Richard Browder News

Voting is now open for the 2011 Tennessee Awards! Now it's time for you to get out and vote for your favorites in the hopes that they will be the recipients of a 2011 BroadwayWorld Tennessee Award. No time to waste, click on the voting link and make your opinion count! Below are the stats so far as of Monday November 14, 2011.

Directed by Buddy R. Jones, Jeffrey is like a nostalgic trip to the 1990s for older audience members, many of whom remember the tenor of those times intimately. Intelligently, Jones approaches Jeffrey as a period piece, ensuring that the design aesthetic for the show helps to capture the underlying confusion and questions of the advent of the AIDS era. And by casting two longtime friends - Manus and Richard Browder in the pivotal roles of Jeffrey and Sterling - he gives the production a sturdy underpinning that makes the story funnier and more poignant.

Buddy R. Jones directs Paul Rudnick's Jeffrey, starring longtime friends and collaborators George W. Manus Jr. and Richard Browder, for Murfreesboro's Out Front on Main, Inc. for a three week run August 11-28, with shows Thursdays-Sundays at 7:30 p.m.

Buddy R. Jones directs Paul Rudnick's Jeffrey, starring longtime friends and collaborators George W. Manus Jr. and Richard Browder, for Murfreesboro's Out Front on Main, Inc. for a three week run August 11-28, with shows Thursdays-Sundays at 7:30 p.m.

Think about it: What if you were watching The King and I and when Anna and the King of Siam started to sing 'Shall We Dance' and they just stood there, it just wouldn't have much of an impact, would it? Or if all those budding chorus members in A Chorus Line just stood around and talked about dancing but never did even the most basic shuffle-ball-change...sounds pretty bleak, doesn't it? That's where choreographers come into the picture; they collaborate with the director, the music director and the cast members to create movement that elevates every musical comedy. Without them, the action remains stagebound and static. A choreographer allows your heart to soar along with the performers onstage, making musical comedy all the more compelling and transformative. These talented men and women created remarkable and memorable work in 2010 as First Night's Top Choreographers...

A cast of more than 125 performers took to the stage of the Troutt Theatre at Belmont University to fete the eight members of the 2010 Class of First Night Honorees in a production that featured the best of the best of Nashville theater and included a surprise appearance by Joseph Mahowald, winner of a 1989 First Night Award, now playing the role of Franklin Hart Jr. in the national tour of 9 to 5: The Musical, which opened in Nashville at the Tennessee Performing Arts Center on Tuesday, September 21.

Photographer Stacy Battles, one of Nashville's best known celebrity photographers, was on hand to shoot the red carpet arrivals that heralded the return of First Night, after an absence of some 14 years. First Night is presented by Jeffrey Ellis, who covers Nashville theater for BroadwayWorld.com, and who is the founder of the awards celebration that was first held on September 17, 1989.

The glitterati of Nashville's theater community took to the red carpet Sunday night, September 19, prior to the start of the First Night Nashville Theatre Honors. Held at the Troutt Theatre at Belmont University, the First Night Honors recognized eight leaders of the Nashville theater community for their lifetime achievements and contributions to the art form.

As Nashville's summer theater season continues to heat up, anticipation continues to grow for September's First Night Nashville Theatre Honors, the revival of the Music City theater gala that will benefit Reading is Fundamental (RIF) and sponsored by Macy's and BroadwayWorld.com. Set for Sunday, September 19, at Belmont University's Troutt Theatre, First Night 2010 will honor eight individuals for their sustained and continued commitment to theater in Nashville.

During the Symposium, the eight honorees will answer questions posed by Ellis during the first half of the evening's program. Following intermission, questions from the audience will be included as the eight honorees, each of whom has been chosen for his or her lifetime of achievement and continued dedication to creating rich, vibrant and compelling live theater in Nashville, share the wealth of their knowledge with the audience.

During the Symposium, the eight honorees will answer questions posed by Ellis during the first half of the evening's program. Following intermission, questions from the audience will be included as the eight honorees, each of whom has been chosen for his or her lifetime of achievement and continued dedication to creating rich, vibrant and compelling live theater in Nashville, share the wealth of their knowledge with the audience.

Eight of the leading lights of Nashville theater were announced Monday night as the Class of 2010 Honorees for the First Night Nashville Theatre Honors, to be presented Sunday, September 19. The Hard Rock Cafe Nashville's Reverb Room was the setting for the preview party and announcement of honorees.

As Nashville's summer theater season continues to heat up, anticipation continues to grow for September's First Night Nashville Theatre Honors, the revival of the Music City theater gala that will benefit Reading is Fundamental (RIF) and sponsored by Macy's and BroadwayWorld.com. Set for Sunday, September 19, at Belmont University's Troutt Theatre, First Night 2010 will honor eight individuals for their sustained and continued commitment to theater in Nashville.

But three other individuals are perhaps most responsible for the overall delight that is Tennessee Rep's 25th Anniversary season production: director Rene Dunshee Copeland, whose imaginative work helps to re-invent this musical on a basis that is at once more intimate while, somehow, is on a grander scale; music director Paul Carrol Binkley, whose concept for performing the work's music gives it the ideal down-home feel that only a band of expert Nashville players can give it; and design genius Gary Hoff, who transforms Johnson's black box space into something we've never seen in that venue before - the proscenium theatre you've only seen in your mind's eye - and who, in so doing, elevates Nashville theatrical design beyond its previous limits, fashioning it into something of opulently epic proportions.