez, who created a sensation last season in La Fille du R?giment, star in a new production of Bellini's La Sonnambula opening March 2, directed by Mary Zimmerman and conducted by Evelino Pid?. Dessay takes the role of the sleepwalker Amina, with Fl?rez as her betrothed Elvino, and Michele Pertusi as the Count who almost ruins their wedding. Performances run through April 3, with Barry Banks singing Elvino at the final performance. Zimmerman returns with the creative team that collaborated on her hit production of Lucia di Lammermoor, which opened the 2007-08 season: Daniel Ostling, set designer; Mara Blumenfeld, costume designer; T.J. Gerckens, lighting designer; and Daniel Pelzig, choreographer.
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