Molly Tynes News

Producers Barry & Fran Weissler and Howard & Janet Kagan have announced casting for Roger O. Hirson and Stephen Schwartz's PIPPIN, directed by Diane Paulus. PIPPIN will begin preview performances on Broadway Saturday, March 23, 2013 and officially open Thursday, April 25, 2013 at the Music Box Theatre. Tickets are available through www.telecharge.com/pippin, by calling 212-239-6200, and in person beginning Saturday, March 2nd at the Music Box Theatre box office (239 West 45th Street).

Dazzling acrobatics, insightful direction, shrewd performances, and rich new orchestrations make this creaky 1970s pop musical a timely and timeless exploration of personal fulfillment and existential angst

The American Repertory Theater (A.R.T.) opens its production of Pippin tonight, January 3, with music and lyrics by Stephen Schwartz, book by Roger O. Hirson, directed by A.R.T. Artistic Director Diane Paulus. The show runs through January 20, 2013.

Pippin began performances earlier this month at The American Repertory Theater (A.R.T.) surrounded by Broadway buzz. But according to a report by the Associated Press, the show's cast and creative team are keeping their focus to making the current run stand on its own before Pippin officially opens on January 3rd.

The American Repertory Theater (A.R.T.) presents its production of Pippin, with music and lyrics by Stephen Schwartz, book by Roger O. Hirson, directed by A.R.T. Artistic Director Diane Paulus. The production is now running through January 20, 2013. BroadwayWorld has a first look at the show below!

In this week's edition of 'Around BWW: Regional Highlights of the Week', we take you around the country - and beyond - with the most-read theater stories for the week of December 3! Scroll below to see what made news in your area!

Pippin began performances last night, December 5 at The American Repertory Theater (A.R.T.), and already there is more buzz about the show attracting Broadway producers. According to the New York Times, producing team Baryy and Fran Weissler along with Howard and Janet Kagan have given enhancement money in order to 'enable them to put together a commercial production of "Pippin" for Broadway.'

The American Repertory Theater (A.R.T.) presents its production of Pippin, with music and lyrics by Stephen Schwartz, book by Roger O. Hirson, directed by A.R.T. Artistic Director Diane Paulus. Previews begin at the Loeb Drama Center (64 Brattle Street, Cambridge) on December 5, with press opening on January 3, and running through January 20, 2013.

The American Repertory Theater (A.R.T.) presents Pippin, with music and lyrics by Stephen Schwartz, book by Roger O. Hirson, directed by A.R.T. Artistic Director Diane Paulus, with circus choreography by Gypsy Snider of the Montreal-based circus company Les 7 doigts de la main (also known as 7 Fingers) and choreography by Chet Walker in the style of Bob Fosse. Set design is by Tony Award-winning designer Scott Pask, costume design by Dominique Lemieux, lighting design by Tony Award-winning designer Kenneth Posner, and sound design by Tony winner and A.R.T. Resident Sound Designer Clive Goodwin. Orchestration is by Tony Award-winner Larry Hochman, Music Supervision by Nadia Di Giallonardo, and the Music Director is Charlie Alterman. BroadwayWorld has a first look at the rehearsal photos below!

One of the most thrilling days in the entire process of building a new show is the sitzprobe. This is when the actors and full orchestra come together for the first time to sing and play through the show. Throughout the rehearsal process, the actors will rehearse with live accompaniment, but generally it is only piano or perhaps some percussion. The sitzprobe is the first time the actors get to hear the full orchestrations of the score. Words do not suffice to describe the sensation of hearing the music come to life for the first time. It is truly an amazing experience.

At BroadwayWorld we pride ourselves in showcasing theater content from all corners of the globe. Our regional contributors do an amazing job each day of bringing you the latest theater news in their cities and countries. Sit back and catch up on this week's regional reviews, features, interviews and more!

We have now been in Cambridge for a week and are in the full swing of "tech." I explained in my last blog that this is the part of the process when the show is moved out of the rehearsal room and onto the stage. As some may know, we begin at the top of the show and carefully move forward step by step and cue by cue setting lights and figuring out the logistics of the show. A lot goes into making a musical flow smoothly.

Hottest Articles on BroadwayWorld.com from this weekend Sunday, November 25, 2012 - Sunday, November 25, 2012.

This week we traveled to Cambridge, MA, home of the American Repertory Theater. Now we begin "Tech," or the part of the creative process when we move the show out of the rehearsal studio and onto the stage. This is often one of the most tedious parts of the process - long hours spent setting light cues, figuring out set moves, spacing dance numbers on the stage, etc. However it is also one of the most exciting parts of the process because we get to see the real sets, costumes, and props for the first time and begin to incorporate them into the show. It is a time of exploration and discovery and a time when the world of the show really starts to come alive!

Sit back and enjoy a recap of this week's most-read stories in BroadwayWorld's regional markets! Browse over to your favorite far-away city/country to see what's making news, see what productions are playing around the country and overseas and get to know new performers!

Well, our time rehearsing in NYC has come to a close, and we are all preparing to journey up to Cambridge, MA where we will move into the theater at the A.R.T. We finished up this week with our first full run through of the show. This was exciting because it was the first time we really got to see the complete picture of what we have been working on so hard for all these weeks.

The American Repertory Theater (A.R.T.) presents Pippin, with music and lyrics by Stephen Schwartz, book by Roger O. Hirson, directed by A.R.T. Artistic Director Diane Paulus, with circus choreography by Gypsy Snider of the Montreal-based circus company Les 7 doigts de la main (also known as 7 Fingers) and choreography by Chet Walker in the style of Bob Fosse. Set design is by Tony Award-winning designer Scott Pask, costume design by Dominique Lemieux, lighting design by Tony Award-winning designer Kenneth Posner, and sound design by Tony winner and A.R.T. Resident Sound Designer Clive Goodwin. Orchestration is by Tony Award-winner Larry Hochman, Music Supervision by Nadia Di Giallonardo, and the Music Director is Charlie Alterman.

We have talked a lot in rehearsal about the traditional perception of the traveling circus troupe - about the ways in which we romanticize that life. In a way everyone secretly wishes he or she could run away with the circus and perform some unimaginable feat few others would dare even attempt. We've talked about the transient nature of the circus - how suddenly it bursts into town thrilling audiences with colorful displays and inexplicable tricks, and then just like that, it is gone again. There is an element of mystery in all of that. You find yourself wondering, "Who are these people? What do they do when they are not flying through the air or jumping throughburning hoops? Do they eat? Do they sleep? Do they perform ordinary daily tasks just like the rest of us?" They become almost superhuman figures existing outside the constraints of regular life.

In this week's edition of 'Regional Highlights of the Week', we bring you the most-read stories for the week of November 12. Enjoy and check back next week for another recap!

In the world of circus, there is a special term for the opening number. We have been hearing this term, "charivari," in rehearsal a lot lately. Our circus choreographer, Gypsy Snider (of the Montreal based circus company Le 7 doigts de la main), explains that the charivari is a colorful and busy display in which the audience sees brief snippets in rapid succession of all the acts that will be featured that night. It should give the audience a taste of what's to come without spoiling the best tricks or giving too much away; it creates excitement and anticipation.