Michael Crawford News

Stage favorite Michael Crawford has been busy advising Great Britain's 13-person synchronized swimming team for the London Olympics. Crawford shared his artistic expertise with the team, who will perform a Peter Pan-themed Olympic free routine at next week's events. The team shared the below photo of Crawford on their Facebook page, as he wished them all good luck!

Softly, deftly, music shall caress you…hear it, feel it secretly possess you… Three powerhouse voices from Broadway's longest-running musical, "The Phantom of the Opera," join Pacific Symphony to deliver a revue of Broadway favorites for "The Three Phantoms-Broadway's Biggest Hits!," the second concert of the Symphony's Summer Festival 2012, sponsored by Hoag. Led by Principal Pops Conductor Richard Kaufman, the orchestra accompanies Craig Schulman, Ted Keegan and Gary Mauer -three extraordinary performers who have all played the title role of the Phantom-in the soaring melodies from Andrew Lloyd Webber's phenomenon, plus blockbusters from other shows that made them stars. Singing songs from the golden age of Broadway to the musical spectaculars of today, the Phantoms perform classics from "Jesus Christ Superstar," "Guys and Dolls," "Kiss Me Kate," "My Fair Lady," "Les Miserables," "Jekyll & Hyde," "Man of La Mancha," "Most Happy Fella" and more-all backed by the lush and expansive sounds of the full symphony orchestra.

Ultimísimo tramo de la recta final de Follies en el Teatro Español. Dos únicas funciones para llegar a la gran (y doble) despedida. La última representación del musical, que se celebrará el próximo sábado, será el punto culminante, definitivo y definitorio, de la era de Mario Gas como máximo responsable artístico de las cuatro salas en las que se enmarca la sede cultural. Nadie dudaba del talento de los nombres que acreditan el espectáculo.

According to her official blog, stage star Caroline O'Connor will return Leicester Curve Theatre in November to star in Hello Dolly! as the title role. O'Connor will reunite with Curve's Artistic Director Paul Kerryson (Director) for the season.

Today we are talking to Patricia Kelly, the widow of one of the most iconic and influential performers in entertainment history, Gene Kelly, all about her husband's incomparable career on Broadway and in Hollywood, in honor of his centennial. Tracing Gene Kelly's journey from his theatre roots starring in Cole Porter's LEAVE IT TO ME!, Rodgers & Hart's PAL JOEY and William Saroyan's Pulitzer Prize-winning THE TIME OF YOUR LIFE on Broadway to his unforgettable screen appearances in many of the greatest movie musicals ever made - COVER GIRL, SINGIN' IN THE RAIN, THE PIRATE, AN AMERICAN IN PARIS and many more included - Mrs. Kelly gives us a look into the life of one of the most important artists of the twentieth century. In addition to behind-the-scenes stories involving Kelly's frequent collaborators - such as esteemed director Vincente Minnelli, songwriter and producer Arthur Freed, arranger Saul Chaplin and others - Mrs. Kelly also shares candid anecdotes involving her husband's involvement with directing Rodgers & Hammerstein's FLOWER DRUM SONG on Broadway, helming the feature film adaptation of HELLO, DOLLY! starring Barbra Streisand, as well as his appearing in two idiosyncratic movie musicals later in his life, LES DEMOISELLES DE ROCHEFORT (THE YOUNG GIRLS OF ROCHEFORT) for Jacques Demy, as well as his au revoir to movie musicals in form of the Olivia Newton-John roller disco starrer XANADU. Additionally, Mrs. Kelly fills us in on all the details about this weekend's two-night Gene Kelly retrospective celebration, which she leads and narrates, as part of GENE KELLY @ 100 and her future plans for the multimedia presentation - each evening titled AN EVENING OF GENE KELLY and CHANGING THE LOOK OF DANCE ON FILM, respective - as she begins to tour the show across the country. Plus, reflections on SINGIN' IN THE RAIN's 60th anniversary and the recent Fathom HD premiere presentation in theaters, the impact of Kelly's work behind the camera, his choreographic legacy, what a legend is like at home, memories of attending the opening night of THE PHANTOM OF THE OPERA (starring HELLO, DOLLY! lead Michael Crawford), what the master would say about GLEE, SMASH, BUNHEADS and today's movie musical renaissance, as well as much, much more!

One of Broadway's most celebrated performers, Max von Essen, steps into the role of Che for six performances, starting tonight, July 2 - July 7, in the new Broadway production of EVITA while Ricky Martin is on vacation. Daniel Torres will play the role of Che for both the matinee and evening performance on July 8. Max von Essen originated the role of Magaldi in the current production of EVITA and will return to that role when Martin returns from vacation. The performance schedule for this week is Monday at 8pm, Tuesday at 7pm, Thursday at 8pm, Friday at 8pm, Saturday at 2pm and 8pm and Sunday at 2pm and 7:30pm.

One of Broadway's most celebrated performers, Max von Essen, steps into the role of Che for six performances, July 2 - July 7, in the new Broadway production of EVITA while Ricky Martin is on vacation. Daniel Torres will play the role of Che for both the matinee and evening performance on July 8. Max Von Essen originated the role of Magaldi in the current production of EVITA and will return to that role when Martin returns from vacation. The performance schedule for the week beginning July 2 is Monday at 8pm, Tuesday at 7pm, Thursday at 8pm, Friday at 8pm, Saturday at 2pm and 8pm and Sunday at 2pm and 7:30pm.

Softly, deftly, music shall caress you…hear it, feel it secretly possess you… Three powerhouse voices from Broadway's longest-running musical, "The Phantom of the Opera," join Pacific Symphony to deliver a revue of Broadway favorites for "The Three Phantoms-Broadway's Biggest Hits!," the second concert of the Symphony's Summer Festival 2012, sponsored by Hoag. Led by Principal Pops Conductor Richard Kaufman, the orchestra accompanies Craig Schulman, Ted Keegan and Gary Mauer -three extraordinary performers who have all played the title role of the Phantom-in the soaring melodies from Andrew Lloyd Webber's phenomenon, plus blockbusters from other shows that made them stars. Singing songs from the golden age of Broadway to the musical spectaculars of today, the Phantoms perform classics from "Jesus Christ Superstar," "Guys and Dolls," "Kiss Me Kate," "My Fair Lady," "Les Miserables," "Jekyll & Hyde," "Man of La Mancha," "Most Happy Fella" and more-all backed by the lush and expansive sounds of the full symphony orchestra.

Geoffrey Rush will lead John Frost's production of Sondheim's A FUNNY THING HAPPENED ON THE WAY TO THE FORUM when it opens in Melbourne Saturday, October 27 at Her Majesty's Theatre. The show will be directed by Simon Phillips and will feature a cast of Australian comedy actors, according to funnything.com.au.

Stage favorite Michael Crawford recently visited Aldershot, where he gave some advice to a 13-person synchronized swimming team. Crawford shared his artistic expertise with the team, who will perform a Peter Pan-themed Olympic free routine.

Today we are continuing the 2012 Tony Awards Clip Countdown with another pairing sure to instigate ample amounts of approbation and opprobrium - now, just as it did twenty-five years ago - the famous Tony Awards battle of THE PHANTOM OF THE OPERA versus INTO THE WOODS.

Earlier this week, the UK's top celebrities gathered for the Queen's Jubilee Arts Party. BroadwayWorld brings you 'red carpet' coverage below, featuring Michael Crawford, Dame Judi Dench, Clive Anderson, Timothy Spall, Arlene Phillips, Nettie and Nick Mason, Dionne Bromfield, Joan Collins, Petula Clarke, Shirley Bassey, Lily Cole, Mariella Frostrup, Patricia Hodge, Joanna Lumley, Fay Ripley and more!

Full casting has been announced for the UK and Ireland tour of hit comedy stage adaptation The Ladykillers. The principal cast will include Paul Bown (Professor Marcus), Clive Mantle (Major Courtney), Chris McCalphy (One-Round), William Troughton (Harry), Shaun Williamson (Louis) and Michele Dotrice as Mrs Wilberforce.

The CBC will be casting Dorothy in an Andrew Lloyd Webber production of THE WIZARD OF OZ via a live TV show, Over the Rainbow. Auditions begin in June, and the show will mount in December, according to 680news.com.

This weekend, BroadwayWorld will be presenting an illuminating InDepth InterView with legendary composer Lord Andrew Lloyd Webber all about the enchanting new performance capture film version of his PHANTOM OF THE OPERA sequel, LOVE NEVER DIES. Until that chat, let's take a look back at some of the finest Andrew Lloyd Webber-related performances related to the entertainment dynasty built upon his operatic pop musical version of the classic Gaston Leroux novel that is about to celebrate its 10,000th performance on Broadway later this month, THE PHANTOM OF THE OPERA, as well as its continuation, LOVE NEVER DIES, and the two revivals of his two classic 70s hit stage collaborations with previous InDepth InterView participant Sir Tim Rice coming back to Broadway in a big way - JESUS CHRIST SUPERSTAR and EVITA. Plus, a look at the new Simon Phillips-directed production of LOVE NEVER DIES coming to Fathom-equipped movie theaters nationwide on February 28 and March 7, with DVD & Blu-ray after that, as well as the PHANTOM 25 DVD & Blu-ray being released in the US on February 7. It's a busy time of year for phans, clearly! Fetch your favorite mask and check out these four Andrew Lloyd Webber delicacies before they arrive!

In honor of this week's US release of THE PHANTOM OF THE OPERA AT THE ROYAL ALBERT HALL on DVD/Blu-ray - PHANTOM 25 for short - today we are focusing on the multitude of attributes that have made Andrew Lloyd Webber's unforgettable gothic musical the most successful entertainment of all time, now in its 25th year onstage and about to reach 10,000 performances on Broadway, where it is the reigning longest running show of all time. The gargantuan excitement generated by and the enthusiastic reception enjoyed by PHANTOM for audiences worldwide is unprecedented, yet, the new ultimate presentation of the show - PHANTOM 25 - is even more spectacular and thrilling than any iteration of PHANTOM on any stage or screen thus far. Bringing together the cast of a lifetime with the electricity of a live audience, the HD preservation of THE PHANTOM OF THE OPERA AT THE ROYAL ALBERT HALL is positively peerless in its sleekness, precision and polish of presentation. Never before - not even in the vaunted hands and cords of original show stars Sarah Brightman and Michael Crawford - has the show been this contemporary, sexual and hypnotizing. Ramin Karimloo as the Phantom brings a rawness and austerity to the role that commands attention and Sierra Boggess is, in a word, supreme, as the young ingenue under the Phantom's watchful musical tutelage. So, too, does Hadley Fraser's perfectly painted Raoul hit the right mark, as do the rest of the exceptional cast in their commitment to making clear-cut, strong and colorful impressions in their roles. The LED-enhanced set is an imaginative reworking of the designs by Maria Bjornson and the musical staging is smooth and assured thanks to original show choreographer Gillian Lynne. Yet, the star of PHANTOM 25 is, unquestionably, Andrew Lloyd Webber's rapturous, rich and enveloping score. Bringing together an impressive and inspired assortment of genres in creating the quintessential pop opera, Lloyd Webber employs elements of grand opera, opera bouffe, operetta and musical theatre, as well as incorporates a diverse range of musical styles - even a little heavy metal guitar in the title song, as we shall see (and hear). The score of THE PHANTOM OF THE OPERA is one of Andrew Lloyd Webber's finest achievements and stands tall alongside his other classic scores for JESUS CHRIST SUPERSTAR, EVITA, CATS, SUNSET BOULEVARD among many other international hit shows. Indeed, the story and score of THE PHANTOM OF THE OPERA is so very complex and decadent as to allow for a continuation of the story, score, characters and overall themes in the form of the new musical, LOVE NEVER DIES, which premiered in a new version in Australia last year and whose story traces the relationship of the Phantom, Christine and Raoul from the end of the original show all the way from Paris to Coney Island ten years later where PHANTASMA is the show everyone must experience thanks to a mysterious figure lurking in the shadows beyond the carousel. In today's celebration of PHANTOM 25, we will take a look at the original music videos, the legendary Hal Prince production on Broadway and in the West End, the forthcoming LOVE NEVER DIES - coming to Fathom-equipped theaters nationwide later this month - all with a special spotlight on the most phantastic anniversary concert of all time, THE PHANTOM OF THE OPERA AT THE ROYAL ALBERT HALL.

Rachel doesn't seem likely to be headed to New York and NYADA - nope, not this time. Mucking up her major shot at Broadway glory - at least as far as high school auditions go - by messing up the words to "Don't Rain On My Parade" from FUNNY GIRL, her anthem, no less - the focus on GLEE's appropriately titled "Choke" episode brought to mind a lyric from Stephen Sondheim's MERRILY WE ROLL ALONG, a musical about the sacrifices we make to get what we thought we wanted - "still with dreams, / just reshaping them. / Growing up…." And that is Season Three of GLEE in a nutshell - the senior members of New Directions learning to let go of childhood and move ahead into the unknown world of maturity; whether the future may bring college, career or pool-cleaning. With more musical theatre references per minute than any episode of the twenty so far in GLEE S3, "Choke" was filled with the stylized storytelling and absurd, although always appreciable surprises along the way that makes GLEE consistently, near-constantly compelling. No, no, no - GLEE has not flagged in the least sixty-odd episodes into the series so far, although the rating may have slightly. Last night's GLEE was a good example of the shifting focus and repeated reinvention that keeps the series fresh - and the comedy is as fearless and biting as ever.

An Evening With Marty Panzer' (Barry Manilow's first lyricist) completed two sold out shows Sat. April 28th, adding a 2d show on April 29th at the Triad Theatre, to benefit the Manilow Music Project which provides instruments to kids in need.

Paul Garman, Executive Director/Producer, and Steven Glaudini, Artistic Director's Forbidden Broadway: GREATEST HITS, VOLUME 2 closes tonight, April 29, 2012.