CANYON CREEK PERFORMING ARTS

by Herbert Paine - May 22, 2024

The award-winning TV pilot, GOOD GUY WITH A PUN, is an engaging and revelatory narrative about an endearing character whose story line we are eager to follow. Film maker Dmitry Milkin has created a story about resilience and positivity in a digital age....

by Zach Wetzel - May 17, 2024

PEOPLE, PLACES & THINGS is the latest offering from TAZ Theatre Company. It is a bold, astonishing, and urgent work that demands to be seen. Written by Duncan Macmillan and directed by Robert Encila, the play gives the audience a front row seat to the devastating effects of drug addiction. PEOPLE, P...

by Herbert Paine - May 07, 2024

A GENTLEMAN’S GUIDE TO LOVE AND MURDER is that rarity – a new musical with a score inspired by a theatrical style of the past that will forever remain timeless. And it’s so much fun. At Arizona Broadway Theatre....

by Zach Wetzel - May 05, 2024

TRUE WEST is the single greatest piece of live theater I have ever seen. Photo by Tim Fuller....

by Herbert Paine - April 16, 2024

The Phoenix Theatre Company's production of WHAT THE CONSTITUTION MEANS TO ME, directed by Michelle Chin and featuring Kate Haas ~ a necessary and inspiring reminder of our nation's journey to freedom for all....

by Herbert Paine - April 07, 2024

The cast of Hale's TITANIC THE MUSICAL, directed by Cambrian James, is a true ensemble, highlighted by Maury Yeston’s score, operatic in style and epic in scope....

by Herbert Paine - March 24, 2024

Under Lee Cooley's adroit direction, Jeffrey Hatcher's HOLMES AND WATSON is a fast paced and entertaining romp towards an entirely unanticipated climax....

by Tim Shawver - March 17, 2024

What did our critic think of MJ THE MUSICAL at Gammage Auditorium?...

by Herbert Paine - March 13, 2024

The Phoenix Theatre Company's production of BEAUTIFUL: THE CAROLE KING MUSIC explodes with energy. Great production running through April 28th....

by Robert Encila-Celdran - March 07, 2024

I've just highlighted a long list deserving of recognition, if for no other reason than to remind audiences of the invisible force that fuels this pre-eminent theatre department. I'm aware of the unresolved public trauma caused by the university's decision to discontinue the program. Intentional or ...