Tamara Mumford News

The Met has announced the Week 8 schedule for its Nightly Met Opera Streams, a free series of encore Live in HD presentations streamed on the company website during the coronavirus closure.

2020 marks two momentous events: Beethoven's 250th birthday and the 100th anniversary of women's suffrage.

A funny thing happened the other night at the Met when the curtain came down on William Kentridge's stunning new production of Alban Berg's cruel and devastating WOZZECK. The audience didn't rush from their seats to escape into the night. They stayed and cheered for an opera with a reputation for being, well, challenging for opera-goers weaned on Figaros and Flutes, Aidas and even Ring Cycles.

The Cincinnati May Festival announced program details and artists for the 2020 Festival with nine performances taking place between May 21 and 31, 2020 at Cincinnati Music Hall as well as other locations, and an additional performance on April 5, 2020 at the Cathedral Basilica of the Assumption in Covington, Kentucky. Joining the Festival's artistic leadership team of Principal Conductor Juanjo Mena and Director of Choruses Robert Porco is 2020 Artistic Partner John Adams.

Celebrated South African soprano Golda Schultz makes her Los Angeles debut in two performances with the Los Angeles Philharmonic: Salonen & Sibelius led by Esa-Pekka Salonen on Saturday, October 26, 2019 at 8:00pm and Beethoven's Ninth led by Gustavo Dudamel on Sunday, October 27, 2019 at 2:00pm, both at Walt Disney Concert Hall.

On July 27, 2019, Santa Fe Opera added a new work to the operatic canon with its world premiere of THE THIRTEENTH CHILD by Danish composer Poul Ruders and American librettists Becky and David Starobin. The production was  co-commissioned and co-produced by Santa Fe Opera and the Odense Symphony Orchestra.

If Robert Lepage's production of Wagner's Ring Cycle (formally, DER RING DAS NIBELUNGEN) had worked as smoothly when it opened in 2010 as it did at this season's marvelous premiere of its prologue, DAS RHEINGOLD, on Saturday afternoon, there probably still would have been complaints--not about its focus on technology but on its traditional approach. Personally, i liked it.

It was 'out with the old (i.e., Caramoor) and in with the new (i.e., Purchase College)' for Will Crutchfield's love affair with all things bel canto this weekend, and what better way to get things rolling at his new company, Teatro Nuovo, than Rossini's TANCREDI. After all, it was the master's first big hit, written in just a month when Rossini was not yet 21.

Former New York Times music critic wears multiple chapeaus as conductor, musicologist, and educator

If you didn't find a performance to attend in the first part of this series--or you simply can't get enough operas, symphonic concerts and musical theatre pieces thrown in for good measure--here's more to choose from. It covers the gamut from the Mozart REQUIEM to Bernstein, Bernstein and more Bernstein.

Teatro Nuovo, the new organization led by Will Crutchfield, is proud to announce its inaugural Bel Canto Festival at Purchase College, The Dawn of Romantic Opera, July 28-August 5 2018, in collaboration with The Performing Arts Center at Purchase College.

Teatro Nuovo, the new organization led by Will Crutchfield, is proud to announce its inaugural Bel Canto Festival at Purchase College, The Dawn of Romantic Opera, July 28-August 5 2018, in collaboration with The Performing Arts Center at Purchase College. The Festival will present semi-staged productions of Rossini's Tancredi, Mayr's Medea in Corinto, two operas premiered in 1813; one by a mature master and the other by a budding genius, both pointing the way for opera's Romantic century. The Festival will also include a second version of the Rossini score, Tancredi rifatto, incorporating extensive music that the composer wrote for later revivals. Teatro Nuovo will also introduce a radical new adventure with early 19th-century performing style and period orchestral instruments.

Jamie Bernstein, daughter of composer and conductor Leonard Bernstein, will serve as the Tucson Desert Song Festival's (TDSF) Artist-in-Residence for 2018. Ms. Bernstein, a narrator, writer and broadcaster, will share insights and memories of her father and his work and will provide context to help understand the complex life and career of Leonard Bernstein.

San Francisco Symphony's (SFS) 2017 holiday season at Davies Symphony Hall offers a festive array of concerts for all ages...

Music Director Thierry Fischer and the Utah Symphony's recording of Mahler's Symphony No. 8, Symphony of a Thousand, with the Mormon Tabernacle Choir and choristers of The Madeleine Choir School is released on Friday, November 17 on Reference Recordings.

Music Director Thierry Fischer and the Utah Symphony's recording of Mahler's Symphony No. 8, Symphony of a Thousand, with the Mormon Tabernacle Choir and choristers of The Madeleine Choir School is released on Friday, November 17 on Reference Recordings. Pre-orders are currently available through Amazon.

This fall, The Frick Collection presents its 79th season of classical music concerts.

On Saturday, August 26, at 8 p.m. soprano Kristine Opolais and bass-baritone Sir Bryn Terfel join BSO Music Director Andris Nelsons, the Boston Symphony Orchestra, and the Tanglewood Festival Chorus for an evening of opera and song,including Act II of Puccini's Tosca. In addition to Ms. Opolais in the title role and Sir Bryn as Scarpia, the Tanglewood Festival performance of Tosca will feature tenor Russell Thomas as Cavaradossi, bass-baritone Sir Bryn Terfel as Scarpia, tenor Matthew DiBattista as Spoletta, and baritone Douglas Williams as Sciarrone (in his BSO debut). Ms. Opolais and Sir Bryn recently performed Tosca in concert together at the Llangollen International Musical Eisteddfod on July 4, 2017, under conductor Gareth Jones.

One of Tanglewood's most popular summer traditions, John Williams' Film Night, takes place on Saturday, August 19. Boston Pops Laureate Conductor John Williams shares the podium for this performance with BSO Music Director Andris Nelsons, who will lead the first half of the concert, including music from classic cinema scores by

Who needs an excuse to leave NYC in the blistering days of summer? It's especially true if you head north to some of the bucolic opera and vocal venues within driving distance.