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Mike Baum Leads Circle Players' Cast for Upcoming COMPANY in January
by Jeffrey Ellis - Dec 5, 2011


When director Paul Cook held auditions for Circle Players' production of Stephen Sondheim's Company, he had no trouble finding a devoted and enthusiastic cast for the show, which opens January 6 at the Keeton Theatre.

Nate Eppler's LONG WAY DOWN Named A Semi-Finalist for Prestigious Steinberg-ATCA New Play Award
by Jeffrey Ellis - Nov 16, 2011


Long Way Down, Nashville playwright Nate Eppler's critically acclaimed new work which premiered locally earlier this year, has been named a semi-finalist for the 2012 Harold and Mimi Steinberg/American Theatre Critics Association New Play Award.

Photo Coverage: First Night: The Red (Orange) Carpet Event
by Jeffrey Ellis - Sep 11, 2011


Hosted by Jennifer Richmond and Trey Palmer, First Night, the Nashville Theater Honors Gala was preceded by the Red Carpet Event just before the tribute concert on a rainy Sunday, September 4, at Belmont University's Troutt Theatre.

BWW Reviews: Nate Eppler's LONG WAY DOWN from 3PS Productions
by Jeffrey Ellis - May 8, 2011


Quite simply, with Long Way Down Eppler proves himself a playwright of the highest order, delivering a well-crafted script that delves into the pro-life movement with an incisive wit that is blended artfully with a gritty realism to create a completely believable premise, peopled by characters so genuine it is as if you know them intimately. To put it succinctly, Nate Eppler is likely to become very famous, with Long Way Down a most worthy vehicle for his success

3PS Productions readies workshop production of Nate Eppler's LONG WAY DOWN
by BWW News Desk - May 6, 2011


Lauren Shouse directs 3Ps Productions' upcoming workshop production of award-winning playwright Nate Eppler's Long Way Down, described as 'a new dark comedy'starring Rachel Agee, David Compton, Rebekah Durham and Jennifer Richmond, running May 6-28 at Street Theatre Company, 1933 Elm Hill Pike. Set just outside Nashville, Long Way Down tells the story of Maybelline and Karen, two southern women who decide to kidnap babies from undeserving parents. When they run out of room for all of the babies, one of the women decides there is enough room for all of the babies in Heaven.

3PS Productions readies workshop production of Nate Eppler's LONG WAY DOWN
by Jeffrey Ellis - Apr 5, 2011


Lauren Shouse directs 3Ps Productions' upcoming workshop production of award-winning playwright Nate Eppler's Long Way Down, described as 'a new dark comedy'starring Rachel Agee, David Compton, Rebekah Durham and Jennifer Richmond, running May 6-28 at Street Theatre Company, 1933 Elm Hill Pike. Set just outside Nashville, Long Way Down tells the story of Maybelline and Karen, two southern women who decide to kidnap babies from undeserving parents. When they run out of room for all of the babies, one of the women decides there is enough room for all of the babies in Heaven.

BWW Blog: Nashville Theatre's 'Top Ten of 2009'
by Jeffrey Ellis - Dec 31, 2009


With the strains of 'Auld Lang Syne' mere moments away, minds are apt to be caught up in reflection, remembering the year now ending as a new one awaits just over the horizon. Certainly that's what I've been doing lately, looking back over the past year in Nashville theatre as I pencil in dates in my new 2010 (Here's a question to ponder: Is it 'two thousand ten' or 'twenty ten'...think about it and get back to me) calendar for the shows set to open in the months ahead.

REVIEW: 'The Laramie Project: Ten Years Later' at Actors Bridge
by Jeffrey Ellis - Oct 13, 2009


Staged at the W.O. Smith Nashville Community Music School, The Laramie Project: Ten Years Later offers a follow-up to the original work and was produced internationally on the 11th anniversary of the death of Matthew Shepard, the young gay man who was so brutally murdered by two young men near the city limits of Laramie, Wyoming, in 1998. Audiences the world over were given the tremendous opportunity to share in the new work with the contemporaneous productions, an undertaking that amplifies the notion that live theatre can be transformative in its power to challenge conventional wisdom and, quite simply, provoke thought and introspection.

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