Paul Kieve News

Ahead of celebrations for its fifth birthday in the West End this autumn and Roald Dahl's centenary on 13 September, the Royal Shakespeare Company's multi award-winning production of Matilda The Musical has announced that Sara Sheen and Abbie Vena will join Zaris-Angel Hator and Clara Read in the title role from 13 September 2016. Tickets for the new booking period, which includes performances at the Cambridge theatre between 30 May and 15 October 2017, will go on sale on the centenary of Roald Dahl's birth, 13 September.

It's deja vu all over again, as the Matilda dream team reconvenes to bring the beloved Bill Murray-starring 1993 movie to stage. Serious expectations, then, but you wouldn't know it from this fearless, fleet-footed and impressively cohesive show - destined to be a smash hit because of, not despite, its glorious idiosyncrasies.

Artistic Director of the Old Vic Matthew Warchus, composer and lyricist Tim Minchin, choreographer Peter Darling, and designer Rob Howell, four of the creators of the international sensation Matilda The Musical, have joined forces with writer Danny Rubin to collaborate on a new musical based on his 1993 hit film Groundhog Day. The brand-new musical had its opening today at the Old Vic and the critics are weighing in.

The talented, hard-working children of MATILDA THE MUSICAL NATIONAL TOUR spend much of their time on stage revolting against their horrible headmistress Miss Trunchbull. Off-stage they should revolt against the horrible sound system that renders their lyrics indecipherable.

The Old Vic today announces Artistic Director Matthew Warchus' second season, continuing a wide-ranging programme that includes world premieres, new writing, musicals, classic revivals and The Old Vic Variety Nights. There will also be a new strand of children's programming to engage the next generation of theatregoers, demonstrating Matthew's 'something for everyone' approach.

The 1990 movie of love beyond death is bought to the stage with GHOST THE MUSICAL.

There are some shows that tempt a reviewer to write a lengthy essay going into great detail about the many reasons why the show succeeds or fails. Other shows make a reviewer simply want to say, 'Just go see this show,' and nothing more. While there is, of course, much to say about the touring production of the Broadway musical Pippin, now at Providence Performing Arts Center, the production's merits can absolutely be summed up briefly: See. This. Show.

The extraordinary journey of the Broadway revival of PIPPIN began at the American Repertory Theater in Cambridge a few years back, and now that triumphant Tony Award-winning musical, directed by Diane Paulus, is back in Boston via the national tour. While some tweaks have since been made to the production that had its Broadway tryout at the A.R.T., the show's exuberant joie de vivre and circus-inspired excitement are still intact. If anything, the show's politics and humor have been heightened in this iteration, thanks largely to its sensational cast.

Following the sold-out success of the first two relaxed performances of Matilda The Musical in 2014 and 2015, the Royal Shakespeare Company will present a third relaxed performance at the Cambridge Theatre on Sunday 12th June at 3pm. This will be the seventh performance that the Royal Shakespeare Company has staged to date. The National Autistic Society and Mousetrap Theatre Projects will again work closely with the RSC, offering full access to the theatre for people with autism and learning disabilities.

With some spectacular visual effects and thrilling performances, Ghost the musical opened at the Regent Theatre last night in front of an appreciative audience. From the outset Jon Driscoll's video projections set the scene for what is a particularly clever musical both optically and emotionally. While Dave Stewart and Glen Ballard's score isn't overtly memorable there are some stunning melodies that capture characters inner thoughts and feelings and move the action forward, staying faithful to the original film with Bruce Joel Rubin adapting his original screenplay for the stage.

Can there be a better way to capture Matilda's spirit so evocatively than in a sparkling new work for the musical theater? A musical journey through which we can chart her soulful, heartfelt ascent into a literary hierarchy in which readers can live vicariously? Matilda's forays into a fictional world of devil-may-care adventure, oftentimes aided by her gift for telekinesis or her penchant for clever tricks (like switching her father's hair oil with her mother's peroxide) - which is at once darker than other offerings of like ilk, yet somehow rather more confectionary than even the fluffiest of musical comedies - lend themselves exquisitely to Matilda the Musical, the critically lauded stage extravaganza that is somehow effervescently uplifting while remaining grounded.

Now in its fifth year in London's West End, the Royal Shakespeare Company's award-winning production of Matilda The Musical has announced that Zaris-Angel Hator, Clara Read and Emily-May Stephenson are to join Evie Hone in the title role from 15 March 2016.

Jemma Rix as Molly and Rob Mills as Sam are an ideal duo.

The supernatural power of love will take Australia by storm when the Broadway and West End hit GHOST THE MUSICAL, adapted from the Academy Award-winning film, premieres in Australia in Adelaide on 8 January 2016 before touring nationally. Click below to go inside rehearsals with the Australian tour company!

I first became aware of author Roald Dahl from watching the film Willy Wonka and the Chocolate Factory, although I didn't read the book it was based on, Charlie and the Chocolate Factory, until later, finding it much darker in tone than the movie, but very entertaining nonetheless. After that exposure I remember watching the Tales of the Unexpected series on television, which was based on his short story collection of the same name. I never read Matilda, but I wish I had, and I think I'm going to in the near future, because we share something in common; the love of books of all kinds. MATILDA THE MUSICAL brings this tale to life in impressive fashion (book by Dennis Kelly, music & lyrics by Tim Minchin), with this story of a precocious little girl, whose parents don't understand her. It's a wondrous show, filled with memorable songs that snugly fit and advance the action, and an incredible cast that will have you rooting for them every step of the way. It's truly magical, and definitely a must-see, for families, and even those who don't have them. You have to see this glorious production that's currently playing at the Fox Theatre through November 1, 2015.

New production images of the cast of the Royal Shakespeare Company's production of Matilda The Musical are now available. Evie Hone and Lizzie Wells have joined Anna-Louise Knight and Lara McDonnell in the title role, alongside Michael Begley (Mr Wormwood), Miria Parvin (Miss Honey) and Rebecca Thornhill (Mrs Wormwood). Craige Els will continue in the role of Miss Trunchbull. Matilda The Musical, which celebrates its 4th birthday on Sunday 25 October, is now booking at the Cambridge Theatre until 18 December 2016.

BWW Review: MATILDA Struggles With Major Sound Issues

The supernatural power of love will take Australia by storm when the Broadway and West End hit Ghost The Musical, adapted from the Academy Award-winning film, premieres in Australia in Adelaide on 8 January 2016 before touring nationally.

The supernatural power of love will take Australia by storm when the Broadway and West End hit GHOST THE MUSICAL, adapted from the Academy Award-winning film, premieres in Australia in Adelaide on 8 January 2016 before touring nationally.

Applications open today for The Old Vic 12 - an exciting opportunity for 12 exciting emerging artists to be part of Matthew Warchus' first season at this iconic theatre.