Seattle Theater Writers Announces the 2012 Nominees of Gypsy Rose Lee Awards
by Kelsey Denette
- Jan 16, 2013
Seattle Theater Writers, a critics' circle of local theater writers and reviewers, today announces the 2012 slate of nominees of the second annual Gypsy Rose Lee Awards, theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters.
Seattle Shakespeare Company to Present THE TAMING OF THE SHREW, Beginning 4/25
by Kelsey Denette
- Jan 7, 2013
Seattle Shakespeare Company will present a revival of its popular trailer park The Taming of the Shrew at the Playhouse at Seattle Center, April 25 through May 12, 2013. Many of the cast members from the original production will reprise their roles including Kelly Kitchens as Kate and David Quicksall as Petruchio. Directed by Aimée Bruneau, the production will also serve as a launch to the 20th Anniversary celebration of Wooden O in the summer of 2013.
SPT Presents Theresa Rebeck's THE UNDERSTUDY, 1/25-2/17
by Kelsey Denette
- Dec 21, 2012
SPT will present The Understudy, a biting comic examination of the entertainment industry, by Peabody Award Winner and creator and producer of NBC's Smash, Theresa Rebeck, running January 25-February 17, 2013 at the historic Bathhouse Theater on Green Lake.
upstart crow Presents All-Female TITUS ANDRONICUS at Lee Center, Now thru 10/7
by BWW News Desk
- Sep 6, 2012
upstart crow collective presents an all-female production of Shakespeare's bloodiest tragedy, Titus Andronicus tonight, September 6th to October 7th, 2012 at the Lee Center for the Arts on Capitol Hill. From the same team that brought you the popular and critically-acclaimed all-female King John in 2006, their newest production brings together some of Seattle's most respected female classical actors, who rarely get to meet each other onstage within Shakespeare's work.
upstart crow Presents All-Female TITUS ANDRONICUS at Lee Center, 9/6-10/7
by BWW News Desk
- Aug 27, 2012
upstart crow collective presents an all-female production of Shakespeare's bloodiest tragedy, Titus Andronicus, September 6th to October 7th, 2012 at the Lee Center for the Arts on Capitol Hill. From the same team that brought you the popular and critically-acclaimed all-female King John in 2006, their newest production brings together some of Seattle's most respected female classical actors, who rarely get to meet each other onstage within Shakespeare's work.
SPT Youth Program Presents SWEENEY TODD SCHOOL EDITION, Now thru 8/25
by BWW News Desk
- Aug 17, 2012
Produced in conjunction with Seattle Opera, the artists in the Seattle Public Theater Youth Program have been beating out the complex rhythms and singing the hypnotic strains of Stephen Sondheim's modern musical classic. The six free performances run tonight, August 17, 18, 19, 24 and 25 at the historic Bathhouse Theater on Green Lake.
SPT Youth Program Presents SWEENEY TODD SCHOOL EDITION, 8/17-25
by BWW News Desk
- Aug 15, 2012
Produced in conjunction with Seattle Opera, the artists in the Seattle Public Theater Youth Program have been beating out the complex rhythms and singing the hypnotic strains of Stephen Sondheim's modern musical classic. The six free performances run August 17, 18, 19, 24 and 25 at the historic Bathhouse Theater on Green Lake.
Sandbox Radio Records Live Episode at West of Lenin Tonight, 7/23
by BWW News Desk
- Jul 23, 2012
Sandbox Radio Live! has been broadcasting for a year now and that's why they are calling their upcoming fifth! episode 'An Unexpected Twist'. The Sandbox Artists Collective will be recording our latest offering before a live audience tonight, July 23 at 7:30 at Fremont's newest theatre, West of Lenin.
Sandbox Radio to Record Live Episode at West of Lenin, 7/23
by Caryn Robbins
- Jun 29, 2012
Sandbox Radio Live! has been broadcasting for a year now and that's why they are calling their upcoming fifth! episode 'An Unexpected Twist'. The Sandbox Artists Collective will be recording our latest offering before a live audience on Monday, July 23 at 7:30 at Fremont's newest theatre, West of Lenin.
BWW Reviews: A Look BACK BACK BACK at Seattle Public Theater's Production, Closing Tonight
by Jay Irwin
- Apr 22, 2012
Currently up to bat at Seattle Public Theater we have a spotlight on one of the most recent scandals to rock America's pastime, steroids, with "Back Back Back" by Itamar Moses. And while not one of the most scintillating looks into the inner workings of Baseball, director Kelly Kitchens has assembled a fine team of players who turn in some wonderful performances.
BWW Reviews: BACK BACK BACK at Seattle Public Theater
by Jay Irwin
- Apr 2, 2012
Currently up to bat at Seattle Public Theater we have a spotlight on one of the most recent scandals to rock America's pastime, steroids, with "Back Back Back" by Itamar Moses. And while not one of the most scintillating looks into the inner workings of Baseball, director Kelly Kitchens has assembled a fine team of players who turn in some wonderful performances.
Seattle Shakespeare Company Announces Seasons
by Harmony Wheeler
- Feb 21, 2012
Seattle Shakespeare Company's new Artistic Director George Mount announced the company's programming plans for 2012-2013 that includes an indoor revival of a popular Wooden O production and the return of some favorite artists both on and offstage.
BWW Reviews: THE CRYPTOGRAM at Seattle Public Theater
by BWW
News Desk
- Oct 23, 2011
On the surface, Seattle Public Theater's current production of David Mamet's "The Cryptogram" is a simple family drama. But then, this is Mamet and nothing is simple. Especially when you add in his glorious language and it goes from simple story to sublime dance of words. And while I enjoyed the language and the Mamet-ness of it all, I ultimately walked away more than a little confused.
BWW Reviews: THE CRYPTOGRAM at Seattle Public Theater
by Jay Irwin
- Oct 2, 2011
On the surface, Seattle Public Theater's current production of David Mamet's "The Cryptogram" is a simple family drama. But then, this is Mamet and nothing is simple. Especially when you add in his glorious language and it goes from simple story to sublime dance of words. And while I enjoyed the language and the Mamet-ness of it all, I ultimately walked away more than a little confused.
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